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Category: Jazz Or Bust Tour

Tour Diary: (Not) My Three Sons

(July 1, 2012) AUBURN, AL – Despite sleeping just three hours the night before (long story), my last day in Auburn was a very good one. I didn’t do much, though, so this will be a short diary entry.

I walked into town at about 11 or so to get some lunch. It’s about a 35- or 40-minute walk, which is nothing at all. But the temperature was above 100 degrees and I was mopping a lot of sweat off my brow as I trudged through the thick air.

I stopped at historic Toomer’s Corner and bought some postcards in the drugstore. Then I ate crappy falafel at The Pita Pit while writing postcards and reading Steinbeck. After an hour or so, I asked Patrick to come get me so I wouldn’t have to slog through the heat again.

Patrick took me to his house, where I hung out with the family – his wife Susan and his three sons, Charlie (7), Jamie (4) and John (2). We played cars and had a grand old time. Just before 3:30 I asked Patrick to run me up the street to The Gnu’s Room (site of my events the past two nights) so I could interview its owner, Tina Tatum. She was a very smart and inspiring guest. I’ll let you know when that show is posted. I’m still figuring out exactly what to do with these arts-related episodes. I think I’ll publish them as The Jazz Session Extras or something like that. I want them to have the same wide distribution as the regular episodes of the podcast.

After the interview, Tina took me back to Patrick’s, where I played with the boys again and also recorded them doing an intro to The Gnu’s Room episode of the show. My three hours of sleep was really catching up with me, but I was so happy to be playing with all that boyish energy that I tried to power through. We had a lovely dinner, took a few family photos, and that was that. I hope to come back for the Auburn Knights reunion later this month if I can. The boys all wanted me to stay, which was very sweet.

I slept so little because the past couple nights I’ve been up late dealing with some things in my personal life. It’s hard sometimes to be so far removed from everyone. My only options for communicating with those close to me are phone, email and online chat, none of which is appropriate for every situation, and none of which were particularly helpful with the situation I was dealing with. But I think things are going to work out and I hope to sleep better the next few nights.

In the morning I leave for New Orleans. It’s been a dream of mine for so long that I still can’t believe I’m going. I’m going to try to spend most of July there, with some side trips to other places, including here in Alabama.

(If you’d like to support my tour, you can make a one-time donation and get great thank-you gifts HERE. If you’d like to become a member of The Jazz Session and make recurring monthly or yearly payments, you can do that HERE.)

All photos by Patrick McCurry except the self portrait.

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Tour Diary: It’s Not The Places, It’s The People

(June 30, 2012) AUBURN, AL – The last night of June turned out to be one of my favorite nights of the tour so far.

The day started around 10 a.m. as I rolled out of bed after less sleep than I probably needed. Which is my own fault, of course, for going to bed at 3 a.m. After a shower and a bit of futzing I walked over to Patrick McCurry’s house to upload yesterday’s tour diary and do a bit of work. Patrick was putting the finishing touches on the charts for the night’s musical performance. Here’s a gratuitous shot of Patrick’s garden:

He and I had lunch at a good Indian restaurant called Bombay, then headed back to his house – and its air conditioning – to escape the 104-degree heat. I did a bit more work then moved to his comfy couch to read more of Travels With Charley. I read a few pages and was soon sound asleep on the couch, where I awoke an hour or so later. Patrick’s kids were there – Charlie, Jamie and John – and we hung out and played for a while before Patrick and I headed to The Gnu’s Room for the event.

There’s something special about this town. I’ve been here two days and I feel like I know these folks and like I belong. Let me try to explain.

First off, Patrick. We’d never spoken a word to one another before yesterday when he picked me up at the Greyhound station in Columbus, GA. But within seconds I felt completely comfortable around him, which doesn’t happen often for me. By today I was telling him fairly intimate details of my life and treating him like someone I’d known for years. Probably much to his chagrin.

Then there’s Rachel Sharpe, the woman with whom I’m staying. She’s one of those people whose role seems to be to welcome everyone and make them feel at home. She’s smart and curious and funny and a joy to be around. She has cool dogs. And, as I mentioned yesterday, her guest room has a Buddha statue on one shelf and a copy of Mostly Harmless on another.

Tina Tatum, who runs The Gnu’s Room, is another gem. She’s devoting her life to enriching the cultural community of Auburn and the surrounding area in ways far beyond just having a bookstore. I’m going to interview her on Sunday, so you’ll be hearing a lot more about that.

And Maddie Wilder. As I write this she’s one of the baristas in the coffee shop at The Gnu’s Room. Starting Monday she’ll be the owner of the coffee shop. I liked her instantly and she jumped right in trading jabs with me. She’s smart and quick and ambitious and kind – one of those people I wish I had more time to get to know. And luckily, thanks to technology and the way it gives us all access to one another, I do.


An (unfortunately blurry) action shot of Tina (left) and Maddie.

I think all four of these folks will be part of my life for a while. A good long while, I hope. And it all happened in less than 48 hours. Quite a bit less. This tour never stops reminding me how lucky I am. I lost my home and gained a dozen others.

And then there was tonight’s event at The Gnu’s Room. A full house turned out to hear fellow radio guy Kyle Gassiot interview me about the tour. Even better than that, Patrick set three of my poems to music and performed them with a band and vocalist Jane Drake. The whole thing lasted about two hours and no one left in the middle. It was incredible.


Photo by Rachel Sharpe. The book is an inside joke. Sorry.

Kyle’s an excellent interviewer. He played clips from The Jazz Session and asked insightful questions. I hope we’ll find other ways to work together in the future. Some of the audience members asked questions, too. Quite a few folks came back after being in the audience the night before for my poetry reading.

But the most moving part of the night was Patrick’s setting of my poems.

Hearing the poems as lyrics was something I never expected. In the case of one of the poems, it turned it into a very intense and emotional experience for me. I felt like I was hearing the words and experiencing the situation afresh in a way I didn’t think possible. What a gift to receive here in Auburn.


With the band, after the show.

After the reading we all lingered, talking, before heading over to the Piccolo for another night of live jazz. It was a different band from last night and they sounded fine as they worked through standards for an appreciative crowd. Several folks from The Gnu’s Room crowd came over to join Jane and Patrick and me.

Around 11 p.m. most of us walked over to the nearby Balcony Bar for something that hasn’t happened in Auburn in a long time, if ever – a burlesque show, straight from New Orleans. The show was great. Sexy and funny and spirited and celebratory. It wasn’t how I expected to end my night’s entertainment, but it was a great way to end it.

Afterward, realizing I hadn’t really eaten anything but a little hummus since lunch 12 hours before, Patrick and I ducked into Jimmy John’s. I ordered a veggie sandwich that turned out to be missing about half the advertised veggies. But I was hungry and tired and plowed through it anyway.

I’m running out of ways to say how grateful I am to be doing what I do and meeting the people I’m meeting. I fall in love with every town and the beautiful human beings in it. But there’s something special about this place. I’ll be back here. I’m sure of it.

(If you’d like to support my tour, you can make a one-time donation and get great thank-you gifts HERE. If you’d like to become a member of The Jazz Session and make recurring monthly or yearly payments, you can do that HERE.)

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Tour Diary: What’s Gnu?

(June 29, 2012) ATLANTA, GA to AUBURN, AL – Everywhere I go there are cool poetry audiences and good jazz bands. That’s got to be a hopeful sign, right?

I started my day in Atlanta. Matthew Kaminski tried hard to arrange for me to meet Colonel Bruce Hampton, whose music I’ve loved for nearly 20 years. It almost happened via a friend of Matthew’s, but the scheduling didn’t quite work. Next time.

We picked up Matthew’s wife, Kathleen, and went to lunch at Rainbow Natural Foods, a very snazzy market with a dining area in the back. I made a salad that looked a lot better than this strangely tinted photo:

Afterward, we took photos outside. In the one taken with Matthew’s camera, we’re both smiling. For this one, I requested serious faces:

After lunch, we took Kathleen back to work. She’s a speech pathologist at a VA hospital. My sister is also a speech pathologist, and I met another one in Nashville and an occupational therapist in Knoxville. All cool people doing good work.

Matthew took me to the bus station, where I boarded the bus for Columbus, GA.

A guy named Damon sat next to me on the bus. We got to talking and he asked me about myself. I told him what I was doing. As soon as I finished, he took out his phone and called someone, then handed me the phone. The guy on the other end was also named Jason. He organizes poetry readings in Pensacola, FL. I gave him my email address and he said he’d send me information.

The woman across the aisle also turned out to write poetry. She said she’d been doing it since she was 12. I got her email and sent her a link to my site right there on the bus. I think she’s studying to be a dental hygienist at a school in Texas.

The bus ride was short and uneventful. As I got off the bus, my Twitter pal Patrick McCurry was there to take my picture:

Then we walked to his car, which had this in the back:

Insert your own Friday the 13th joke here. (In all seriousness, Patrick is an amazing guy. I have a feeling we’re going to be friends for a while. Unless, of course, he disagrees.)

Patrick drove me from Columbus, GA, to Auburn, AL, where he lives and where I’m staying for a couple days. We took a quick trip around the Auburn University campus, which was very pretty. I like campuses that look like campuses. And Auburn’s does.

Patrick dropped me off at the home of a woman named Rachel, who has a spare room where she houses many visiting performers. Patrick and his wife Susan have three kids, so he thought it might be easier to have me stay with Rachel. Rachel has three wonderful dogs and a very eclectic house. And her guest room is made for me – it has both a Buddha statue and a copy of Mostly Harmless by Douglas Adams.

I relaxed for a bit, read more of Steinbeck’s Travels With Charley In Search Of America, which I’d started on the bus. It’s a fascinating book, but reading it as someone trying to do travel writing is like a saxophonist listening to Coltrane. I can’t tell if it’s inspiring me or making me want to quit. Given that I’m writing this diary, I guess it’s the former.

Just before 6 p.m. I left Rachel’s to walk through the 104-degree heat to Patrick’s house for dinner. It was a nice walk, past a park with gently rolling hills:

Patrick and Susan decided that we’d go out for dinner. Susan left to get us a table at a restaurant near my poetry reading site, and I hung out with Patrick and one of his sons, John, while they got ready for dinner. I first learned about John months ago, when Patrick tweeted me to tell me that his 2-year-old son, while riding in the car, said, “Put on The Jazz Session with Jason Crane.” Is that not the greatest thing ever? Another of Patrick’s sons, Charlie, was genuinely concerned that I wouldn’t make my fundraising goal last year and that the show would end. These kids rock.

Patrick and Susan and John and I had a nice dinner at a place called, I think, Amsterdam Cafe. Or something with Amsterdam in it. I’m a terrible reporter. It was right next to The Gnu’s Room, the bookstore/coffee shop/art space where I was reading.

When I arrived at The Gnu’s Room, it looked like it might be a very tiny crowd. But like all things these days, folks have a way of showing up. By the time the reading started, a very respectable gang had gathered. One of the attendees was a woman named Maria who’s on the board of the Robert Creeley Foundation. Because she was there, I read “Creeley’s Balloon,” a poem I hadn’t intended to read. I also talked two twentysomething women, Raven and Allison, into staying. And later bullied two other twentysomethings into sitting and listening, even though they’d only come in for coffee midway through the reading.

I read with a stopwatch again, cobbling together a set on the fly from my book and the things on my Kindle. I’m critical of poets who don’t have their act together before they start. I can only say that I’ve done live radio for so many years that putting together a reading on the fly is extremely easy for me and not, as far as I know, apparent to the audience. Whenever I need to find the next poem I just tell jokes or stories. Then again, maybe I look like an idiot and people are too polite to say.

I read for 45 minutes then took several questions about the poems and the tour. I sold all but one of the books I had with me, which was very exciting. The next shipment of books is on its way from FootHills Publishing to New Orleans right now.

Following the reading, I was interviewed by Kyle Gassiott, a radio producer and interviewer whose work has been featured on NPR and many other places. He asked me about the tour and The Jazz Session. He’s a good interviewer. On Saturday, June 30, I’m headed back to The Gnu’s Room, where Kyle will interview me in front of an audience. There’ll be live music, too. Tonight’s interview was more of a trial run in controlled conditions to make sure he ended up with good tape.

Then I walked up the road a ways to the Piccolo, a club in a nice hotel that’s attached to the campus. I’d heard there was live jazz happening there tonight. The band was made up of a young players from Auburn and Atlanta, all solid and all very obviously into the music. They were Jonathan Lynn on piano, Sidney Simmons on bass, Taylor Kennedy on saxophone and Jared Lanham on drums. They played mostly tunes from the Real Book, plus a few that Kennedy showed the band on the spur of the moment. I particularly enjoyed their take on “In Walked Bud” and a beautiful reading of “Body And Soul.” And I thought Simmons’s solos were especially musical.

Patrick came from a rehearsal to pick me up and take me back to Rachel’s, where I’m writing this diary at nearly 3 a.m. Because I’m an idiot.

(If you’d like to support my tour, you can make a one-time donation and get great thank-you gifts HERE. If you’d like to become a member of The Jazz Session and make recurring monthly or yearly payments, you can do that HERE.)

Thanks to Patrick McCurry for the photos from the reading.

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Tour Diary: High Fructose Corn Syrup And The Tomahawk Chop

(June 28, 2012) RALEIGH, NC to ATLANTA, GA – This is the first and probably last tour diary that will be written in the press box at a Major League Baseball game. I’m writing it at Turner Field, where I just interviewed Matthew Kaminski, a jazz organist who also plays organ for the Atlanta Braves. I think they’re the AAA farm club for the Mets.

I awoke at 5 a.m. so I could catch the bus from Raleigh to Atlanta. It was warm and dark and quiet on the streets of Raleigh as I walked the 10 minutes to the bus station. These next few days are supposed to be above 100 degrees everywhere I’m going. Let the games begin!

A bus station before 6 a.m. is quite a place. Very few employees, very few travelers. CNN was blasting in the Raleigh station, which I imagine is what they used to chase Manuel Noriega out of his bunker all those years ago. CNN is awful. Truly, truly vapid. And today they made a name for themselves by reporting the exact opposite result of the Supreme Court’s decision on Obama’s health plan. And now I’m in Atlanta within view of CNN headquarters. Yay!

The early bus to Atlanta didn’t have many empty seats, but I managed to get on anyway, which was a big relief. As I’ve mentioned before, I don’t have a specific ticket, just a Discovery Pass. It’s like being on permanent standby. The clerk warned me that I might not be able to continue on the bus once it reached Charlotte.

I don’t know if the driver was new to Greyhound or just new to the route, but he had paper instructions on the dashboard and seemed completely lost once we pulled out of the station in Raleigh. We did eventually find the highway. I was sitting right in front, noticing how often he had to jerk the wheel to get back in one lane after wandering across the lines. Not particularly relaxing.

As we approached Charlotte, it was again clear that the driver had no idea where he was going. In fact, when we got off the highway, he turned to me and asked whether I knew the location of the Greyhound station. Oy. We did eventually find it after some shouted directions from a few passengers who knew the area.

I was able to get back on the same bus in Charlotte. I chomped on more of David and Carrie’s wonderful bagels the entire ride. I ate an embarrassing number of bagels. A stupid number of bagels. An obscene number of bagels.

The rest of the trip to Atlanta, with a different driver, was completely uneventful. We pulled in to the Atlanta station exactly on time. So in the grand scheme, everything was totally cool. Yes, I’m a 38-year-old father of two and I just typed “totally cool.” Deal with it.

I finished Kerouac’s The Dharma Bums on the ride. I thought it was a beautiful book in many respects. Definitely some serious misogyny, though. And it seemed to rush through the final section on Desolation Mountain, a subject he went on to cover in more depth in Desolation Angels.

Matthew the organist picked me up at the station. I was hungry for an NBFI (non-bagel food item), so we stopped at a little sushi joint. Then we took a walk around downtown, encountering two musicians along the way – a saxophonist named John James and a percussionist named Anthony Mohamed. Anthony and Matthew talked about the local salsa scene. Anthony is a recent transplant to Atlanta. He’s from Bed-Stuy (Brooklyn) originally, but he was just in Philly before coming here. He told us how deep the Philly percussion scene is. He said it dates back to a core of people who recorded and studied with Olatunji back in, I’m guessing, the 60s.

We strolled around downtown, past the World Of High Fructose Corn Syrup And Diabetes, which I think they shorten to the World Of Coke. Yes, an actual multimillion-dollar edifice WITH A LINE OUTSIDE dedicated to Coca-Cola. We are doomed.

Much of downtown was forever transformed by the 1996 Summer Olympics, and reminders of the games are everywhere.

We also passed the site of a future civil rights center. I don’t know anything about it but I’m glad it’s going to be there.

Then we drove to Turner Field. I interviewed Matthew about his work with the Braves, we ate dinner, then I interviewed him about his jazz career.

And here’s something I never expected to receive:

A couple Braves notes: That “Tomahawk chop” thing is insanely offensive. At one point tonight, the PA system went from that to “Sweet Home Alabama.” I kid you not. It’s either the 1850s or the 1950s. I’m not sure yet.

Tomorrow I’m hanging out with Matthew and his wife in the morning. Then I’ll catch a bus for Alabama. I’m reading poetry at The Gnu’s Room in Auburn (AL) tomorrow night at 7 p.m.

(If you’d like to support my tour, you can make a one-time donation and get great thank-you gifts HERE. If you’d like to become a member of The Jazz Session and make recurring monthly or yearly payments, you can do that HERE.)

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Tour Diary: Let’s Pick Berries, Tra-La-La-La-La!

(June 26, 2012) NEW YORK CITY to RALEIGH, NC – How do you know when a tour is going well? One way is to count the number of minutes between your arrival at your destination and the moment you begin picking wild blackberries on the roadside. My number: 10 minutes. Good sign. More about that in a minute.

I was in New York only slightly long than the travel time to and from the city, but it was worth it. I left this early this morning on my way to Raleigh, NC.

This morning marked the first time I’ve had an issue with my Greyhound Discovery Pass – or more accurately with a Greyhound worker who didn’t really understand how it works. With the pass, you don’t get a ticket for the bus. You just show the pass and board, as long as there’s enough space. I checked in at the counter at Port Authority Bus Terminal, had my bag tagged for Raleigh, and asked whether the bus was full enough that I should spend $5 to purchase a guaranteed seat, even with my pass. The clerk said it should be fine “if you go down now,” so I went downstairs and got in line at the gate.

A little while later, a Greyhound worker started checking everyone’s tickets. When she saw my Discovery Pass, she told me I had to go get a ticket. I said Greyhound doesn’t issue tickets for the passes. She told me again that I had to have an actual ticket. I showed her the boarding voucher from the clerk upstairs and said I’d just received it and that I wouldn’t be able to get a ticket.

“Come with me,” she said, and walked me over to an information counter down the corridor. She asked the clerk there to issue me a ticket. The clerk said that she couldn’t issue a ticket for a pass or else her money would come up short at the end of the day. She said tickets aren’t issued for passes. The worker who’d brought me there said that she and her co-workers had been hassled by management for letting people on without tickets. My guess is that either she misunderstood the kind of pass I had or else someone higher up the food chain was issuing incompetent orders. Eventually she said, “I’ll let him on but somebody needs to get this straightened out.”

There were two buses heading to Raleigh. I boarded the second one and we were off. This bus (like many I’ve taken along the East Coast, and none elsewhere) had both power outlets and wifi, so I was able to get some freelance work done. And also to watch A Few Good Men on my laptop. It’s one of those movies I’ll watch whenever I’m in a hotel and it comes on the TV. And so I put it on my laptop and watched it for the nth time, enjoying it just as much as every other time. It’s just one of those movies for me.

We stopped at a nice rest stop about two hours into the trip. It was big and bright and airy. It had the usual fast food joints inside, but also a Starbucks and one place that had some vegan stuff, a faux Mexican place. Sadly, that was the only one of the restaurants that wasn’t yet open. I’d brought some Clif Bars with me, though, so I stuck with those. I also used the rest stop’s much faster wifi to upload a bunch of files for my freelance gig.

Then we continued on to Richmond, where I was going to switch buses. The four-hour trip was painless and we arrived just about on time. I caught up on some episodes of The Bugle and Le Show podcasts. I also listened to a record by The Louvin Brothers called Satan Is Real. They’re an old-time country gospel duo about whom I know nothing. But my friend Josh bought be a Kindle book about them (also called Satan Is Real), so I look forward to diving in. I thought the record was disturbing. I couldn’t quite put my finger on it, but there was something about the extreme religiosity of the lyrics that made my skin crawl.

In Richmond I stood in line for several minutes at a door marked Washington-Baltimore-Philadelphia and Raleigh-Durham-Atlanta until my brain finally put together that those were two different routes in two different compass directions. I asked the guy ahead of me where the bus was headed and he said north. Oops. I was happy, though, because that meant I had time to eat. The bus from Richmond left more or less on time.

I wrote a poem on the bus called “Argentina.” You can read it here.

I also secured a place to stay in Auburn, AL. I’ll be there from Friday to Sunday this week. I’m reading my poetry on Friday, June 29 at 7 p.m. at The Gnu’s Room. Then the next night I’m being interviewed about my tour (I think) at the same time at the same place. There will be music, too, provided by a group including my pal Patrick McCurry.

I don’t know why I thought my host in Raleigh, bassist and baker David Menestres, was a guy in his 50s. He’s not. Not even close. In fact, I think he’s about a decade younger than I am. So when he met me at the bus station in Raleigh, I started to walk right past him until he said my name. We hopped in his car and he turned to me and said, “Do you want to go blackberry picking?” That was all it took to know we were going to get along just fine.

Turns out that David and his partner Carrie Nickerson are professional bakers who run Crumb, a custom bakery. They make lots of amazing stuff and use local, fresh, good ingredients. David knew of a blackberry patch on the roadside that was ripening nicely, so we grabbed some buckets and off we went.

We each filled about half a bucket. At one point a man and his daughter pulled over in their SUV to ask what we were picking. David told him and I brought my bucket over so they could taste them. “Not bad,” the man said. “A little sugar and those would be good.” They tasted good to me without the sugar.

I did manage to drop my bucket. Nothing spilled, but I impaled myself nicely on some thorns when I lunged to catch it. Ah well. Occupational hazard, I guess.

Then it was back to the apartment where David made a pie crust while I worked. We listened to Dan Tepfer’s Goldberg Variations Variations album. Then, as if things needed to get better, David made me a yummy vegan dinner, too. Pasta with lamb’s quarters, which may not be what you think they are. I had never heard of them. They were delicious.

After dinner we chatted a bit, then David took me to the place where I’m staying. All by myself. I can’t tell you how nice it is of him to find me a place to be alone. Alone time has been in extremely short supply on this tour. I’ve loved being with all the wonderful people I’ve met, but sometimes you need a space of your own, too, you know? So here I am. It’s quiet. I don’t have a shirt on. It’s glorious.

I took a short walk around the neighborhood and saw a sign I liked:

I’ve decided to stay an extra day in Raleigh. Tomorrow night, David and I are going to see bassist Carl Testa at The Nightlight Bar & Club, 405 1/2 West Rosemary Street in Chapel Hill. He’s playing on a three-act show with Broadcloth and Scrimshaw. The show starts at 9:30 and it’s $5. Come on by if you can.

(If you’d like to support my tour, you can make a one-time donation and get great thank-you gifts HERE. If you’d like to become a member of The Jazz Session and make recurring monthly or yearly payments, you can do that HERE.)

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POEM: Argentina

Argentina

of course the last thing I saw
as I left New York City
was a poster for your musical
even a city with a million stories
has time to remind me
of the unresolved ending
of my own complicated tale

years ago I made a living
playing saxophone for
dancers golfers and drunks
in a bar on Hilton Head Island
you’re working with the man whose hit
we played two or three times a night
he sees you more than I do

me, I’m riding yet another Greyhound
through the slow rolling hills
at the top end of North Carolina
heading to yet another rendezvous
with a new face in a new town
the rapper in front of me
is using my phone to call his mom

26 June 2012
on a bus between
NYC and Raleigh, NC

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Tour Diary: None Of Your Business

(June 24-25, 2012) BROOKLYN, NY — As I mentioned in the previous entry, I came back to NYC to see someone I care about. It’s been great being here, and I also got to see two other people who mean a lot to me. I’m not here long enough to make the rounds, though. I leave in the morning to head to Raleigh, North Carolina.

Today I spent the day editing a non-jazz interview for a freelance project. I’m also editing my interview with D.C. saxophonist Brian Settles, which will be posted later tonight. (UPDATE: Here it is.) And I worked on some of the logistics for my stops in Georgia, Alabama and New Orleans.

As for the rest of my time here in New York, I’m providing you with a full account via this handy image:

Regular diaries will resume tomorrow from Raleigh.

(If you’d like to support my tour, you can make a one-time donation and get great thank-you gifts HERE. If you’d like to become a member of The Jazz Session and make recurring monthly or yearly payments, you can do that HERE.)

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Tour Diary: Not Exactly On The Way

(June 23, 2012) BROOKLYN, NY — If you’ve been keeping track, you know that the dateline for yesterday’s diary was “Knoxville, TN.” And if you remember any geography, you also know that “Knoxville, TN” and “Brooklyn, NY” are not exactly neighbors. And if you know that I’m traveling everywhere by bus, then I think you can imagine what this tour diary will consist of.

I spent 18 hours (or maybe a bit more) on a bus from Knoxville to Brooklyn so I could see Kate, the woman I’ve been dating since last fall. Sometimes you just need to be with someone, you know? And it’ll be quite a while — at least until August, until I have a couple days of downtime and can make it back to New York City. So, crazy as it seems, I decided to come for a visit before heading back south.

The trip didn’t begin well. Nelda Hill (see yesterday’s diary) dropped me off at the Greyhound station in Knoxville around 11:30 p.m. on Friday, following my poetry reading. My bus was supposed to leave at 12:15 a.m., but when I got to the counter the clerk said the bus was late and he wasn’t sure when it would arrive. “We’ll get you out of here before 1:00, but I’m not sure how much before.”

That proved to be untrue. The bus didn’t even arrive until 1:00, and I think it was close to 1:30 before we were on the road. Unfortunately, most of the transfers at that time of night have very short windows, so the late departure meant almost everyone on the bus was going to miss their next bus.

We motored through the night to Wytheville, VA, where everyone who was intending to get off to go to the Carolinas was told to stay on the bus as far as Richmond, VA, where they could hook up with a bus heading south. A few people who were heading to West Virginia got off in Wytheville.

As the sun was coming up, a young guy, maybe 20 or so, walked from the back of the bus and asked the driver when we were going to get to Wytheville. “Wytheville? We were there an hour ago,” she said. This guy had the kind of high-pitched voice I associate with some Southern men. Almost like a yodel. He wasn’t happy. He’d slept through his stop and was now in the wrong state. And he had no money so he couldn’t afford to buy a ticket back the other way. He got off at the next stop and I don’t know what happened. It sounded like he was going to call his parents and was expecting to be told to walk.

Meanwhile I tried to sleep. I’d been doing fairly well at sleeping on buses on the tour, but I just couldn’t get much happening. I slept maybe four hours in 30-minute blocks over the course of the entire trip to New York.

I was supposed to connect to a New-York-bound bus in Richmond. The bus was still there when I arrived and I sprinted out to catch it, but the driver said it was full so I’d have to wait for another bus. A Greyhound worker told me (and the other New York travelers) that we could catch a bus in an hour and switch at Baltimore. Unfortunately nobody told the Baltimore driver, but she was very cool and once she’d confirmed this new plan she let us all on the bus.

I’d had a seat to myself up until Richmond, but now I was joined by Samantha and Jace, a young mom and her six-month-old son. Jace was ridiculously cute. Gerber-baby cute. And he was one of the happiest babies I’ve seen, smiling and giggling and just generally enjoying the heck out of the bus ride. He formed three serious relationships with female passengers during the course of the ride, all three of whom were completely entranced by him.

Samantha was a wonderful mom. She was obviously delighted by Jace’s existence and showered him with love and affection throughout the trip. She told me she’d left the Bronx four years ago because she could tell her life was headed in the wrong direction. She moved to Richmond, got her GED, got a job and a car, and was about to get married. She said when she looked at what had become of many of her peers back home, she was very happy she’d gotten out when she had. I was very impressed by her. And I may have misunderstood, but I think she was 20 years old. If that’s true, she’s a very together 20-year-old.

We finally had power outlets and wifi on this bus, so I posted the tour diary I’d written around midnight sitting on the floor of the bus station in Knoxville. I also wrote a letter of recommendation for a friend who’s trying to get into an Artist in Residence program, and I wrote a press release for my upcoming events in Auburn, Alabama.

We arrived in D.C., the last stop before Baltimore, where we were supposed to change to a bus for NYC. I was very hungry. I’d eaten lunch before my canoe trip the day before, but I hadn’t eaten dinner. I just didn’t have enough time between the canoe trip and the poetry reading. There’d been some snacks at the reading, so I’d had a few pieces of broccoli and a couple cherry tomatoes from the veggie platter, along with some crackers. Then I’d gone straight to the bus station where there wasn’t anything to eat but chips or the ham sandwich I’d unfortunately had the last time through. I had a bag of Sun Chips, determined not to have to eat meat again.

But the bus was so late that we never had a real rest stop and there wasn’t anything to eat until we reached D.C. Because we were so far behind schedule we had just 10 minutes in D.C., so I ducked into the station to find nothing but turkey and ham sandwiches or fried chicken. No packaged salads, no fruit, nothing. So I bought a turkey sandwich because I needed to eat something. It had been 24 hours since my last meal.

After our quick rest break we all got back on the bus. Then a Greyhound worker came on to say that a more direct bus to New York was leaving soon and had room for all of us. This bus would get us to New York by 8:20 p.m. This was also the scheduled arrival time of the bus we were going to switch to in Baltimore, but given how late we already were it seemed like a much better bet to switch in DC.

Samantha had Jace and two bags and more things under the bus. I grabbed one of her bags then got my backpack, her stroller and her car seat. As we walked to the new bus, I said, “I think we’re married now. But don’t worry, for your sake, it won’t last very long.” She laughed. We put our stuff on the new bus and took seats together again.

The driver, a nice New Yorker named Frank, said, “It’s going to look at the beginning like I’m driving to Annapolis. I’m not going the wrong way, I’m going a different way. But don’t worry, I’ve never been to Annapolis and I don’t know the way. We are going to New York. I’m from New York, too, and I want to get home.”

Samantha and Jace slept a lot of the way from DC to New York. I slept a bit, too, and also read The Dharma Bums. True to his word, Frank had us in New York by 8:20. In fact, we were there at 8:00. I helped Samantha with her stroller and car seat and bags again and then went to meet Kate.

I’m headed back down south in a couple days, with stops in Atlanta and Auburn (AL) and maybe Birmingham. And probably somewhere in North Carolina, too. Then New Orleans!

(If you’d like to support my tour, you can make a one-time donation and get great thank-you gifts HERE. If you’d like to become a member of The Jazz Session and make recurring monthly or yearly payments, you can do that HERE.)

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Tour Diary: Down A Lazy River

(June 22, 2012) KNOXVILLE, TN – Today what I needed was to get out on the water. So that’s just what I did, courtesy of River John and the Little River.

My new friend Clint, who’s been carting me all over Knoxville, drove me out to Maryville, Tennessee, to a tiny island in the Little River, where I met River John, a retired Lucent worker who now lives on the little island and rents canoes. He also rents the island itself for weddings and parties. And a music festival.

River John and I got his truck and talked as we headed up the river toward where we were going to launch my canoe. River John told me he’d worked for Lucent for 34 years, since way back when it was called Bell South. He’d spent most of his time on the road, home just on weekends, for the last 10 years of his career. He’d lived in many places, including New Orleans, which he said he eventually decided to leave because “you can only party so much.”

Quite a few weddings have happened on River John’s island, including his daughter’s and, in a couple weeks, his own. (Congrats, River John!)

“We’re having a Polish luau,” he said. “Did you ever hear of that?” I told him I hadn’t.

“I’m Polish,” he said. “A Polish luau is where you take a big cooker, like a kettle almost, and fill it with sausage and other meat and stuff. You pour beer all over it and slow cook it. It feeds a lot of people. I bought a special stainless steel canister made just for that. We’re going to test it this weekend on shrimp to make sure it works before the wedding.”

We drove up the river for about seven miles. The entry to the water was right near a combined barbecue joint and adult bookstore. “I used to say that was only possible in Tennessee,” River John said, “but people in Alabama told me they have them there, too.”

We put the canoe in the water right near a small dam. Adults, teens and small kids were playing in the pools of water formed by the dam and in the waterfall on the other side. River John gave me two paddles (“in case one gets away from you”) and a lifejacket. He also put some heavy rocks from the riverbed in the bow of the canoe to distribute the weight, since I would be going alone.

I hopped in, pushed off, and was immediately calmer than I’d been in days. This trip has been wonderful and exciting and intense and surprising, but very little of it has been relaxing. Never sleeping in my own bed, combined with being constantly on the go and meeting new people, means that I’ve very little time to process and decompress. These daily diaries help, but I really needed to spend a few hours with my phone off and my brain at ease. A few hours floating down Little River turned out to be better than therapy.

I wish I knew more about trees and plants and fish, because that would enable me to describe all the things I saw in more detail. The river was alive with fish of all sizes, from tiny little guys who swam in schools and darted around like bullets, to long, pointy-snouted fish with spots. These latter fish, I later learned, are called gar. I spotted a turtle, too. Tons of water bugs. And one majestic heron who I was never able to get a picture of, even when I stopped paddling and tried to glide in close. But what a site to see that heron lift off the water and wing his way through the shallow canyon formed by the trees along the banks of the river.

There were a couple tires in the water, too, but for the most part the river was very clean. Two local towns get their drinking water from the Little River, according to River John.

The river was low in many spots, though, so I had to do a fair amount of poling rather than paddling to get over rock shelves. And I even had to get out a time or two and pull the boat over patches that were almost dry. Most of the time, though, this Class 1 river had enough water to paddle. In several spots it was deep enough that you couldn’t see all the way down. I ran into other humans a few times, too, fishing or swimming or jumping off rope swings. One woman asked to buy the canoe.

I took quite a few pictures with my phone, but I realized later in the day that I’d set my ISO to 800 the night before at a club and never set it back, so many of the photos are a bit overexposed. Ah well. The best images are in my brain, anyway.

I took me about three hours to go the seven miles back to River John’s island. I stopped a few times and drifted a few times so I could write a poem or take pictures or just sit. And more than once I went through some small rapids and had to unwedge myself from a sticky spot. It was fabulous. I said later to Clint that one I get on the water I have a hard time understanding why I’m not always on it.

I paddled in to River John’s island and stowed the canoe, paddles and life vest. John was there with two other men who’d I say were in their late 50s or early 60s. Both of these men were drinking beer out of plastic cups and both had thick Southern accents. And once again, life delivered to me one of those slaps in the face I seem to need. After meeting them both, the older of the two, a man named Dewey, asked me where I was from. I told him Brooklyn. Turns out he’d gone to Pratt for graduate school and lived a block from where I’d lived the first time I lived in Brooklyn. He’d retired, but been in the arts all his life. And his wife had worked for Cosmopolitan, the world’s most evil magazine. Just goes to show me (again) not to assume I know anything at all about the people I meet.

Dewey’d been fishing on the river that afternoon. He’d gotten one of his lures stuck in a tree. When he stood up to free it, he turned over the canoe and lost his glasses. The lure cost $.40. The glasses cost $300. Whoops.

Clint came to pick me up and take me to an ATM because River John doesn’t take credit cards and I didn’t have cash or a check. We went back and I left the money under a fire barrel on his porch as he’d instructed because he had to go out for a while to help Dewey find his glasses.

We headed back to Knoxville so I could pack up my stuff. I called Nelda Hill, a local jazz supporter who’d arranged my poetry reading, to ask her for a ride to the reading. She showed up a little while later. I said goodbye to Clint and Hunter – two very nice guys and two very talented musicians.

Nelda took me to the Knoxville Museum of Art. A big band was playing classic swing music for a crowded room of dancers. I arrived just as the MC was making announcements, including an announcement about my reading, which was scheduled to follow the dance at the home of a local arts supporter. I’d sent flyers but they hadn’t been distributed at the show and no local media had covered my event, so I was a little worried that I might be reading to an empty room.

I looked at a great exhibit of photography on the first floor of the museum. Robert Frank, Diane Arbus, Danny Lyon and others who’d documented real life among regular folks in America.

After a while Nelda and I went to the home of Kay Newton, one of the founders of the Knoxville Writers Guild and the host of my reading. A singer named Horace Smith was there. We hit it off immediately. He was breaking up some ice and within a few minutes we’d created a new persona for him as the hitman “Icepick Horace.” Horace was there to sing a few songs during my reading.

The reading was scheduled for 9 p.m. By that time, the only folks there were Kay, Horace, Nelda and me. So we decided to wait, and slowly but surely people started arriving. By 10 p.m., when we actually started the event, we had a nice little crowd, including pianist and jazz giant Donald Brown and poet Carole Borges. Also in attendance was Senate candidate Evelyn Gill.

Horace started by singing a Luther Vandross song to recorded accompaniment. He has an amazing voice, which he’s used in many stage productions here in Knoxville. Then I read for about 15 minutes. I started with a poem I’d written for pianist Hank Jones, which seemed appropriate with another piano master in the room. Then I read one I’d written for organist Gene Ludwig. I read the poem I’d written in the canoe, then the two poems from Richmond, then some from one of the sets I’d put together for this tour. I read with a stopwatch running and assembled the set on the fly to appeal to the folks in the room.

After a few love poems, Horace sang another Luther song. Then I read for another 20 minutes, mostly from my book. I read all the poems about my Kentucky family and a few about the other side of my family. I think those really hit a chord with the folks who were there. I read more music poems (about Henry Grimes and Miles Davis) and one about Robert Frost. Then I closed with a love poem.

As soon as I finished, Kay said she wished she could keep me forever. “Well, maybe not forever, but for a long time.” I sold quite a few books and was very touched by the response.

Then it was off to the bus station because, well, because I’m crazy. I’m taking an 18-hour ride to NYC to see the person I’ve been dating since last year. Then I’ll head back down south. I’m not quite sure where yet, although I have to be in Atlanta by the 28th.

Knoxville is a great town and I know I’ll get back there someday. I’ll leave you with this shot of my Knoxville posse, Clint Mullican and Hunter Deacon:

(If you’d like to support my tour, you can make a one-time donation and get great thank-you gifts HERE. If you’d like to become a member of The Jazz Session and make recurring monthly or yearly payments, you can do that HERE.)

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POEM: masters of business administration

masters of business administration

the waitress is dancing to “Rhythm-a-ning:”
waving a menu like a Japanese fan
Monk would have danced in circles
but she’s walking in a straight line
serving drinks to the investment bankers
who don’t give a shit about music
they talk about their kids
like they’re closing a deal
while the drummer trades fast fours
with a guitarist he’s known for years
but back to the waitress:
she’s dressed like management demands
shorts that are more suggestion than reality
bringing martinis and wine to cigar-
smoking owners of local car dealerships
she’s in college, she says, majoring in
“interdisciplinary studies,” which turns out
to mean business marketing and law
she’s part of the problem, or wants to be
maybe in a few years she’ll be one of the
dead-eyed pillars of the community
like the oxford-shirted tools sitting with their
bleached wives, wondering if they can slip
the waitress their phone numbers for a
downtown lunchtime rendezvous
Monk was a family man who danced
because he couldn’t imagine not dancing
if he were here he’d be the only black face
the only person who’s never practiced smiling

21 June 2012
Knoxville, TN

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Tour Diary: If You Jump, This Elevator Will STOP!


Important advice for all phases of life.

(JUNE 21, 2012) KNOXVILLE, TN — This thing of wanting to move to every town I visit has to stop. I just can’t afford to buy that many houses. Or any, for that matter.

Of course, a big part of what’s making these towns special is the people who inhabit them. Today I hung out with Clint Mullican and Hunter Deacon, who took me around Knoxville and showed me some of the sights. They’re two laid-back, generous guys and very good at hanging.

We started out at The Tomato Head, a restaurant in Market Square. (Marillion, anyone?) It’s a vegan-friendly restaurant with very tasty food. And it was packed.

Then we strolled around downtown Knoxville, past Elvis, suffragettes and a guy pooping out the world.

We walked across the Gay Street Bridge and got a great view of the dismantling of the Henry Street Bridge:

This building may be the (a) oldest building in Knoxville or (b) the oldest building on Gay Street or (c) none of the above. If I were a betting man, I’d pick (c).

According to Clint and Hunter, Knoxville’s downtown has really come back from the dead in the past five years. There are clubs and restaurants and bars and stores where once there was nothing, or at least nothing you’d particularly want to visit. Now downtown is full of life and activity, particularly around Market Square and Gay Street. I don’t know where all the money is coming from to fuel this renaissance, but apparently it’s still coming because there’s quite a bit of construction going on.

Then it was off to Morlock’s music store, where I bought some new microphone cables and came very close to buying a ukelele:

The Mast Market was an impressive general store with everything from clothes to gewgaws to sundries to whatnots. And candy, big barrels of candy:

Clint and Hunter had never been inside the Sunsphere, which was built for the 1982 World’s Fair. Am I the only one who didn’t realize they were still having the World’s Fair in 1982? Anyway, it’s impressive and weird and if it doesn’t make you think of Sun Ra then I don’t know what to tell you. (Side note: Samarai Celestial [sic], who played drums with Sun Ra, lived in Knoxville for years. Died here, in fact.)

There used to be a restaurant in the sphere, but not anymore. But there’s an observation deck on the fourth floor from which you can see all of Knoxville. It’s beautiful, although discolored by the gold-green panels on the sphere. One of the things you can see is the neighborhood of Fort Sanders, birthplace of author and Pulitzer Prize winner James Agee. Speaking of authors, Gay Street is the setting for at least one of Cormac McCarthy’s novels. And there’s a bar on Gay Street called Suttree’s.

Later in the afternoon, I interviewed pianist, composer and educator (and former Jazz Messenger!) Donald Brown at his home in Knoxville. I thoroughly enjoyed talking with him. He told good stories and had important insights into learning the craft of jazz. That interview will be posted on The Jazz Session in a few weeks.

Then I went with Clint to Baker Peters to hear him play in the University of Tennessee faculty trio with guitarist Mark Boling and drummer Keith Brown (no relation to Donald). Clint was subbing for Rusty Holloway, the usual bassist, who was teaching at a bluegrass camp.

It was an evening of well played standards, with an original or two thrown in from Mark Boling’s new album, which features Keith and Rusty. The highlight for me was hearing them play Pat Metheny’s “Bright Size Life,” my favorite tune from my favorite Metheny album. I also got a chance to meet Keith Brown’s son, Thad, who is also a drummer and a fan of my show. (Thanks, Thad!) Thad played the third set:

Tomorrow I’m going canoeing by myself on the Little River. I’ve realized that I need some time to decompress. I’m just going, going, going all the time and I need to be on the water, alone, with no distractions. Then I’m reading poetry tomorrow night at 9 at 1006 Luttrell Street at the home of Kay Newton. Please come by if you’re in town. I’ll also be sharing a few stories from my tour and reading some new poems from the tour, including one I wrote tonight.

(If you’d like to support my tour, you can make a one-time donation and get great thank-you gifts HERE. If you’d like to become a member of The Jazz Session and make recurring monthly or yearly payments, you can do that HERE.)

Another town, another good dog. I’ll leave you with this photo of Clint’s dog, Lucy:

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Tour Diary: The Cops Are Coming! Hide Your Beer!


Nashville has a store called “Everything Diabetic.” Let me repeat that: Nashville has a store called “Everything Diabetic.” Next to several fast food places, of course.

(June 20, 2012) NASHVILLE, TN to KNOXVILLE, TN — I think I need to stop doing The Jazz Session and start making The Greyhound Session. Today’s bus ride was an adventure involving the cops, chugging beer, a woman just released from jail, and a whole lot more.

The day started innocently enough. I interviewed Evan Cobb (with whom I stayed in Nashville) about his new album, Falling Up. Then I interviewed Rahsaan Barber about his record, Everyday Magic. Evan and I watched a bit of the Yankees-Braves game (I’ll be watching the Braves from the organ booth in a week) before he took me to the bus station.

The bus loaded about 25 minutes late to begin with. That was the first time that’s happened to me on this tour, I think. I sat across the aisle from a woman with an impressive smoker’s laugh and cough. If morbid obesity and smoking are any indication, the South won’t be rising again anytime soon. I direct your attention to the photo above of a store in Nashville called Everything Diabetic. There are a bunch of stores like it in the city, all within feet of fast food restaurants.

It’s been quite an eye-opener to come south from Brooklyn and see the incredible difference in the general health of the people. And believe me, this is being said by a guy whose BMI reading places him in the “overweight to obese” category. I know it’s a problem for me and it’s an even more serious problem for a large percentage of the people I see around me every day down here.

Anyway, I spent the first part of the bus trip working on an episode of The Jazz Session until my laptop’s battery died. Greyhound makes a big deal of touting its buses with wifi and power outlets. In very small print on those posters are the words “Only available on certain schedules.” Unfortunately, the long route between Texas and Virginia isn’t one of those schedules, which means that all my trips in the past week or so have been on buses with no outlets or wifi. Which is a drag, given the amount of work I could otherwise accomplish on the bus.

Shortly after my laptop died we stopped at a gas station that serves as the Greyhound drop-off and pick-up point in Cookeville, TN. I went into the gas station to get a snack. While I was in line, a guy came up to me holding a six-pack of beer. “Let me get in front of you, dude, so the bus driver doesn’t see me buying this.” He was about 50 or so, wearing a white baseball cap and a Red Cross backpack.

You can’t take alcohol on the bus, so the clerk asked the man if he was getting back on the bus and the man said no. He asked him again and the man said no. So the clerk sold him the beer. Then the man ducked down a couple feet away and starting slipping the bottles into his Red Cross backpack. The clerk noticed and called the bus driver over. The driver asked the man if Cookeville was his destination and the man said yes. The clerk wasn’t convinced, though, and asked the man again. Within seconds they were screaming obscenities at one another. The man took his backpack and left the store with the clerk yelling at him. The guy got on the bus and the driver told the clerk to call the cops.

I paid and went back to the bus. A few seconds later another guy who’d been in the store came onto the bus and said, “Whoever bought that beer, you should know the cops are coming.” The guy with the beer got off the bus and started chugging the beers. He drank three, threw the other three under a bush next to the bus, and got back in his seat just as three police cars arrived. (As he boarded the bus he shouted, “No evidence.”)

The cops and the driver came and took the guy off the bus. They starting questioning him against the wall of the station. Eventually he pointed and one of the cops went to retrieve the other three beer bottles from beneath the bush. They kept the guy there and the bus went on its way after a long delay.

Perhaps the best part of the story is that overwhelming sentiment on the bus was on the side of the guy. The woman sitting across from me (a different woman from the one I mentioned above, who’d already disembarked) had just been released from jail that morning and wasn’t all that happy about the cops being there. In fact, her conversation alone on the course of the ride was something not even Flannery O’Connor could have written. One example: She’s a hunter. So she got a tattoo of the logo of a bow-and-arrow maker, sent them a photo, and got to test their hunting bows free for two years.

We did finally make it to Knoxville. For the last few miles, a woman at the back of the bus was shouting out every road sign and mileage marker and landmark to someone on the other end of a cellphone connection. Every. Single. One.

And then I was back at the Knoxville Greyhound station for the second time this week. It was still a hole.

I was picked up by the girlfriend of a friend of a friend. Amanda took me to The Bistro, where we heard a band featuring Wes Lunsford on guitar, Clint Mullican on bass and Hunter Deacon on drums. They sounded great, particularly on a gorgeous Bill Frisell tune called “Gimme A Holler.” It had than Jarrett-y country/jazz/twang that sounds so good.

I also met Alisha O___, whose last name I’m omitting for her own protection. She was possibly a sociopath, but also the first person on the tour that I’ve really had a chance to exchange barbs with. It was a blast and really made me feel at home here. There’s nothing like some snark to make you feel welcome. (And on a serious note, I really liked Alisha a lot. Even if she’s dangerously amoral.) (OK, perhaps the latter part of that note wasn’t that serious.)

Then it was back to the house that the band shares. Clint was rehearsing with a funk band featuring his brother Chuck and several other musicians hailing from the University of Tennessee here in Knoxville. We sat on the porch and I got the tables turned on me as they quizzed me about people I’d interviewed and asked me for stories about musicians they like whom I’d met and spent time with. It was fun to share my first-hand experiences and made me remember that not everyone gets to do what I do. Their band was super funky, too.

Tomorrow I’m interviewing Donald Brown and maybe someone else. And I have a bunch of work to do for the next couple stops on the tour. For instance, I need to figure out what the next couple stops on the tour will be. Details, details.

(If you’d like to support my tour, you can make a one-time donation and get great thank-you gifts HERE. If you’d like to become a member of The Jazz Session and make recurring monthly or yearly payments, you can do that HERE.)

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Tour Diary: Stock Car Love And Other Ballads


Evan Cobb, me, Jeff Coffin after the Doyle & Debbie Show at The Station Inn in Nashvile

(June 19, 2012) NASHVILLE, TN — Let’s just get this stuff out the way: Today I ate lunch with Victor Wooten, Roy Wooten, Jeff Coffin, Chris Walters and Evan Cobb. Then I had dinner with Jeff and Evan with Ben Folds one table away to my left and a Japanese documentary crew one table away to my right. This is a weird town.

(Side note: As I’m typing this, at 1 a.m. CT, something serious and loud and metallic is happening outside this house. I’m fine right here on the couch, thanks.)

On my first full day in town, I did a poetry reading at the Nashville Jazz Workshop. I was so impressed with the place that I went back today to interview co-founder Roger Spencer. That’s him in the photo to the left. The Wokshop is a school that teaches jazz through performance. Students of all ages and levels sign up for six-week classes with local pros. The Workshop is also home to the Jazz Cave, a gorgeous performance space that rivals most clubs I’ve been in and plays host to touring acts and local pros. Roger talked to me about the founding of the Workshop and the role it plays in the jazz life of Nashville. It’s an incredible place and deserves your support.

The other day, Jeff Coffin told me about another inspiring school in Nashville — the W.O. Smith Music School, a community music school serving low-income kids with an all-volunteer teaching staff. Evan was kind enough to take me there to interview the school’s executive director, Jonah Rabinowitz.

The first thing I noticed about the school? It’s gorgeous. I mean really beautiful and impressive as soon as you walk in. My phone pictures won’t do it justice. Jonah showed us around the facilities, including a recital hall, well-equipped and lovely practice rooms, a library and more. The school started in the 80s in a small house, then two houses, then ($6 million dollars of fundraising and 10 years of planning later) in its current facility. I’ll post that interview soon so you can hear all about this place. In the meantime, I encourage you to visit their site and kick in a few bucks.

Next, Evan and I went to the House of David recording studio to listen in on a session featuring Jeff Coffin, Roy and Victor Wooten and Chris Walters.

They were recording an instructional CD that Jeff is working on with another musician. I was struck by the consummate musicianship displayed by all four players. They were completely focused on the music and intensely aware of every aspect of the performance. They’d play through a piece and one of them would say, “I think I rushed a bit on beat 3 and 4 of measure 28.” And that was in reference to something they’d just finished playing seconds before. It was impressive.

Afterward we all went to lunch at an Indian place called Sitar, which had a fantastic buffet. The sign pictured at left was inside the front door. Here’s the reference, in case that joke doesn’t mean anything to you.

I have to say, it’s at moments when I’m having lunch with the Wootens and the sax player from the Dave Matthews Band and the Flecktones that I think going out on the road was a good idea. I was most struck by two things: (1) how humble and nice everyone was and (2) Victor’s hands. Particularly his fingertips. I’ve seen his hands playing the bass so many times and I’ve always been captivated by something about his fingertips and the way they move on the frets. It was funny to see those same hands being used for something as mundane as eating. Although eating is no more or less mundane than anything else if you give it your full attention. One of my big regrets of my time in Nashville is not getting a chance to interview Victor and Roy. I guess I’ll have to come back.

Evan and I went home after lunch for a few hours. I intended to work. Then this happened:

…and I decided instead to take a nap with Evan’s dog, Iggy.

Post-nap we picked up Jeff and went to The Station Inn, a famous bluegrass and country joint, to see Doyle and Debbie, a musical comedy duo who parody the great country couples of the past. They were hilarious. Fast-paced, acerbic songwriting and spot-on acting. Their comedy was working on so many levels that I was never sure which part the audience was laughing at. It didn’t matter, though. I laughed a lot and had a great time. Catch them if you’re in town. (The photo at the top of this post was taken outside the show.)

Next it was off to The Smiling Elephant for some of the best Thai food I’ve ever had. We got there just before it closed and there was a line and the place was packed. A table opened that we thought was ours, but it turned out there was one party ahead of us in line — Ben Folds and two friends.

I loved the food and the environment and the owner’s obvious attention to detail. We chatted with him for several minutes and he told us how involved he and his wife are in every step of the preparation and presentation process. You can really tell. The whole place is like an oasis of good vibes.

There was also a Japanese documentary crew there making a music documentary. They were heading to Montana the next day. One of the guys had a very hip Ahmet Ertegun t-shirt. I chatted with them in Japanese for a while, which was fun even though I’m rusty.

Then it was back to Evan’s, where the day ended in the best possible fashion:

Tomorrow I’m interviewing Evan and saxophonist Rahsaan Barber. Then I leave in the afternoon for Knoxville, where I’ll interview Donald Brown (among others) and read poetry.

(If you’d like to support my tour, you can make a one-time donation and get great thank-you gifts HERE. If you’d like to become a member of The Jazz Session and make recurring monthly or yearly payments, you can do that HERE.)

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Tour Diary: Jamaicaway


A small piece of a cool book collection.

(June 18, 2012) NASHVILLE, TN — Today was a very, very good day. It included cowboy swing, vegan Jamaican food, some very deep hangs, and lots of good music, both live and recorded.

I started the day interviewing Denis Solee, one of Nashville’s top woodwind players and woodwind repair technicians and a person with more than 30 years on the local scene. He’s played on recordings by everyone, including Ray Charles, Mel Torme, Louis Bellson, Sammy Davis Jr., Sarah Vaughn, Aretha Franklin and many more. And for all that, Denis was as humble and gracious as you could imagine.

I spent much of the rest of the day and night in the company of Jeff Coffin. You may know Jeff from the indie outfit he plays with called the Dave Matthews Band. Or you might know him from his years with Bela Fleck and the Flecktones. Or from his own band, the Mu’tet. Here’s another guy who could have an enormous chip on his shoulder if he wanted to. Instead, he’s incredibly kind and generous and open.

Saxophonist Evan Cobb and I met Jeff for lunch at this great place called Jamaicaway that had very tasty vegan Jamaican food. They had non-vegan options, too, for you weirdos. And how great a name is “Jamaicaway”? I couldn’t resist using it as the title of this post.

Then it was back home so Evan could practice and I could do some tour work. It’s incredible just how much work it takes to be a jazz hobo and wandering poet. Setting up places to stay. Booking interviews. Scheduling poetry readings. Figuring out bus schedules. I feel like I’m as busy as I’ve been in a long time. Luckily, I had an office partner with me most of the day. That’s him up above.

My next stop was a performance by the Nashville Jazz Orchestra, in which Evan plays.

The NJO is big band led by trumpeter Jim Williamson. The band sounded great tonight — tight ensembles and solid soloing. A full house of very enthusiastic fans encouraged every solo and every high note in the trumpet section. You’ll find the NJO every Monday at the Holiday Inn Vanderbilt’s Commodore Grille from 5:30 – 7:00 p.m.

I had to step out of the show for a few minutes to do a live radio interview (by phone) with WFSK, Fisk University’s radio station. The interview was conducted by Ron Wynn, who also wrote a piece on my tour that appeared in the Nashville Scene. Ron did a great job with the interview — he asked smart questions and knew about the tour, which made everything flow very smoothly.

One thing I’ve noticed on this tour is that I need to be more careful about how I’m eating. Visiting people usually means going out to restaurants, which I can’t afford financially and don’t want to do for health reasons. Today Evan and I went to The Produce Place, a market in Nashville with great fruits and veggies and nuts and granola. You get the picture. We got stuff for salad and also for guacamole. Then Evan, Jeff and I had a nice dinner (seen above). It was the first meal I’ve cooked since leaving New York, and I think only the third home-cooked meal I’ve eaten in that time.

For me, as for many people, Nashville means country music. I knew before I got here that I wanted to see some bluegrass if possible and some good country. At the jam session yesterday, one of the musicians suggested The Time Jumpers, a band of first-call session players who play cowboy swing a la Bob Wills. Country superstar Vince Gill plays in the band, too, which in part precipitated their move to a larger venue — from the Station Inn to 3rd And Lindsley.

The Time Jumpers were phenomenal. They swung so hard! Individually they were brilliant musicians and collectively they put a lot of big bands to shame. Their feel and precision and pure joy were infectious. They passed around song-calling duties and played a bunch of classics and a few more recent country tunes. For several songs, they were joined by drummer and singer Duffy Jackson, who’s played with Count Basie, Ella Fitzgerald and many others. His time feel was rock-solid and swinging and his vocals were hilarious. The Time Jumpers don’t need my help to promote their band, but I’ll do it anyway. Go see them on Monday nights.

Before going to The Time Jumpers show, I was at Jeff Coffin’s house for a bit. We got to talking about Ornette Coleman, and Jeff played me a recording he’d made of a conversation between Ornette and Roy “Future Man” Wooten. It was a deep conversation about what it means to be human and how we know we’re alive. I heard just a portion of it and also a few minutes of Ornette and Roy jamming. They sounded so good together.

When I got back to Jeff’s after The Time Jumpers show, Roy was there. I’m so glad he was. I’d like to spend several weeks with him, just hanging out and talking. The conversation tonight began with a project Roy is working on and eventually encompassed James Joyce, Joseph Campbell, Fibonacci sequences, Wagner, Schopenhauer, knuckleball pitching, listening to music in the dark … and more than I can possibly remember. It was yet another of those experiences on this tour that just can’t be had in any other way. Oh, and did I mention that Stevie Wonder’s music was playing in the background the entire time?

At about midnight, Jeff and I went out on his back deck and recorded our interview. I felt like my brain was mush by that point, but Jeff said he enjoyed it, so here’s hoping it sounds OK.

Tomorrow I’m going back to the Nashville Jazz Workshop to interview the folks who run it. I’m also going to the W.O. Smith School, a community music school that’s attracted national attention for its positive work in Nashville. And I’m going to attend a session that Jeff is playing with Roy, his brother Victor Wooten, and the pianist Chris Walters. Then tomorrow night we’re going to see The Doyle And Debbie Show, a loving parody of classic country acts. I’m going to interview Evan tomorrow, too. Another brain-melter of a day.

(If you’d like to support my tour, you can make a one-time donation and get great thank-you gifts HERE. If you’d like to become a member of The Jazz Session and make recurring monthly or yearly payments, you can do that HERE.)

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