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Here’s the obituary from The New York Times.

Master drummer Max Roach died today at the age of 83. Here’s the story from the New York Times:

• Max Roach, a Founder of Modern Jazz, Dies at 83

I haven’t written anything yet about the death of my favorite writer, Kurt Vonnegut. He’s such a foundation stone in my life, my humor (such as it is), and my appreciation of the world around me. I’ll add to these thoughts soon, but for now let me say:

So it goes.

Tyrone Hill, trombonist with the Sun Ra Arkestra, died March 11 at age 58.

Read the full story.

Legendary jazz writer Whitney Balliett died yesterday at 80. Balliett covered jazz from its emergence as popular music through the bebop era and beyond.

Here are obituaries in the New York Sun and The Washington Post.

Sometimes you turn on the computer and wish you hadn’t. A few minutes ago, I looked at the news ticker from All About Jazz and learned that both Michael Brecker and Alice Coltrane died this weekend. What a damned shame.

Even if you’re not a jazz fan, you’ve heard Michael Brecker. In addition to his unmatched jazz chops, he’s taken some of the most famous saxophone solos in pop and rock history, playing with everyone from Paul Simon (”Still Crazy After All These Years”) to James Taylor to Steely Dan to Joni Mitchell (including the brilliant live album Shadows And Light“).

In 1997 or 98, I took a master class with Michael Brecker at the Tokyo Blue Note. It wasn’t a master class in the usual sense — it was a room of about 40 people who spent an hour with our jaws hitting the floor as we watched Brecker run through a series of excercises and improv ideas. I don’t know if I left knowing how to play my horn better, but I certainly left with an even deeper respect for Brecker’s artistry.

I only got to see Michael Brecker once in concert. He was playing with Dave Liebman and Joe Lovano. The three of them had just made the album Gathering Of Spirits, and they captivated a roomfull of passionate fans during the International Association for Jazz Education conference in New York in 2004.

I love Michael Brecker’s playing, and I’m truly saddened to hear of his passing.

Alice Coltrane was the wife of saxophonist John Coltrane. In recent years, she’d been on the comeback trail, releasing Translinear Light in 2004 — her first new album in 26 years. She was a wonderful spirit and an inspiration for many, including her son, saxophonist Ravi Coltrane. You can see some good interview footage with Alice Coltrane on Brandford Marsalis’s DVD performance Coltrane’s A Love Supreme: Live.

One of my all-time favorite jazz singers is gone. Thanks for the music. You’ll be missed…

ANITA O’DAY
October 18, 1919-November 23, 2006

Jazz Vocal legend Anita O’Day passed this morning October 23, 2006 at 6:17AM in West Los Angeles. The cause of death was cardiac arrest according to her manager Robbie Cavalina.

Born Anita Belle Colton in Chicago, Illinois on October 18, 1919, O’Day got her start as a teen. She eventually changed her name to O’Day and in the late 1930’s began singing in a jazz club called the Off- Beat, a popular hangout for musicians like band leader and drummer Gene Krupa. In 1941 she joined Krupa’s band, and a few weeks later Krupa hired trumpeter Roy Eldridge. O’Day and Eldridge had great chemistry on stage and their duet “Let Me Off Uptown” became a million-dollar-seller, boosting the popularity of the Krupa band. Also that year, “Down Beat” magazine named O’Day “New Star of the Year” and, in 1942, she was selected as one of the top five big band singers.

After her stint with, Krupa, O’Day joined Stan Kenton’s band. She left the band after a year and returned to Krupa. Singer Jackie Cain remembers the first time she saw O’Day with the Krupa band. “I was really impressed,” she recalls, “She (O’Day) sang with a jazz feel, and that was kind of fresh and new at the time.” Later, O’Day joined Stan Kenton’s band with whom she cut an album that featured the hit tune “And Her Tears Flowed Like Wine”

In the late’40s, O’Day struck out on her own. She teamed up with drummer John Poole, with whom she played for the next 32 years. Her album “Anita”, which she recorded on producer Norman Granz’s new Verve label, elevated her career to new heights. She began performing in festivals and concerts with such illustrious musicians as Louis Armstrong, Dinah Washington, Georg Shearing and Thelonious Monk. O’Day also appeared in the documentary filmed at the Newport Jazz Festival in 1958 called “Jazz on a Summer Day”, which made her an international star.

Throughout the ’60s Anita continued to tour and record while addicted to heroin and in 1969 she nearly died from an overdose. O’Day eventually beat her addiction and returned to work. In 1981 she published her autobiography “High Times, Hard Times” which, among other things, talked candidly about her drug addiction.

Her final recording was “Indestructible Anita O’Day” and featured Eddie Locke, Chip Jackson, Roswell Rudd, Lafayette Harris, Tommy Morimoto and the great Joe Wider. A documentary, “ANITA O’DAY-THE LIFE OF A JAZZ SINGER” will be released in 2007.

The great saxophonist Dewey Redman passed away on September 2. Here’s a tribute from All About Jazz.

Famed trumpeter Maynard Ferguson died this week at the age of 78. Here’s the full story at All About Jazz.

This week on The Jason Crane Show, I’ll feature an archival interview with Maynard Ferguson.

There’s also a lot of great Maynard material at maynardferguson.com.

Legendary Brazilian composer Moacir Santos died August 6. Do yourself a favor and pick up his recent 2-CD collection Ouro Negro. You can get it with the link below. Santos was a real genius, and a big favorite of mine when I hosted Traffic Jam and played “The Latin Set” each day. Here’s an obituary from All About Jazz.