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Category: Movies

POEM: I wanted to be Ethan Hawke

I just watched Before Sunrise for the first time since I saw it in the theater in 1995. I haven’t really been able to watch it since then. I also watched Before Sunset for the first time. This is poem is a true story brought back to the surface by those two films.

I wanted to be Ethan Hawke

I walked out of the movie theater / that night in 1995 / holding in my insides / like I’d been gut-shot

the drive back to my apartment / took the rest of my life / trying to write the perfect line / that would make you leave Rochester / and join me in Tucson

I couldn’t see the road with your face / clouding my eyes / I drove like the old man / I was afraid I’d become without you

why did you call me every day? / what didn’t I say / that would have made you love me?

my little red journal couldn’t hold it all / couldn’t trap the longing / free me from that parking lot / where you held my hands in yours / said “we’ll see each other before you go, won’t we?”

my last night in town was in your bedroom / on your bed (an unfortunate preposition) / a cat between us, our hands touching

you were all I wanted / but I still had to leave, had to get out / had to find my own ground

I came to rest in the desert / but 3,000 miles of driving / didn’t do a damn thing to put you behind me

eventually the phone calls stopped / the longing subsided / but not the feeling of missed opportunity

there is no train platform on which to meet in six months / no sweet reunion movie nine years later

just one of those connections that didn’t quite take / a lost chance to make a new universe

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Love, Rio-Bravo-style

Feathers (Angie Dickinson): I thought you were never going to say it.

Chance (John Wayne): Say what?

Feathers: That you love me.

Chance: I didn’t say I love you. I said I was going to arrest you.

Feathers: It means the same thing, you know that.

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POEM: romcoms

Listen to this poem using the player above.

“Romcom” is short for “romantic comedy,” my favorite kind of movie. This ended up being another relationship poem. Just about the only kind I write these days.

romcoms

like a glimpse over the wall
into the neighbor’s much nicer yard
the one with a new grill
and a pool and a picnic table
where there’s plenty of cold lemonade
condensation on a glass pitcher
endless afternoons of happiness
with someone who looks into your eyes
like they were the whole world
there are friends around the table, laughing
telling stories and eating
you laugh with them, delighted
to find that these people are real
sometimes she reaches over
squeezes your hand
or puts her fingers on the back of your neck
as if to say, “I’m real, too”
when you get up to take your plate
into the house, she follows
you kiss in the kitchen, one hand
still holding the plate, the other
brushing her hair back over one ear
later someone lights a fire in the stone circle
and everyone gathers around it, dreaming aloud
she is close beside you
if this is the last night ever
if they never make a sequel
it will have been enough

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POEM: The movie Tombstone is first and foremost a love story

I love, love, love this movie. I’ve watched it many times (most recently tonight) and I’ve always liked the love story the best.

The movie Tombstone is first and foremost a love story

Sure, Wyatt Earp chased down
the dreaded Cowboys.
But when that was done,
he found Josephine
in a theater dressing room
and they danced in the snow
for the rest of their lives.

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POEM: Eating Godzilla

Listen to this poem using the player above. The music is by a friend who prefers not to be named. The laughter is by Bernie and John.

Eating Godzilla

for some reason, we started with the tail
you’d think that would be the toughest part
but after we’d sliced away the scales
the flesh was surprisingly tender
and no, it didn’t like taste like chicken
well, maybe a little
but it also had that metallic
just-out-of-the-microwave aftertaste
probably from the lingering effects of the radiation
Kazuhiro had insisted on serving side dishes
despite our obvious inability to finish
the great green lizard in one sitting
so we’d sautéed Mothra in a sesame sauce
and served him (her? it?) in lovely
sculpted bowls that fit perfectly in the hand
I’d suggested also eating Raymond Burr
just for old times’ sake
but by this time he was more fat than meat
and who can be bothered to pare all that away
just for a few grizzled bits of TV lawyer?
anyway, after the tail was finished we
cracked open Godzilla’s skull to get at
what we thought would be
the salty brain encased within
imagine our surprise, then, when
the skull turned out to contain
thousands of Pez candies
in a variety of fruity colors
Iwai-kun suggested handing them out to the children
who’d naturally gathered ’round us
for a look at the sundered source
of their nightmares
you should have seen the smiles
on their faces as he
reached his hands into the skull
and drew forth the rainbow
of sugary delights
he tossed the Pez out like Mardi Gras beads
and the kids scrummaged for them, squealing

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POEM: Robert Redford’s Banker

I wrote this on a plane trip to San Francisco in 2008, while sitting next to the gentleman described in the poem.

Robert Redford’s Banker

makes perfect check marks
next to the names of Maui restaurants
that he’ll visit when the plane lands.

With measured strokes,
he moves money
from one worthy cause to the next.

The handwriting in his register
shows the passage of time,
a certain revealing tremor in the fingers.

A small picture of the actor —
in his halcyon days —
rests on the tray table next to a bill

from the banker’s club, a map of Maui,
and suggestions for avoiding problems
with Medicare and the tax collector.

He nibbles a deliberate biscotti
and counts to three on his left hand,
fingers pressed, one after another, against his thumb.

Perhaps he’s not counting at all, just
reassuring himself of his own tactile reality,
one not represented by ink on watermarked paper.

The plane touches down, the banker gathers loose papers
to his chest and moves off into the terminal,
searching for his connection, dreaming of the stage.

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Leonard Cohen again, again

I went to see LEONARD COHEN I’M YOUR MAN again tonight. That’s right — three times in four days. The movie closed tonight at the Little here in Rochester, so if you didn’t see it, you’ll have to wait for the DVD or travel to another city.

I really can’t explain what it is about this film that grabs my guts so strongly. The music is amazing, of course, as is the poetry. The collection of voices. The way Cohen-as-guru is mixed in among the songs. The obvious awe and reverence his words and music inspire in the other musicians.

Maybe I’m just in the right place in my life to be open to this music and this man and this experience.

In any case, I’m so thankful that The Little brought this movie to Rochester. Kudos to Rob Russell, the new executive director!

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Leonard Cohen again

Tonight I went to see LEONARD COHEN I’M YOUR MAN again, this time in the company of my wife Jennifer. If anything, it was even better tonight. Jen and I looked at each other with tears running down our cheeks during several of the songs, including Antony’s transcendent version of “If It Be Your Will” and the blood-rushing “Anthem” as sung by Julie Christensen and Perla Batalla. GO SEE THIS FILM!

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