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Category: My poems

POEM: I wanted to be Ethan Hawke

I just watched Before Sunrise for the first time since I saw it in the theater in 1995. I haven’t really been able to watch it since then. I also watched Before Sunset for the first time. This is poem is a true story brought back to the surface by those two films.

I wanted to be Ethan Hawke

I walked out of the movie theater / that night in 1995 / holding in my insides / like I’d been gut-shot

the drive back to my apartment / took the rest of my life / trying to write the perfect line / that would make you leave Rochester / and join me in Tucson

I couldn’t see the road with your face / clouding my eyes / I drove like the old man / I was afraid I’d become without you

why did you call me every day? / what didn’t I say / that would have made you love me?

my little red journal couldn’t hold it all / couldn’t trap the longing / free me from that parking lot / where you held my hands in yours / said “we’ll see each other before you go, won’t we?”

my last night in town was in your bedroom / on your bed (an unfortunate preposition) / a cat between us, our hands touching

you were all I wanted / but I still had to leave, had to get out / had to find my own ground

I came to rest in the desert / but 3,000 miles of driving / didn’t do a damn thing to put you behind me

eventually the phone calls stopped / the longing subsided / but not the feeling of missed opportunity

there is no train platform on which to meet in six months / no sweet reunion movie nine years later

just one of those connections that didn’t quite take / a lost chance to make a new universe

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POEM: everything is a poem

everything is a poem

the baby on the N train who laughs
        as her mother tickles her feet
the way the stop-motion animator looks down
        at her hands / talks about puppets
the little bit of “residual foam” that floats
        on top of a hot cup of espresso
the ring of condensation like a holy circle
        of protection beneath my glass
the young Brooklyn barista beaming
        as she tells me how smart her sister is
the way my friend rests one slender arm
        behind her head / smiles across the space between us
the cat putting his front paws on my leg
        so he can rub his head against my freshly shaved chin
the moment when I step out of the subway station
        and remember that it’s a sunny day in New York City
the part where Stevie’s voice jumps an octave and the song
        goes up a whole step and I can’t feel the ground

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POEM: the worst kind of poem

the worst kind of poem

is the one you write while
trying hard to hide its meaning
like bringing a leopard
to a dinner party
and acting surprised
as the other guests hurriedly clear a space
staring as you feed it a canape
murmuring to one another
while it licks itself

you can pass it off as a joke
pretend the leopard is an
expensive handbag, maybe
eventually though, you can’t hide
the growls, the knocking over of glassware
the sharp intake of breath as
the cat makes eye contact with a partygoer

finally you’ll be forced to admit
that yes
it’s a leopard
and no
we won’t be leaving

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POEM: dark child

From Trixie Whitley at Rockwood Music Hall (9/27/11)

dark child

she pounds the stage to splinters
with a booted heel
rips melodies from the strings
beats the piano into submission
all the while apologizing for the violence
singing us onto the rocks
with a voice won from God
in a game of dice (fuck you, Einstein)
her strong blood is on the keys, the frets
a hum from the amp like crazed wasps
I hear Belgium is nice this time of year
but on Allen Street the rain is coming
and there’s no way to escape it
rats are running in the tunnels
we couldn’t be happier

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POEM: the whip

the whip

ain’t nothing moist in a whipping story
she told me / showed me
the bruises on her knuckles
held an ice pack to her left thigh
then there were delicate silk straps
across her shoulders / her hair fanned out
on the cloud-white pillow
the only color the red on her lips
bruised hands beneath the sheets
it’s an acquired taste
she said / and turned away
I’m trapped / held against my will
like one of her customers
they ask her for it / beg her for it
with me no force is necessary
I’m begging the moment she arrives
even though I never feel the hard slap
of her palm / or the sting of her toys
I tell her I’ve given up
released her back into the wild
where she feels more at home
but it isn’t true / the truth is
I keep a corner of my closet
cleared out / just in case
and I steel myself for the blow
I hope she’ll someday deliver

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POEM: cafe song

cafe song

the rain is falling in Sunset Park
as the potbellied men come into the cafe
for their noontime sandwiches
rare roast beef and a slice of cheesecake
washed down by hot black coffee

*

a ponytailed professor reads comic books
on his laptop and drinks Japanese tea
while a bald kid writes song lyrics
and nurses a glass of water

*

up in the balcony, two young lovers
(aren’t they always?)
play Brooklyn Monopoly
dry their wet heads with paper towels
hold steaming cups of chai in four hands

*

the baristas, men and women,
are young and beautiful
smoking on their coffee breaks
falling in love with the customers
who are falling in love with them

*

come away with me, she sings
as the cappuccino machine whirs
and the dumbwaiter rumbles
up to the balcony with something
to take the edge off the rain

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POEM: curiosity killed the cat … but the monkey was only wounded

curiosity killed the cat … but the monkey was only wounded

are you curious, George
about how you ended up here
on a September evening
under the Christmas tree lights
that they never take down

you told me your secret
waited for me to hate you
expecting as little of me
as of others before

your secret was small
I held it in my palm
closed my fingers over it

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POEM: she wears a feather on her arm

she wears a feather on her arm

she wears a feather on her arm
because a heart is too personal a thing
to expose to the changing air

after the gig, in a Paris bar
she makes conversation with the damaged man
tends to the cuts on his hands

she rides a Harley on the interstate
worrying about the crash
dreaming of the Big Sky Country

she deflects the too easy “I love you”
longs for a secluded hideaway
nestled among the Brooklyn streets

someplace they could be together
where he could play the guitar and she
could make new entries in her book of happiness

for now she’s bumming a ride to Florida
one blackbird in a flock of doves
the feathered girl looking for a place to land

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POEM: orgasm

Based on a true story.

orgasm

“Mary never had an orgasm —
God put that baby in her stomach,”
says the subway preacher
while the high schoolers giggle

he warns of sex with a lady
two ladies four ladies
seven ladies twenty ladies
then his imagination runs dry
and his stop comes

the car is as silent
as subway cars ever get
then something sets the girls
to giggling again
“That’s New York,” one of them says

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POEM: St. Mary’s Street

St. Mary’s Street

I’ll meet you at St. Mary’s Street
you said on that September Saturday
when summer returned
from Brooklyn to Brookline

there were bluebells at Hall’s Pond
a single egret awaiting nirvana
surely you know by now that yes
they were beautiful and no
they couldn’t compare

we saw an improbable flower bed
planted in a pothole
we watched the moon over the Fens
spotted Venus above the Emerald Necklace
but that’s not what I mean

that’s not what I mean at all

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TWO POEMS: chainsaw, the whole 90 minutes

These both feel too tortured and overwrought. I spent a good portion of the afternoon and evening writing several poems just like these. Guess I’m feeling a bit date-deprived today. Ah well. Here’s the evidence of the afternoon. I’m posting them mostly to keep my recent streak going.

/ / /

chainsaw

I’ve been in this restaurant four times
twice with imaginary friends
twice by myself
I think the server is lovely
and in a million years wouldn’t say anything
I told a guy today he was charming
to me that’s like juggling chainsaws
except that given enough time
I could probably learn to keep the blades spinning
a friend said I need a lot of casual sex
she couldn’t know that’s the one thing
I can’t take casually
where does that leave me?
eating Buddha’s Noodle Soup
in a restaurant with a lovely server
waiting to catch the next whirling saw
before it tears me in two

/ / /

the whole 90 minutes

after a while all the beauty
all the noise, all the weird
become background radiation
afterimage of the big bang
that raised these buildings
so high above this island
when she brings my tea
I smile the way I think
I’m supposed to
but I’ve never known
how charm works
I’ve been spoiled
by too many movies
where it’s easy
the people who should meet
meet
even if takes
the whole 90 minutes

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POEM: a man without a bank card will do almost anything

I went to see guitarist Gilad Hekselman at Jazz Standard tonight and wrote this poem before he started playing. I feel like many of my poems are as much diary entries or small pieces of reportage as they are poems. Or maybe they are those things and also poems.

/ / /

a man without a bank card will do almost anything

when I went to pay the cafe bill
I realized I’d lost my bank card

now I’m at the Standard with 13 dollars
enough for an iced tea and a bucket of fries

it’s what I would’ve ordered anyway
but now I’ll be broke at the end
in that I’ve-got-plenty-of-nuthin way

meanwhile I’m mired in a conversation
I’d give anything to not be having
but my mom raised me to stick with it
so I’m stickin’

everyone around me is speaking Japanese
I eavesdrop when my tablemate takes a break

one table over is a sax player with a US Census bag
sitting by accident next to a fellow Census worker
they’re telling Census jokes, which are the best

I’m holding a seat for my English friend
a surprise gift from the rain god
to whom I did not even think to pray

there’s a Swiss philosopher eating steak tartare
I say I think I know him, he says he thinks he knows me
we’re both wrong

the seat across from me remains empty

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POEM: the river under Rockefeller Center

I wrote this after many hours of traveling.

the river under Rockefeller Center

the river under Rockefeller Center runs beside the third rail / garbage floats along it / rats bathe or swim or drown

on the D train a man with a voice like Miles Davis sings Stevie Wonder’s “Too High” / says, “Everything has got to work out right”

the woman next to me is reading the same book you were reading / which makes me suspect her instantly

I feel self-conscious when I write on the train / as if I’m doing it so people will see me writing

but when the words are ready to come out it’s lucky if I have a pen and paper to catch them before a song lyric drives them from my head /

to float down the river under Rockefeller Center

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POEM: danger

I wrote this poem tonight while listening to pianist Matt Mitchell and drummer Ches Smith at Korzo.

From Matt Mitchell & Ches Smith at Korzo – 6 Sept 2011

danger

you were dangerous and angry
red wrists and flashes of light
in the Hungarian bar
with $5 goulash

After careful study, I’ve decided that my life
needs an extra day and a cloning device
or a world without rock stars
and foreign bars

the reds are oppressive
walls, neon Czechvar sign
you
the red star in the center of the universe

I know this sounds like a love poem
but it isn’t
I don’t write those anymore
I’ve lost the knack

instead I take black-and-white photos
try to preserve these red nights
with the ink from a cheap Bic
and the rush of blood in my veins

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POEM: Tucson

Tucson

we fade
we stop
we start anew

cresting the Tucson Mountains
the city like a field of diamonds
reflected in the October stars

call me with fuzzy guitars
and women of uncertain origin
tattoo my heart on your forearm
remember me in the honey-colored morning

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