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Category: Audio Poems

POEM: Idaho

Listen to this poem using the player above.

I wrote a lot of poetry during my recent trip to Chattanooga, Tennessee. One of the poems was inspired by meeting bicycle adventurer Joe “Metal Cowboy” Kurmaskie, and reading his first book, Metal Cowboy: Ten Years Further Down the Road Less Pedaled.

With Joe Kurmaskie in Chattanooga, TN. Photo by Lois Chaplin.

Idaho
for Joe Kurmaskie

on this rainy Idaho morning
I give you a name
I tap your destiny
with my white cane

have you reckoned
a thousand miles much?
have you packed a bag
and left all else behind?

with the legs as the only engine
you can hear what is there to hear
the whispering of spirits on the roadside
singing the world into being

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POEM: Tennessee Horizon

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Tennessee Horizon

I am a little bit in love with everyone, including you
and this Tennessee horizon will no let me go.

Who is the giver of names for the things we most cherish?
In the dawn light I can’t see you clearly enough

to know whether you are crying or maybe that’s the rain.
It’s raining in everything I write.

I could take shelter in you, if only time is a circle
and I’ll have this all to do again.

Tennessee is a terrible beauty and you are a fleeting gift.
Whosoever has cause why this couple should not be joined,

let him speak now. I loved you in the dim and bright,
in the thick silences and the sticky-sweet mornings.

Sailors always knew the world was round
because ships disappeared over the horizon.

That’s how I knew it was time to go.
I’m still a little bit in love with you and with Tennessee

and with this dawn light and with this rain.
If you let me go, I’ll come back to you

because time is a circle
and the world is round.

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POEM: I never heard Buddy Bolden say a goddamned thing

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The music in the audio version of the poem is “Buddy Bolden’s Blues” performed by Sidney Bechet.

I never heard Buddy Bolden say a goddamned thing

never saw Count Basie swing
never felt Duke love me madly
never heard Prez bend a note so sadly
never saw Miles though I was alive
never watched Mingus struggle to survive
never danced round and round with Monk
never moved to Lockjaw’s roundhouse funk
never smelled the flower in Billie’s hair
never tasted Coltrane’s thickly burning air
never swung my girl to Chick Webb’s drums
never stared amazed at Tatum’s thumbs
never laughed as Ella made up the words
never cried as Lacy called down the birds
never asked Jackie what made him tick
never nursed Charlie when he was sick
never bopped when Dizzy beed
never copped what Dexter’d need
never thought they had it made
never forget a note they played

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POEM: dust to dust

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dust to dust

ours is not to wonder why
though of course we do wonder
why?
because we like you
and when we say we, we are speaking royally
as in screwed blued tattooed
an indelible mark that reminds one —
or more —
of who one is and what one was and why
are such pretensions necessary?
it’s OK to say “me” and “I”
and to cry for spilt milk
ours is both to do AND die
I never understood the “or”
as if the doing could avoid the dying
when all light collapses into the black hole
in the center of it all
nothing can escape
all lights falls as night falls the light falls
as falls Wichita so falls Wichita Falls
and Niagara Falls and Sue falls
if she’s not careful
ours is to do and to die and to wonder
to stumble over coffee tables
on the way to the bathroom
when the rest of the house is sleeping
even our mouse
even the king’s mouse
and all the king’s horses and all the king’s men
will return to ash when their chips are cashed in

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POEM: What I Would Give For What We Had

What I Would Give For What We Had

In Lenox, Massachusetts, on the picturesque corner
of Main and Housatonic Streets,
is a building with walls made of butter-yellow brick.

Looking up from the sidewalk to the second floor,
you can see the windows
through which my family used to see the world.

There was a drop ceiling in the den that gave way
under the weight of rainwater,
dousing my grandfather as he removed a sodden panel,

standing on a chair to get a better grip, while lightning
lit the windows of the pharmacy below.
There is a shop that sells art photos and gourmet chocolate

where the garage used to be. “Home again, home again
jiggety jig,” my grandmother would say
every time. Back when she used to ride in the car, back when

she used to have places to go. I am so old I can remember her
driving herself, the modern woman, cigarette
fashionably cradled by elegant fingers, red nails catching

the sun that elsewhere lit trees on our famous hills.
It was only in the leaving that I realized
the loss, only in the black-and-white grandeur of deco

living rooms and dancing at the Crystal Ballroom.
Now I would trade anything for that place,
that time, those days when a street corner was the world
and all I knew was safe and protected within it.

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AUDIO: The Poets Jazz Trio Live At The Social Justice Center

Listen to the show using the player above.

More photos:

I had the pleasure tonight of performing a featured poetry set with the Poets Jazz Trio — poet Dan Wilcox on saxophone and percussion, poet Tom Corrado on bass, and me reading my poems and playing saxophone and percussion. We played as part of the Dan’s Third Thursday Poetry Series at the Social Justice Center in Albany. Many fine poets came out for the open mic and it was a joy to see them all. In this post, you’ll find photos from the event taken by poet Alan Catlin, along with an audio recording of the set that you can listen to with the player at the top of this post.

Thanks to Dan and Tom, and to Jason Parker of oneworkingmusician.com for his transcription assistance.

Tonight’s show was dedicated to the late jazz organist Gene Ludwig and to his wife, Pattye.

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POEM: Umbrella

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Umbrella

I’m bringing my umbrella in case it rains
I’m writing this poem in case it doesn’t

Last night you were out when I called
You’re often out these days, somewhere

I’d never noticed how empty a room could sound
Never wondered where these pans go

Sometimes I stand in the kitchen waiting for your voice
To tell me what to do next, who to be

Then the phone rings, full of hope, but it’s a bill collector
Looking for me to pay what’s owed

Everyone is looking for their due
But my cupboards are bare, my reserves are empty

And most of the time it’s raining
And I’ve forgotten my umbrella

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POEM: this two-wheeled life

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this two-wheeled life

all I could think about
as I sucked in diesel fumes
on 80 East was how much
I’d rather be riding my bike

how it was time to sever
the steel shackles
of my automotive life
to take to two wheels

as my creed, my gospel
my response to every
yelled curse and flung
container of french fries

I would yell “you first!”
when told to get off the road
would carry a lance
to joust with those

who referred to me by its name
and like Quixote before me
I would tilt – not at windmills,
but at the ceaseless turning

of the four-wheeled apocalypse
because there are more kinds of freedom
than choosing the radio station
and more kinds of individuality

than spinning rims and fuzzy dice
I would recapture
that nearly forgotten thrill
of being my own master

not a slave to the poisoners
of the Gulf, the savage
inequality of fossil fuels
they are better returned

to their undersea beds
to lie and sleep
to be forgotten as we zoom
and glide through this two-wheeled life

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POEM: in any given set

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in any given set

we walked around it all day
that little Japanese tea cup
sitting on what had been the dining room floor

it said Sanriku on the side
in bold yellow kanji
evoking memories of contented nights at the restaurant

when I arrived in Japan
my host mother could only say
“Are you Jay?” — still three more words than I

could say to her
ignorant as I was
of foreign tongues and other people’s customs

nineteen years gone
and I know more words
but I still wonder whether I understand

most of what you say
or what I am supposed to do
in any given set of circumstances

the little tea cup
occupies its fixed place
on the floor, forces us, unknowing, to give it room

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POEM: Seeing Eye

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This poem was inspired by Normanskill poet Alan Casline’s poem “My Navajo Butterfly Song.”

Seeing Eye
(for Alan Casline)

The Navajo sign said “no photos” —
I prefer to think of it as advice, not warning,

encouraging us to capture images with the lenses of our eyes,
to store them on our natural hard drives.

“Doesn’t anybody ever just remember anything anymore?”
George Carlin asked. He was right.

We’ve become victims of instant nostalgia,
our minds grown lazy, our brains soft.

It’s so bad that I’ve forgotten the first line of this very poem,
and the way my sons looked when they were born.

My therapist said chronic depression impairs
the memory centers of the brain, causes

gaps

in the remembered narrative. That was a relief to hear.
I always wondered why my life was a highlight reel,

the entire three-plus decades condensed into three-plus minutes,
like always seeing the bus but never being hit by it.

The Navajo sign said “no photos.”
Pretty smart, those Navajo.

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POEM: The Oak Tree

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Another poem for my wife.

The Oak Tree
(for Jennifer)

I had already asked you three times
you’d wisely declined
I was too young, too unproven
played the saxophone in a latin jazz band
you repaired houses for the poor
we each made barely enough to pay the rent

the fourth time was under an oak tree
at your mother’s house
you finally agreed, throwing caution
to the Pennsylvania wind
we were back East on a rare trip
to see our families, to display one another

that tree had been there for years and years
since the fields next to the dairy farm
were turned into a housing development
for upwardly mobile college professors
whose daughters spoke two languages
and traveled the world on the way to good lives

no one thought we’d last
they all said I was too young, too unproven
played the saxophone in a latin jazz band
couldn’t provide for you
all those beautiful 1950s sentiments
born of monochrome evenings with the Cleavers

but under that oak tree —
a sign of stability, of permanence —
you agreed to place a bet on the long shot
I held your hands as a stray leaf fell,
like your resistance, to rest
in the lush green grass behind the houses

after you said yes
we traveled north to my parents’ house
my mother gave me a wedding ring
that had been her grandmother’s
granting us her blessing
even though she doubted our future

the oak tree is gone now,
cut down by your mother
all these years I’d thought she hated what it represented
only found out this week that it was damaged
in an ice storm and had to be cut before it fell
so many things misunderstood

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POEM: dead pigeon

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Based on a recent New York City experience.

dead pigeon

dead pigeon on a gray sedan
gray sedan under a dead pigeon
dead gray pigeon sedan
gray dead sedan pigeon

heads turn, shake, pass
passing heads, shaking, turn
shaken heads pass, turning
shaken heads, turning, pass

soft feet slap pavement
soft pavement feet slap
slapping pavement, soft feet
slapping, soft, feet, pavement

head bleeding slow trickle
bleeding head trickle slow
slow bleeding head trickle
trickle bleeding head slow

gray dead sedan pigeon
dead gray pigeon sedan
gray sedan under a dead pigeon
dead pigeon on a gray sedan

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POEM: First Night of Summer, 2010

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First Night of Summer, 2010

At the Mobil station on the corner of Quail and New Scotland,
an obese man in a tank top delivers a lawnmower from the trunk
of his NASCAR-stickered beater to a young man in the latest

summer fashions. The obese man plops back into the driver’s seat,
reaches an arm through the open window to haul the door shut,
cranks up the radio, loudly injecting a surprising R&B track

into the first night of summer. Did the Indian or Pakistani or Sri Lankan
cashier in the Mobil station ever imagine himself here?
Did he play soccer or cricket as a child back home, dreaming

of the night when he’d sell Cheetos and Double Chocolate Milanos
to another obese man in dirty shorts, while R&B blared
and nervous SUV drivers stopped on the way to the suburbs?

Did any of us dream of this night? We sat on our mothers’ laps,
had our backs rubbed, dreamed of being paleontologists
or marine biologists or superheroes, not of schlepping to the gas station

to buy crap before the Red Sox game. In case you hadn’t guessed,
I’m the Second Man, one before Welles and not that many pounds off,
selling no wine before my time, plodding past the young and beautiful people

at the bars to get to the late-night sanctuary of those with no place else to go.
How the fuck did this happen? Where did the dumpster in my driveway
come from? Who put all those memories in there?

I want my mother, or at least the possibility she represented.
I want to go home, but I’m already there, and there’s a dumpster
in the driveway, and in a few days the men will come and haul it away.

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POEM: Separation

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This poem was inspired by a tweet by trombonist Jeff Albert. His message became the first line of the poem.

Separation

The MacBook Pro’s headphone out does
not have clean stereo separation.

It cannot effectively separate the
left from                  the right.

Nor can it color-code cull the allowed from
the illegal.

Or sit at the base of the wall in the cold
desert night, waiting for what the coyotes bring.

The MacBook Pro’s headphone out sends
a steady stream of sound

straight to the bones inside your ears,
causing tiny vibrations that your

brain magnifies then translates into
language you can understand.

And yet, left                  and right
will not be properly separated. Will mix

inappropriately, causing some in the room
to murmur their disapproval.

Are you murmuring your disapproval? Casting
a sidelong glance, perhaps

catching the eye of another partygoer, who
responds with raised brow or a

cluck

of the tongue?

Tsk. Tsk. Tsk.

Can you separate
left                  from right?

Do you know where you bread is buttered?

Do you want to wash the dishes?

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POEM: McLemore, Fabricatore & Buttonwood

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McLemore, Fabricatore & Buttonwood

started out across the grassy plain

ate buffalo meat on the shores of Lake Erie

learned new languages & wooed exotic birds down from the trees

were of sound mind & body, were of sound body & mind

encountered the Kraken & debated the pronunciation of his name,
only to discover that he was a she, & really quite wonderful at chess

were undaunted in the face of adversity

sat beside the wine-dark sea, telling lies & braiding hempen ropes

signed their names in the guestbook at a hotel on the edge of an active volcano,
the ash settling slowly about their shoulders

could see the valley below, but could not state its true name

sailed across the ocean blue in a hastily built marshmallow canoe

were rescued from certain death by a one-legged man who knew whereof he spoke

are as real as you or I

exist purely for our amusement
do not exist at all

McLemore, Fabricatore & Buttonwood
will be back soon, will demand answers, will show slides of their trip
to an uninterested audience in the local library

will realize that the road is better than the rest stop & will start out again
across the grassy plain

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