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Category: Movies

Leonard Cohen I’m Your Man

Tonight, I had the most affecting experience I’ve had in a movie theater in a long time. I went to see LEONARD COHEN I’M YOUR MAN during its one-week run at the Little Theatre in Rochester.

Leonard Cohen I'm Your Man

Part concert film, part documentary, LEONARD COHEN I’M YOUR MAN features a tribute concert from Sydney, Australia interspersed with interviews with Cohen and others. The concert is awe-inspiring, and the lineup tells you why: Rufus Wainwright, Martha Wainwright, Kate and Anna MacGarrigle, Nick Kave, Antony, Beth Orton, Teddy Thompson, Linda Thompson, Jarvis Cocker, U2 and many more. Cohen’s words and music are so sharp and beautiful that I found myself laughing by the end as a reaction to the emotion that just built and built throughout the film.

If this film is playing anywhere near you, go see it. You’ll find a list of cities at the film’s Web site.

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The best Philip K. Dick adaptation yet?

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I went with my friend Gary tonight to see A Scanner Darkly, the animated adaptation of Philip K. Dick’s 1977 novel. The film was directed by Richard Linklater, and was made with the same rotoscoping process used in Linklater’s film Waking Life. Whether or not you’re a fan of Dick’s writing, this is a film worth seeing, both for its wonderful acting and insightful commentary on American society.

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Standouts in the cast include Keanu Reeves — no, that’s not a misprint — as the protagonist and Robert Downey, Jr. as one of his cohorts. The film is playing at several locations here in Rochester, including one of our independent theaters, the Little Theatre on East Ave.

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Fun with movie trailers!

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My friend Jeff Vrabel sent me two links today. Both were spoof movie trailers based on Brokeback Mountain. A little digging turned up quite a few more spoof movie trailers on everything from Titanic to Psycho. Here’s a sampling. Enjoy!

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It’s good to be King (Kong)!

If you haven’t seen the original 1933 version of King Kong, run down to your local video emporium and pick up the new 2-DVD Special Edition, released earlier this year.

First and most importantly, the newly restored Kong looks fantastic. Many lost or censored scenes have been added back in — and they’ve been taken from a recently discovered UK print of the film, rather than from grainy 16mm reprints. The music has been remastered, and it’s wonderful, although still in mono.

I was really amazed by how much I got into this movie. I have to come clean: I’d never seen the original in its entirety. I’d seen bits and pieces here and there — I think it’s just about impossible not to have seen the Empire State Building sequence at some point in your life — but never the whole thing. And here comes an understatement: It’s a great movie. A little hammy where the acting is concerned, but I actually find that a plus, not a minus. After all, this was a monster movie made in 1932. It’s supposed to be hammy!

The second DVD contains two documentaries — one about director Marion C. Cooper, and another 2.5-hour documentary about the making of the film, produced by Peter Jackson, who directed the new King Kong movie and a little indie fantasy trilogy called Lord of the Rings. Perhaps you’ve heard of him. This latter documentary contains all the standard “making of” stuff, plus the kind of detail and extra effort only found when fans talk about their favorite films. The coolest bit? Peter Jackson and the WETA Digital crew use 1932 technology and stop-motion animation to recreate the classic lost “Spider Pit” scene, removed from the original film because it was too shocking.

Two documentaries, one classic film. This set should be in everyone’s collection.

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A brilliant film

I just finished watching Sidney Lumet’s brilliant film adaptation of 12 Angry Men. I’ve seen it a half-dozen times, and it captivates and inspires me every single time.

There are moments in the film where the acting is so perfect that I find myself laughing out loud with joy. Then there are scenes so intense that I realize I’m holding my breath. For me, though, the most beautiful scene in the film is the very last one, when Davis (Henry Fonda) and McCardle (Joseph Sweeney) introduce themselves on the courthouse steps after the trial. There’s something so human and so connected in that scene that it floors me every single time.

If you haven’t seen it, see it. If you have, see it again.

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