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Category: Haiku

two haiku: 13 March 2018

a friendship renewed
with butter chicken and rice
then into March wind

3.13.18
for K

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finger hurts, pulsing
Builders Tea is nearly gone
worse yet, it’s snowing!

3.13.18

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two haiku: 8 March 2018

Bashō was my age
when he walked the narrow road
in drawings he’s old

3.8.18

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“Such Great Heights” playing
in this café as I work;
our freckles aligned

3.8.18

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two haiku: 6 March 2018

one drop of water
falls into the hotel sink
I am far from home

3.6.18
Butler PA

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raspy laughter comes
through the wall from the next room
in (one) out (two) in…

3.6.18
Butler PA

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two haiku: 3 March 2018

cold wind like a slap
boys, biking, do not feel it
I wait in the car

3.3.18
Phillipsburg PA

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car zooms by outside
rain spatter on rubber tires
while upstairs: zazen

3.3.18
State College PA

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haiku-in-progress: 28 February 2018

wind ruffles my sleeves
“every wall is a door”
:confusing sign reads

2.28.18

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wind ruffles my sleeves
“every wall is a door”
— so says an odd sign

2.28.18
version 2

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wind ruffles my sleeves
“every wall is a door”
(I go around though)

2.28.18
version 3

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sign flapping in wind:
“every wall is a door”
I go around though

2.28.18
version 4

all written in Pittsburgh PA

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HAIKU: 25 February 2018

feet sore from walking
back sweaty from early warmth
jump in shower — ah!

/ / /

Jason Crane
25 February 2015
State College PA

I go through periods of reading and writing haiku. I’ve done it ever since I moved to Japan in 1991 and picked up a copy of Basho’s Narrow Road To The Deep North in a bookstore in Sendai. Today I listened to this talk from Upaya Zen Center (where I almost ended up living in 2013) and decided it was time to start writing haiku again.

In the past I paid little to no attention to the 17-syllable rule, given that in Japanese it’s not even syllables that are counted. But Craig Strand’s part of the talk changed my mind. He said that focusing on three elements — form, season and present mind — frees the mind to express exactly what is there. In other words, the restrictions allow for true freedom. So I’m going to try sticking to 17 syllables.

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