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Category: Poetry

POEM: song for Oscar

song for Oscar

a canary-yellow miner
rummages beneath the Rubin
for the molten core of music

light jumps from the stage
to the keys of his clarinet
then out into the crowd

like the fierce glare
of a headlamp
worn to stave off the dark

it’s a long trip from Tucson
to 17th Street, with a lot of
empty space along the way

miles of desert air filling
his lungs, breathed out
into the room like the

oncoming night that spills
into the bowl of mountains
around The Old Pueblo

there were a million reasons to stay
to become just another uncle
who unpacks his horn at the holidays

to the groans of the young ones
“just sit there while Uncle Oscar
plays a song” she would have said

but in a town with a dried-up river
he learned to swim against the stream
all the way to this refuge on the estuary

now on a Saturday night at Barbes
you’ll hear the brass banda smashing
through the walls, forcing

the dancers to take to the floor
spinning, laughing, weeping
with memory and ecstasy

beneath the black cowboy hat
is a brain that can pick its way
between the cracked stones

at the end of the sidewalk
where the music comes
in splinters and shards

/ / /

I’m a big fan of saxophonist and clarinetist Oscar Noriega and have wanted to write a poem about him for a while. When I learned that he’s from Tucson, a place very dear to me, this is what resulted. I’ve seen him in a number of contexts. The images in this poem come primarily from a recent show with Tim Berne and also from his band Banda Sinaloense de los Muertos.

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POEM: original black

original black

three men in white
investigating black
all-caps BLACK

digging at:
        the roots
        the rhythms
        the rhymes

blood samples
lined up against
blue-black bodies
strands of DNA
leading to Pryor’s
“original black”

Andrew Lamb
(“The Black Lamb”)
lives behind this poem
his saxophone weeps
for New Orleans
salty tears running
down black cheeks
saliva on cane reed
sweat on his brow

there were two black
kids in my high school
out of twelve hundred
one Cambodian girl, too
(“a boat person”)

“the thing I like about you”
John said to me
“is that you talk
to black people
just like other people”

just.
like.
other.
people.

/ / /

This poem was inspired by two things: going to see Vernon Reid’s Artificial Afrika at Dixon Place last night and then listening to Andrew Lamb’s brilliant album New Orleans Suite again this morning.

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POEM: safe as houses

safe as houses

seagulls are protesting / in the dawn skies / above the post office

we’re waiting / by the hot dog cart / for our buses to

Baltimore / Pittsburgh / Boston / Washington

it’s cold enough to snow / but the young Australian / is wearing an open / denim jacket / over a t-shirt

trying not to shiver / as he discusses college / with an Asian woman /
who has a British accent

no one knows where to stand / for which bus / so the affable coffee drinker / in his knit cap / says “Boston” / over and over again / to each person who approaches

the ride from Brooklyn / to Manhattan / was stereotypical / of the kind of New York / you don’t really see these days

vomit on the A train / (twice) / the smell of sewage / rising like a physical presence / from the grates in the street

that said / New York is cleaner now / safer / in every sense of the word

you can’t imagine the Velvets / blasting into the world / with this New York / as a launching pad

not when Katy Perry / stands five stories tall / in Times Square / next to an illuminated M&M

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POEM: listening to Tom Waits’ Small Change

listening to Tom Waits’ Small Change

you’re sleeping close to me
holding one of my hands
in both of yours
there’s a candle on the dresser
another on the night table
a third behind the two Buddhas
on my map, our rivers
don’t meet anywhere
which just goes to show
it’s worth getting out
to see for yourself
the mapmakers can get it wrong
there could be just one big river
right off the edge of the page

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POEM: sweet violence

sweet violence

can come with an open hand
or at the tip of a sharp tongue
it covers up the salty taste of tears
you call me “sweetheart” afterward
I can’t think of anything to say during dinner
that won’t sound like a lie
later, in bed, you lace your fingers in mine
I hold my breath like a condemned prisoner
my hair is turning gray on this diet of ashes
my tongue lies heavy in my mouth
I’m betraying the fading light beneath my skin

/ / /

It’s been a while since I finished a poem. I wrote this one at the Museum of Modern Art in New York today after seeing the “Sweet Violence” exhibit for the second time. Please go see it if you can.

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POEM: sing me a Haitian song


Photo source

sing me a Haitian song

sing mules and horses on the mountainside
          a calabash of river water to wash in
          another to drink

sing to me of the climbing tree
          four uncles on the summit waiting
          for the return of the prodigal nephew

sing me an African rhythm
          drawn from the source of the one true river
          that became the ocean and surrounded the islands

sing to me of proud women with straight backs
          burdens atop their heads as they appear and disappear
          on the peaks and in the valleys

sing me a policeman’s song
          a wide-brimmed hat his badge of office
          his horse weary from climbing

sing me a Brooklyn dance, no music but the drum
          to remake their lost island in an old meeting hall
          filled with vegetable stew and mountain stories

sing me sixty-odd years since then
          the boy once mesmerized by the drummer
          returning to old ground as a man of the drum himself

/ / /

This poem is inspired by an interview I conducted with drummer Andrew Cyrille. You can hear the interview here.

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POEM: post office, Sunset Park

post office, Sunset Park

digging on Mississippi John Hurt
the definite article
watching a guy try and fail
to zip his leather jacket

Italian-American bus driver tells
African-American postal clerk
he’s looking for Tony Bennet stamps
“I’m still stuck with these Kwanzaa stamps.”

“Lucky for you it’s Kwanzaa again.”
          Laughter.
Mississippi John Hurt is singing about
fish and money. But not really.

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POEM: Orion on Prospect Avenue

Orion on Prospect Avenue

sharp sword dangling from his belt
swinging back and forth
above the Chinese grocery
the Middle Eastern restaurants
the yarn shop with its scarves-to-be

I’m walking up the hill wondering
just how far away those stars are
I know they’re not even near one another
Orion is a picture people made
from a story they invented

the cold, cloudless night
makes the hunter’s broad shoulders
stand out above the Catholic church
where tomorrow’s worshipers
will gather to hedge their bets

a little farther up the hill
is a three-story brick building
where rice is cooking and curry
with potatoes and carrots and onions
is bubbling on the stove

meanwhile the hunter stalks the avenue
in a city where people seldom look up at the sky

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POEM: expenses

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/ / /

expenses

$1.00 for the three congueros
          on the D train
          black men with beautiful braids
          down their backs
          too meticulous to be dreadlocks

$5.00 for queso made from yeast
          bought from a friendly former hippie
          in a Bushwick bar
          where a bomb would have
          devoured all the vegans

$1.00 for a bottle of water
          on the subway platform
          at Columbus Circle
          to wash down the pills
          that make the sun shine
          “better living through chemistry”

$10.40 for an everything bagel with
          eggs and cheddar
          and a plain bagel with
          tofu cream cheese
          eaten with my lover
          on a bench in Prospect Park

$104.00 for a MetroCard
          to let me move between boroughs
          for a month
          until it runs out when I’m broke
          and on the way
          to somewhere important

$3.87 for yet another bagel
          and a strawberry iced tea
          before the sun came up
          in Sunset Park
          where I wouldn’t have been
          but for her

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POEM: cotton candy

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/ / /

cotton candy

God was on the G train today
disguised as an Ecuadorian man in his 40s
He was selling cotton candy
dozens of bags of it like palm leaves
stapled to the top of a long stick
it’s a thankless job, being God
and also selling cotton candy
having to ride the G is a bit of a drag, too
especially on a Sunday
still, though, after all the years
pushing abstinence and devotion
cotton candy is an easier product to market
the kids like it, too, in a way they
never cottoned (sorry) to His book
at Bergen Street the Devil got on
selling blinky lights and flashlights
for two bucks a pop
he is the Light Bearer, after all
and let’s be honest, he’s a much better salesman
funny that after all the casting down and the weeping
and the wailing and the gnashing of teeth
they’re both on the same train
trying to make a buck

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POEM: sorry, Larry

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/ / /

sorry, Larry

after being called downstairs
every four goddamned hours
I justifiably killed Larry
maybe not on purpose (quite)
rather seductively, tentatively
under very wan
xanthic — yellow — zinnias

/ / /

I’ve been reading Charles Bernstein’s Attack Of The Difficult Poems and decided to try some of the poetry writing experiments he mentions there. You’ll find them listed here. This experiment was to write a poem where each word begins with the next letter of the alphabet.

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POEM: natsukashii

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/ / /

This poem is a combination of images from my past and images from the present.

natsukashii

genmaicha leaves
in a clay pot

Tokyo sounds
subway travels

tatami mats
against our legs

tangy curry
from little cubes

Tonari no
Totoro
&

a cat who steps
on his belly

maybe you should
kiss me again

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POEM: hiccup

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/ / /

hiccup

I’m not even sure how to spell it
hiccup? hiccough?
one of the body’s mysteries
a reminder that our agency
is illusory / at any moment
the physical can reassert control
stop a heart at the dinner table
collapse legs on a busy street
as a packed bus bears down
I could awaken tomorrow
having taken my last step
handwritten my last poem
are these words worth it?
in the constant glare
of oncoming headlights
I reach for
(my notebook)
(the phone)
(my lover’s cool white hand)

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POEM: poems for foolish hearts

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/ / /

Tonight I went to see Foolish Hearts, a duo with Peter Eldridge and Matt Aronoff. They were amazing — a master class in musicianship at the highest level paired with an incredibly emotional connection with the crowd. As I often do, I wrote a poem while listening to them. This is an acrostic poem. Not a format I often use, but it seemed like a fun place to start. I took several photos tonight, too, which you can see here.

From

poems for foolish hearts

1.

picture me
even now, waiting
till you arrive
even now
remembering the last time
even now
looking toward the back of the room
darting ever-so-casual glances
ready to wave you over
I have to confess I
didn’t expect to be here alone
giving myself over to the music
even now

2.

meet me
at Cornelia Street
tonight, wearing
that dress
ask me to
remember
or kiss me
now before
one of us
falls to earth
from this narrow ledge

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POEM: cafe conversation

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/ / /

cafe conversation

boat pulls alongside
cannons firing
captain peers
through the smoke
for signs of a hit
shouted orders
harsh commands
the meaty thunk of balls
rammed into cannon mouths
tongues of flame following
as they fly
into the manufactured fog
a moment’s quiet would reveal
that his prey
slipped into the night
long ago

the sea floor
is thick
with misplaced iron

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