“Everyone draws – until around puberty, and after that for some reason they either announce that they can’t draw, or they keep drawing. Maybe the only thing that marks an artist is the presence of a double negative: an artist is someone who doesn’t claim they can’t draw.” – Amy Sillman, “On Drawing”
flipping through Patrick Heron’s paintings on my phone I think: perhaps these aren’t for me before I slap myself across the face of my mind and remember: I haven’t seen them yet
I’m reading Amy Sillman’s essay “On Color” in her book Faux Pas. Despite my issues with seeing color, the essay is drawing me in, largely in the way it opens a door to the tactile world of paint selection, something I was unaware of.
I have a strong desire to lead a more “artistic” life, although I’m not totally sure what that means. Before I started to write this, my initial thought was that it means a life very different from the one I have now. In the next moment, though, I identified my tendency toward all change being radical, and tried instead to push past that first reaction to instead see that art is close at hand.
I’m already a poet. I’m learning to sketch. I have fairly easy access to museums. I could make music. I could create the poetry album I’ve been meaning to work on. In short, I am already living an artistic life, and I have the means at my disposal to deepen that practice if I choose to. The readiness is all, as Hamlet said.
My copy (top) of Amy Sillman’s sketch (bottom) accompanying her essay “On Color.”
In this post I talked about how I’ve recently taken up sketching, after believing for the better part of five decades that I couldn’t draw at all. Here are a few more recent sketches from this new and exciting adventure.
there’s a mysterious valley behind Lisa I hadn’t noticed it until today I guess I was too distracted by the smile we’re told to look at but there it is – a path and a bridge some mountains fading into mist while Lisa sits there daring us to look past her
Nearly every piece of art in my house was either made by someone I know or else given to me by someone I know. I love being surrounded by the art of people who matter to me. Here’s a tour of the Jason Crane Museum Of Art.
Ceramic Buddha made by Alamaba potter Po Wiese
Poem on a piece of wallpaper by Hannah Inglesby
Drawing by Lindsey Bieda
Painting of the Canandaigua Lake boat houses, given to me by my parents
Print of a work by Michelangelo DYarumal
John Coltrane postcard from Josh Ferko; Buddha from the Upper West Side of NYC; acorn from my kids’ house in State College; pine cones from PA and AL; feather from Lindsay Tan; my grandfather’s high school ring from 1929.
Buddha image from Nancy Hamilton
Turtle from Nancy Hamilton; photo by Reuben Radding; crane from Irene Jaglowski; chicken from Gina Thompson; Buddhist precepts framed by me.
Mounted newspaper article given to me by my parents
Walt Whitman poster by Mitchell Santine Gould; cross-stitch of a Norman Rockwell painting by my grandpa, Bernie Flanders; John Coltrane poster, given to me by my former wife
Ostrich Beanie Baby from Nancy Hamilton; bonsai tree image by Abby Massaro
Self-portrait by Gregg Lion-Hands Symons; mug and candle from Jenn Weinzerl-Binus
Rochester skyline photo given to me by my parents
Sketch by Amanda Jo Pulcine
Photo of my kids given to me by my parents
Mask from Seoul, Korea
George and Martha, originally in my parents’ house, now in mine
Kannon from Sarah in Auburn, AL
Jar of marbles from Kate Hoffman; photo from my parents
Collage of baby/childhood photos, originally hung in my parents’ house
Poster from the Andy Warhol Museum in Pittsburgh
Framed postcard from the Jules Collins Smith Museum of Art in Auburn, AL, given to me by Hal Smith