Circle Pit
We’re packed into L’Anti Bar
while Crachat slams into their last song.
They’re wild, ferocious, loud, glorious.
A room full of hometown fans
jump and smash and sing along.
Then it’s over. During the break
two locals talk to me in English.
They want to know why I’m here
in Québec for a punk show.
They recommend bands and a cool bar
for the after-party, not knowing
I’ll be in bed as soon as the next band is done.
Stephanie and I get closer to the stage.
It’s time for Taxi Girls, the reason we added
hours of extra driving to an already long trip.
They rip into the first song,
leave claw marks on the crowd.
Stephanie weaves even closer,
phone camera as talisman.
I hold our coats, sleeves stuffed with
festival t-shirts, keffiyehs, our hats.
The band starts “The Lion’s Share.”
We belt out the words. I play air guitar
under the coats. Nerd to the core.
After the show we chat with the band,
buy records, get them signed,
walk to our rented apartment
through the frigid night,
slowing down to photograph
queer anarchist graffiti
because we’re queer anarchists.
La musique punk est
le langage universel
de la révolution.
21 February 2025
Québec
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