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Category: Buddhism

My unintentionally secret podcast

A couple years ago a pal in the UK asked me to make a podcast explaining Buddhism for young-ish listeners. This podcast was to be used in UK school programs on general religion. I made a series of 3-minute podcast episodes giving my responses to the study questions my pal sent me, and published all that at 3minutesofbuddhism.com. I think it’s kinda fun. You can listen to the whole series in 33 minutes, so check it out and let me know if I should make more of these.

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Buddhism can be pretty @#$&^% useful

Thought process I went through just now:

1. I wonder if I should have a conversation with my sister about what my intentions are when one of our parents dies.

2. I might feel differently about that situation when it actually happens.

3. There’s no need to deal with it until it occurs.

4. That applies to so much of life. Too much planning and overthinking and playing out stories. 

5. The better way is clearly just to deal with what’s actually happening right now.

6. That @#$%& Buddhist approach sure does get proved right quite often. 

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Poetry and the present moment

The idea of living in the present moment is central to Buddhist practice, which I’ve been trying my hand at for more than two decades. As I’ve come to understand it, the basic concept is that the past has passed and the future is unknowable, so the only time with which we can interact is this moment right now. And right now. And … you get it.

The instruction to remain centered in the present is one of my favorite parts of Buddhist philosophy. It’s also remarkably difficult to do, at least for me. No matter how much the present might be demanding my attention, I still find myself caught up in memories and daydreams, returning to past successes and failures, and turning over future visions in my mind.

Poetry can be an aid to present-minded living, serving as it does — or at least as it can — as a textual photograph of a moment. This is supposed to be one of the main methods of creating haiku, for example, though I find even in that form I am often mired in the past. The more I deviate from the nature-word-plus-present-description method of haiku, the more likely it is that my tiny poems will contain sharply pointed thorns of memory.

I overheard one of my coworkers this morning talking about an “on this day” post they’d received on Facebook and how it had dredged up difficult memories. I’m glad to not be on Facebook, because I have too many memories I’d prefer to avoid. And yet, when left to its own devices, the Zuckerberg in my skull is all too happy to pull up some scene I’d sooner escape.

Perhaps one problem, if that’s the word, is that my current life is — or seems — very small. I work in an office during the day. After work I retreat to the 32 square feet of my van, which is where I spend most of my non-work time. This might be an excuse, but I feel like these circumstances don’t lend themselves to the kind of noticing so fundamental to poetry. So instead of seeing things in the world around me, I mine the shafts in my brain for the ore I need to write.

That last paragraph does feel like an excuse now that I read it again. Noticing can happen in any circumstances, and the present moment is the present moment, no matter what it contains. Maybe this whole essay can serve as a call to action for my own writing (I accidentally typed “righting” — a useful accident?); a reminder to pay closer attention to what might seem mundane or confined. I guess we’ll all find out together whether I heed that call in the weeks and months ahead.

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POEM: Tomodachi

Tomodachi
for AJ

There is some sort of path here,
though it’s hard to make out,
even in good light.
Kalyana mitra:
good friend, virtuous friend,
noble friend, admirable friend.
In any case we’re well-meaning,
always looking for ways to make
the other’s life better.
At the very least that’s metta,
loving-kindness, which is all
I can ask of anyone these days.
I mean, I’ve mixed up
the Pali and Sanskrit
in this poem, so who am I to judge
how lives entangle?

/ / /

3 May 2022
Pittsfield MA

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POEM: Proof Of Life

Proof Of Life

The condensation on the windows is proof of life
for passersby who might try to see past the curtain
or the blacked-out covers into the interior
of my not-exactly-a-home on wheels.
I’m sitting upright, my bottom half in a sleeping bag,
my top half shrouded in a wool blanket,
meditating because it seems like the right thing to do.
There’s an insistent bird in the leafless tree
outside the rear window of the van, its song
one I would have been able to name just a few years ago.
That knowledge, like so much I used to contain,
has passed through the bone safe of my skull
into the poorly designed container of the world.
In more than twenty years of meditation
I have rarely quieted the dancing monkey
who jumps from one sparking synapse to the next
          with a shrill laugh.
I keep at it because I don’t have a control group,
so no comparison can be made.
A text from my sister: “Peace and stability are just ahead.”
She is not, as far as I know, clairvoyant,
but I’d rather believe her than lend credence to myself.
The bell dings and I use the remote starter
to turn on the van I’m sitting in.
It’s easier than crawling up front.
Soon the heat will kick in and I’ll do the crossword
and the bird will keep singing or else it won’t.

/ / /

20 April 2022
Pittsfield MA

(NaPoWriMo Day 20)

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haiku: 27 July 2021

this morning: metta
“happy, healthy, safe, at peace”
then: a weed whacker

/ / /

27 July 2021
Greensboro Bend VT

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haiku: 22 July 2021

stained glass, warm sunlight
there’s nobody here but me
or not even me

/ / /

22 July 2021
Greensboro VT

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POEM: Buddha beside the highway

Buddha beside the highway

US 17 South
near Remington, Virginia
suddenly he’s there
in a glass box as large as a house
looking out serenely over the highway
spotlights above & below
who put him there?
who pays the electric bill?
who knew there’d be a Buddhist
in a van on this of all nights
needing a little reassurance
on the highway?

/ / /

6 July 2021
Greensboro VT

(recalling something I saw early in my van life)

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POEM: vespers

vespers

the house is quiet
a chickadee sings nearby
cars pass on the road below
somewhere close the dog naps

yet again my attention is drawn
toward the great question
at the heart of all people
the question that cannot be answered

I was, I wasn’t, I am, I’m not, I will be, I won’t be
I shot twenty-four arrows this afternoon
one hit the small pink target on the hay bale
the rest disappeared into the mist

I have a post office box & a driver’s license
am I real now?

/ / /

2 June 2021
Greensboro Bend VT

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POEM: star stuff

star stuff

I honestly don’t know how you did it
not the sitting under the tree bit
that I can more or less understand
it was all the stuff before that
leaving home behind
starving yourself
attacking your own body
all for a chance at true vision
who does that?
at that point the tree must have
seemed like a relief
even though you were starving
a little shade
maybe some support for your back
and then the gift of rice from the young woman
I think I’ve got that part right
by the time the dawn star rose
feeling one with everything
was a natural result
“I’ve reduced myself
to the barest essentials,
to the star stuff of which
we’re all composed”
I made up that quote but still

/ / /

23 April 2021
State College PA
for Siddartha Gautama
the Buddha

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POEM: for Kodo Sawaki

for Kodo Sawaki

we never met
we couldn’t have
we’d have disagreed about the war
but agreed about most other things
to be fair, even with a time machine
my Japanese these days
is at an elementary school level
you would have to dumb things down
but I’d enjoy having tea
just sitting there
maybe with a ballgame on
not giving in to group stupidity
until our team scores

/ / /

18 April 2021
State College PA

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POEM: redwoods

redwoods

as high as a football field is long
unlike the field they have no goal
a perfect example of practice

///

10 February 2021
Lady Bird Johnson Grove
Humboldt County, CA

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