a train is a good place to write a poem even a train that hasn’t left yet is full of possibility a train puts me at ease no traffic, no tolls no need to navigate just ride the rails until you get to your station it’s a terrible metaphor for life but my favorite way to travel
mayflies dead on the streets of Selma mayflies dead on the Edmund Pettus Bridge David and I are there to remember to pay our respects, to see but everywhere we look the streets and sidewalks are covered with drifts of mayfly carcasses heaps of translucent white wings uncountable numbers of corpses we try not to step on them it’s all but impossible we walk with a sickening crunch across that weighty bridge emerging on the other side two white people unscathed on a field of the dead
I have learned nothing about this place I know the route from home to work from home to Wegmans from home to downtown when my partner drives back to their other place I don’t know which direction they go most days I seem to be floating like Fenchurch in the Adams book never quite touching the ground today someone from afar told me I’m flourishing my sister says my life is stable my kids, well, I’m never sure about them but me? I’m here but not here like a main street façade built for a movie it looks real if you don’t get too close don’t peek around the back don’t see the beams propping up the illusion I’m a dusty western town tumbleweeds blowing through a short hop from the highway that goes everywhere and nowhere
no matter how many times I hear the magic trick that was Art Tatum I can never figure out how he did it how his mind leapt as if he’d never heard of the law of gravity how his fingers found all those keys with no eyes to guide them how he took songs everybody knew and blasted them into a million glittering jewels of sound he had an arm up each sleeve with miraculous hands at the ends here I sit, mouth open in wonder grateful just to listen
Black Saint Billy Harper is wailing 40-something years ago in some other city but tonight he’s filling the air in our bedroom in Charlottesville because earlier today at Melody supreme his record was on the wall and I remembered that time I interviewed him and his voice was so rich and resonant that it put mine to shame and that was already so long ago that I recall only impressions (not the Coltrane tune) and wow! this band is killing.
five decades collapsed in an instant black metaltail hummingbird
I made the mistake of listening to headlines while I washed the dishes tonight. I’d been proud of myself for washing them rather than just getting into bed. By the time I finished I was enraged, my heart pounding in my chest. The antithesis of meditation. It’s the Frodo Baggins of it all: living through times I’d have rather avoided, chest full of a heart that can’t look away. I’m too cowardly for the big things. I let my bosses silence me. I hide behind the age-old fear of getting yelled at. I’m not a Willem van Spronsen. Not an Alexander Berkman. My hands shake as I rinse the last glass, set it rim-side-down on the pile of clean dishes in the drying rack. I turn off the podcast so I can write this poem.
In this post I talked about how I’ve recently taken up sketching, after believing for the better part of five decades that I couldn’t draw at all. Here are a few more recent sketches from this new and exciting adventure.
I’ve always said that I want to be an elderly person without having to live the part of life that leads up to it. Well, I’m 51 now, and so it seems like if I make it to “elderly,” I’m going to be doing it the old fashioned way. But it’s not going to be like I hoped. I don’t often think about what my life will actually look like when I’m old, because I have no savings and I’m not depending on any social safety net to keep me afloat. As far as I can tell, my options are to work till I die, or to work till I can’t then move back into a vehicle and use any Social Security that I might get just to eat, or to throw myself on the mercy of one of my sons. I guess the other option is to die in the Water Wars, but that one is harder to plan for. America!
there’s a mysterious valley behind Lisa I hadn’t noticed it until today I guess I was too distracted by the smile we’re told to look at but there it is – a path and a bridge some mountains fading into mist while Lisa sits there daring us to look past her
We’ll probably never know what he did when he was overseas in a uniform. He kept most of that pretty close to the chest. In fact he kept most things pretty close to the chest. He was a classic man of his era. He served, he worked, he did what was required. I once watched him eat two slices of pizza and wash them down with a full glass of milk. He was, if memory serves, the only person I ever knew who preferred Wonder Bread to all other kinds. I sat at his table one afternoon, having decided to unburden my emotions to this least likely of hearers. When I was done, he told me to get my head out of my ass. He wasn’t wrong.
/ / /
31 March 2025 Charlottesville VA
For my Uncle John, who passed away on March 29, 2025.
I’m in my early 50s, and for all the time I’ve been alive and able to hold a writing instrument, I’ve believed I was bad at visual art. I always wished I could draw, especially when I got to high school and some of my classmates were talented artists. I’d try to draw the occasional cartoon and I was always unhappy with the results.
In later years, I became more serious about poetry, I had a couple poet friends who were also visual artists, and I was envious of the way their notebooks contained both their poems and their images.
I recently started using pencils again to write, and the other night I was on the couch and decided to try to sketch the stereo, which is helpfully rectangular.
I thought it was pretty poor, but Stephanie liked it. So did a few other people who saw it. This gave me a bit of confidence.
At work I grabbed some printer paper and a piece of card stock and made my own sketchbook:
I made another sketch of the stereo. Then I tried to sketch my less rectangular car, Marshmallow:
The proportions are clearly wrong but I still like it. This evening I tried a third sketch:
I did a bit of shading because I’m hella fancy.
And look, I’m no great artist or anything, but I quite literally spent 45+ years believing I didn’t know how to draw at all. I feel like I’ve unlocked a latent mutant ability. It’s exciting!
a carpenter bee inspects the bird feeder across the street, a neighbor mows short grass there’s a woodpecker knocking in a tree behind me the cat jumps up to say hi then bites my hand I saw a video once about a man who finds the last quiet places I haven’t seen him around here
The crossword puzzle book – which, let’s be honest, is already a pretty old place to start – has a clue asking for the name of Fred Astaire’s sister. As I pencil in ADELE, I get that cozy feeling that comes from a warm fire on a snowy day with an old movie playing. There’s something oddly comforting about knowing Fred’s sister’s name, as there is about knowing Fred himself. I was born in the era of record players housed in credenzas, grew up in the era of cassette tapes and then CDs, and watched my kids come of age at a time when every song ever recorded is available at the touch of a pretend button. But now it’s Sunday afternoon, I’m listening to Horowitz on vinyl, penciling in the name of Fred Astaire’s sister, and happy to be spanning the ages with my wonder still intact.