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Category: Jazz

POEM: Stephen Edward

Listen to this poem using the player above.

This poem is the fourth in a series of pieces inspired by bass clarinetist Thomas Savy’s new CD, French Suite (Plus Loin Music, 2009). This particular poem came from his composition “Ballade de Stephen Edward.” You can learn more about Thomas Savy at his MySpace page. I’ll be posting more poems in this series in the coming days. You can also read and listen to the first, second and third poems in this series.

Stephen Edward

writes his cramped
letters in a worn
notebook, sitting
everyday at the
same table, making
his single glass last
sometimes he leans
back, letting the sun
hit him full in the face
at other times he’s
hunched and indrawn
the world shut out
his thoughts swirling
he’s filing reports
for a nonexistent
newspaper, one whose
readers all live in the
same house, between
two ears and exposed
to the rain under
Stephen’s sparse hair
whoosh

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POEM: Stones

Listen to this poem using the player above.

This poem is the third in a series of pieces inspired by bass clarinetist Thomas Savy’s new CD, French Suite (Plus Loin Music, 2009). This particular poem came from his composition “Stones.” You can learn more about Thomas Savy at his MySpace page. I’ll be posting more poems in this series in the coming days. You can also read and listen to the first and second poems in this series.

Stones

like the ones
my grandfather
painted flowers
on, found near
the water
where the pilgrims
landed, stepping
onto the big stone
and calling out
thanks to their god

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POEM: My Big Apple

Listen to this poem using the player above.

This poem is the second in a series of pieces inspired by bass clarinetist Thomas Savy’s new CD, French Suite (Plus Loin Music, 2009). This particular poem came from his composition “My Big Apple.” You can learn more about Thomas Savy at his MySpace page. I’ll be posting more poems in this series in the coming days. You can also read and listen to the first poem in this series.

My Big Apple

every tune about New York
rushes forward this way
even the ballads
the kinetic energy of the city
is just too strong to resist
and before you know it
a laconic melody about
the Hudson has turned
that river into the Mississippi
at flood stage
the skyscrapers floating by
at 45 degrees to the horizon
businessmen doing the
backstroke off the Battery

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POEM: the bass clarinet

Listen to this poem using the player above.

This poem is the first in a series of pieces inspired by bass clarinetist Thomas Savy’s new CD, French Suite (Plus Loin Music, 2009). This particular poem came from listening to his performance of John Coltrane’s “Lonnie’s Lament.” You can learn more about Thomas Savy at his MySpace page. I’ll be posting more poems in this series in the coming days.

the bass clarinet

reaches down, scoops
out your intestines
causes your brow
to furrow, your eyes
to narrow then shut

lamentation, an old
fashioned word
from before these sounds
existed, before this
Frenchman was born

John William burned
his lament onto the wax
as he had inscribed it
onto the paper
black ink to red fire

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Poetry & jazz with Sam Sadigursky

Show #150! Crazy, ain’t it?

Multi-instrumentalist Sadigursky just released Words Project III: Miniatures (New Amsterdam, 2010), the third in his series of releases combining contemporary poetry with improvised and through-composed music. In this interview, Sadigursky talks about his decision to use poems as an inspiration for composition; which texts lend themselves to his work and why; and what the various vocalists on his albums bring to the music. Learn more at samsadigursky.com.

LISTEN: The Jazz Session #150: Sam Sadigursky

If you’d like to buy this album, you can support The Jazz Session by purchasing it via the link below:

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POEM: Gene Ludwig

GeneatClefClub
Photo by Ben Johnson, Sr.

I saw organist Gene Ludwig in concert earlier tonight, and wrote these three pieces while watching the show. If you’d like to know more about Gene, listen to my interview with him on The Jazz Session.

Gene Ludwig

1.

Gone deep inside, he slides
effortlessly across the organ keys,
never losing the sense of weightlessness
every earthbound mortal
longs for.
Unlike most, he isn’t held
down by gravity, not forced to
wear the chains of step-by-step,
inch-by-inch. Instead, he
gently leaves the earth, smiling.

2.

Perhaps he’s the local mortician,
skin made alabaster through
affinity with those he serves;
or an accountant, toiling away
until life’s energy winds down
like the gold watch they’ll give him;
he could be any one of a hundred
buttoned-up Rotarians in grey flannel suits,
friends with the mayor or with
the chief of police.
Then he sits down at the organ, and
joy springs from those ivory fingers.
He strips off the grey shell,
revealing the light at his core.
That light is the only thing
that reaches us faster
than his sound.

3.

Grabbing two handfuls of
electricity, he
naturally believes that life is beautiful, that
everyone has ready access to this
level of presence, this certain
understanding of the melody.
Doubtless, they all
would trade places
if they could, exchanging
Gene’s grace for their own.

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Big news for The Jazz Session!

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I’m thrilled to announce the launch of a new partnership with All About Jazz, the world’s most visited jazz Web site. AAJ founder Michael Ricci and I have been working together for several years now, with AAJ hosting transcriptions of the interviews that appear on The Jazz Session.

Now we’ve decided to combine forces. That means The Jazz Session will be featured on the home page at allaboutjazz.com. We’ll also be working together to visit festivals on behalf the new TJS/AAJ partnership, starting this summer with the Tanglewood Jazz Festival and others. The idea is to conduct interviews right in front of the crowds who come to see the artists. Then we’ll bring these interviews to you after the festivals.

We’re also launching a widget for The Jazz Session that will allow you to display the latest episode right on your blog or Web site. I’ll be mentioning the blogs and sites that do this on episodes of the show, and also linking to them from this site. So if you decide to link to The Jazz Session, please let me know at jason@thejazzsession.com.

For more information on the new partnership, and for instructions on adding the widget to your site, please read the press release.

The Jazz Session hits 200,000 downloads

On the very same day that The Jazz Session announced its new partnership with All About Jazz, the show hit 200,000 downloads. I’m so proud of the show and grateful to all of you for supporting it. This is a true labor of love for me, and I hope it shows in the interviews.

PLUS:

hugh

Jason Crane interviews trumpeter Hugh Masekela about his 2009 album Phola (Times Square Records). The album finds Masekela in a quieter, more reflective mood — a decision he credits to producer Erik Paliani. Despite the more reserved surroundings, Masekela’s flugelhorn playing is as intense as ever. In the interview, Masekela discusses Miriam Makeba, music as a political force, and why he doesn’t play for fun.

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This week on The Jazz Session: David Sanborn!

sanborn

Jason Crane interviews saxophonist David Sanborn. Sanborn is one of the few jazz players whose name is known even outside the jazz world. It’s fitting, then, that he’s using his new album Here & Gone (Decca, 2008) to bring a lesser-known jazz saxophonist into wider awareness. Here & Gone celebrates the music of Hank Crawford, a saxophone player and the principal arranger for the Ray Charles “little big band” of the 50s and 60s. Crawford’s playing had a huge impact on Sanborn, and Sanborn repays the favor with this thoughtful and soulful tribute.

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The Jazz Session #55: The Wee Trio

wee

Jason Crane interviews vibraphonist James Westfall, bassist Dan Loomis and drummer Jared Schonig, known collectively as The Wee Trio. Their first record, Capitol Diner Vol. 1 (Bionic Records, 2008) features original music, jazz standards … and Nirvana. The trio explores the music they love through the lens of collective improvisation, and the results are fresh, fun and worth repeated listening. Find out more at theweetrio.com.

Listen to the show.

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New episodes of The Jazz Session: Fly and Barbara Dennerlein

fly

Jason Crane interviews the members of the trio Fly: bassist Larry Grenadier, drummer Jeff Ballard and saxophonist Mark Turner. Fly is very much a collective effort — the group operates with a leaderless philosophy in which everyone contributes equally. As a result, the trio has come up with some fresh and exciting sounds as they try new combinations and new ways to balance their respective instruments. All three musicians are very much in demand as sidemen, too. A full transcript of this interview is available at AllAboutJazz.com.

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dennerlein

Jason Crane interviews organist Barbara Dennerlein about her pipe organ recording Spiritual Movement No. 2 (Bebab Records, 2008). The album was recorded at one of Germany’s most famous churches in front of a very appreciative audience. In this interview, recorded before a concert in Pittsfield, Massachusetts, Dennerlein discusses jazz on the pipe organ; why organists should use their feet; and how she adapts to the challenge of seldom having her own instrument on stage.

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The Jazz Session is back!

crispell

THE JAZZ SESSION #52: MARILYN CRISPELL. Jason Crane interviews pianist Marilyn Crispell about her album of solo piano pieces, Vignettes (ECM, 2008). Crispell made an early name for herself with Anthony Braxton, and she’s since amassed an impressive list of recordings that include composed and freely improvised pieces. In this interview, Crispell talks about the nature of improvisation, the particular challenges of solo playing, and the joys of Woodstock, NY.

Listen to the show at thejazzsession.com.

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NYC Second Line

My very good friend Satoru Ohashi is playing trumpet in this video, recorded Nov. 30, 2008 in New York City:

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The Jazz Session #51: Kate McGarry

Jason Crane interviews vocalist Kate McGarry. Her new album, If Less Is More … Nothing Is Everything (Palmetto, 2008), explores everything from spirituality to The Cars in McGarry’s typically atypical style. McGarry is joined on the record by guitarist Keith Ganz, organist Gary Versace, bassist Reuben Rogers, drummer Clarence Penn, saxophonist Donny McCaslin, percussionist James Shipp, and vocalists Peter Eldrige and Jo Lawry.

Listen to the show.

CONTEST: Win Kate McGarry’s new CD! To enter, send an e-mail to contest@thejazzsession.com with “KATE” in the subject line. And remember — if you’ve won in the past 30 days, sit this one out, OK? Good luck!

BONUS TRACK: Listen to Kate sing Joni Mitchell’s “Chelsea Morning” at the 2008 Tanglewood Jazz Festival.

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