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Category: My poems

POEM: dust to dust

Listen to this poem using the player above.

dust to dust

ours is not to wonder why
though of course we do wonder
why?
because we like you
and when we say we, we are speaking royally
as in screwed blued tattooed
an indelible mark that reminds one —
or more —
of who one is and what one was and why
are such pretensions necessary?
it’s OK to say “me” and “I”
and to cry for spilt milk
ours is both to do AND die
I never understood the “or”
as if the doing could avoid the dying
when all light collapses into the black hole
in the center of it all
nothing can escape
all lights falls as night falls the light falls
as falls Wichita so falls Wichita Falls
and Niagara Falls and Sue falls
if she’s not careful
ours is to do and to die and to wonder
to stumble over coffee tables
on the way to the bathroom
when the rest of the house is sleeping
even our mouse
even the king’s mouse
and all the king’s horses and all the king’s men
will return to ash when their chips are cashed in

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POEM: What I Would Give For What We Had

What I Would Give For What We Had

In Lenox, Massachusetts, on the picturesque corner
of Main and Housatonic Streets,
is a building with walls made of butter-yellow brick.

Looking up from the sidewalk to the second floor,
you can see the windows
through which my family used to see the world.

There was a drop ceiling in the den that gave way
under the weight of rainwater,
dousing my grandfather as he removed a sodden panel,

standing on a chair to get a better grip, while lightning
lit the windows of the pharmacy below.
There is a shop that sells art photos and gourmet chocolate

where the garage used to be. “Home again, home again
jiggety jig,” my grandmother would say
every time. Back when she used to ride in the car, back when

she used to have places to go. I am so old I can remember her
driving herself, the modern woman, cigarette
fashionably cradled by elegant fingers, red nails catching

the sun that elsewhere lit trees on our famous hills.
It was only in the leaving that I realized
the loss, only in the black-and-white grandeur of deco

living rooms and dancing at the Crystal Ballroom.
Now I would trade anything for that place,
that time, those days when a street corner was the world
and all I knew was safe and protected within it.

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POEM: drives

I was just at the edge of sleep when this tiny little poem floated through.

drives

the purple bitterness
drives the little nothing
to death

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Another poem published!

My poem “deepwater horizon” was published yesterday in State of Emergency: Chicago Poets Address The Gulf Crisis. You can read it here.

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AUDIO: The Poets Jazz Trio Live At The Social Justice Center

Listen to the show using the player above.

More photos:

I had the pleasure tonight of performing a featured poetry set with the Poets Jazz Trio — poet Dan Wilcox on saxophone and percussion, poet Tom Corrado on bass, and me reading my poems and playing saxophone and percussion. We played as part of the Dan’s Third Thursday Poetry Series at the Social Justice Center in Albany. Many fine poets came out for the open mic and it was a joy to see them all. In this post, you’ll find photos from the event taken by poet Alan Catlin, along with an audio recording of the set that you can listen to with the player at the top of this post.

Thanks to Dan and Tom, and to Jason Parker of oneworkingmusician.com for his transcription assistance.

Tonight’s show was dedicated to the late jazz organist Gene Ludwig and to his wife, Pattye.

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Gene Ludwig, 1937-2010

Organist Gene Ludwig passed away yesterday, July 14, 2010. I didn’t know him well, but he was a guest on The Jazz Session in August, 2009, and we spoke several times in person and by phone and email. Gene and his wife Pattye were extremely kind to me and to everyone with whom I saw them interact, particularly during Gene’s performance last year in Schenectady, NY. My thoughts are with Pattye and with their families at this time.

Gene’s Schenectady gig inspired a poem that appears in my book, Unexpected Sunlight. You can read the poem here at jasoncrane.org.

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POEM: Umbrella

Listen to this poem using the player above.

Umbrella

I’m bringing my umbrella in case it rains
I’m writing this poem in case it doesn’t

Last night you were out when I called
You’re often out these days, somewhere

I’d never noticed how empty a room could sound
Never wondered where these pans go

Sometimes I stand in the kitchen waiting for your voice
To tell me what to do next, who to be

Then the phone rings, full of hope, but it’s a bill collector
Looking for me to pay what’s owed

Everyone is looking for their due
But my cupboards are bare, my reserves are empty

And most of the time it’s raining
And I’ve forgotten my umbrella

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Reading (and playing the saxophone) in Albany this week

This Thursday, one night only: the Poets Jazz Trio at the Social Justice Center, 33 Central Ave in Albany. Poets Jason Crane (poems, sax, percussion), Dan Wilcox (sax, percussion) and Tom Corrado (bass) will perform a 20-minute set of jazz and Jason’s poetry. There will also be an open mic hosted by Dan Wilcox. The shindig starts at 7:30 p.m. Be there!

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POEM: this two-wheeled life

Listen to this poem using the player above.

this two-wheeled life

all I could think about
as I sucked in diesel fumes
on 80 East was how much
I’d rather be riding my bike

how it was time to sever
the steel shackles
of my automotive life
to take to two wheels

as my creed, my gospel
my response to every
yelled curse and flung
container of french fries

I would yell “you first!”
when told to get off the road
would carry a lance
to joust with those

who referred to me by its name
and like Quixote before me
I would tilt – not at windmills,
but at the ceaseless turning

of the four-wheeled apocalypse
because there are more kinds of freedom
than choosing the radio station
and more kinds of individuality

than spinning rims and fuzzy dice
I would recapture
that nearly forgotten thrill
of being my own master

not a slave to the poisoners
of the Gulf, the savage
inequality of fossil fuels
they are better returned

to their undersea beds
to lie and sleep
to be forgotten as we zoom
and glide through this two-wheeled life

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POEM: in any given set

Listen to this poem using the player above.

in any given set

we walked around it all day
that little Japanese tea cup
sitting on what had been the dining room floor

it said Sanriku on the side
in bold yellow kanji
evoking memories of contented nights at the restaurant

when I arrived in Japan
my host mother could only say
“Are you Jay?” — still three more words than I

could say to her
ignorant as I was
of foreign tongues and other people’s customs

nineteen years gone
and I know more words
but I still wonder whether I understand

most of what you say
or what I am supposed to do
in any given set of circumstances

the little tea cup
occupies its fixed place
on the floor, forces us, unknowing, to give it room

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Another poem published!

I contacted the poetry journal Meat For Tea about a submission I’d sent and hadn’t heard back on. They responded to tell me it was published in their last issue, but they’d forgotten to notify me.

You can read “North Greenbush To Albany” in Meat For Tea Vol. 4 Issue 2 by ordering a physical copy or a $5 PDF version here.

UPDATE: Upon closer inspection, it turns out that my poem “Origins” is also in the issue.

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POEM: Seeing Eye

Listen to this poem using the player above.

This poem was inspired by Normanskill poet Alan Casline’s poem “My Navajo Butterfly Song.”

Seeing Eye
(for Alan Casline)

The Navajo sign said “no photos” —
I prefer to think of it as advice, not warning,

encouraging us to capture images with the lenses of our eyes,
to store them on our natural hard drives.

“Doesn’t anybody ever just remember anything anymore?”
George Carlin asked. He was right.

We’ve become victims of instant nostalgia,
our minds grown lazy, our brains soft.

It’s so bad that I’ve forgotten the first line of this very poem,
and the way my sons looked when they were born.

My therapist said chronic depression impairs
the memory centers of the brain, causes

gaps

in the remembered narrative. That was a relief to hear.
I always wondered why my life was a highlight reel,

the entire three-plus decades condensed into three-plus minutes,
like always seeing the bus but never being hit by it.

The Navajo sign said “no photos.”
Pretty smart, those Navajo.

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POEM: The Oak Tree

Listen to this poem using the player above.

Another poem for my wife.

The Oak Tree
(for Jennifer)

I had already asked you three times
you’d wisely declined
I was too young, too unproven
played the saxophone in a latin jazz band
you repaired houses for the poor
we each made barely enough to pay the rent

the fourth time was under an oak tree
at your mother’s house
you finally agreed, throwing caution
to the Pennsylvania wind
we were back East on a rare trip
to see our families, to display one another

that tree had been there for years and years
since the fields next to the dairy farm
were turned into a housing development
for upwardly mobile college professors
whose daughters spoke two languages
and traveled the world on the way to good lives

no one thought we’d last
they all said I was too young, too unproven
played the saxophone in a latin jazz band
couldn’t provide for you
all those beautiful 1950s sentiments
born of monochrome evenings with the Cleavers

but under that oak tree —
a sign of stability, of permanence —
you agreed to place a bet on the long shot
I held your hands as a stray leaf fell,
like your resistance, to rest
in the lush green grass behind the houses

after you said yes
we traveled north to my parents’ house
my mother gave me a wedding ring
that had been her grandmother’s
granting us her blessing
even though she doubted our future

the oak tree is gone now,
cut down by your mother
all these years I’d thought she hated what it represented
only found out this week that it was damaged
in an ice storm and had to be cut before it fell
so many things misunderstood

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POEM: Long Day In America


Painting by Michelle Spark

Long Day In America

shimmering cymbal rises off the stage like heat from the pavement
I’m at a table near the band, drowning my sorrows in a glass of water
or at least drowning, anyway

this is one of those days when I wish I drank, something strong and obliterating
that would wash it all away like a sand castle falling to high tide

I come back to reality for a moment while the bass player looks for a chart
a course through the tune so he won’t get lost
I wish it were that easy

these are the times that try men’s souls, then stomp them with boots made of
   money
and unfulfilled potential and disappointment

two tables away a guy is talking loudly, so the band turns up and he talks louder
so the band turns up and he’s shouting, and eventually an old man in a natty suit
leans over from the next table and tells the guy to “please shut the fuck up”

maybe it’s the language, maybe it’s the old man’s audacity, but it works
a hero is born

saves me the trouble of driving my rented U-Haul truck right through the front
   window
smashing the moron to a pulp, smearing the carpet
with his like-new brains

there’s no way to summarize all the things you are on paper
but that doesn’t stop people from trying — my life is a bulleted list
in 12-point Arial or 10-point Times New Roman if I’m feeling professional

I’m bored and terrified, can’t focus
lose the form of the song, even an easy one

my eyes are burning

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POEM: dead pigeon

Listen to this poem using the player above.

Based on a recent New York City experience.

dead pigeon

dead pigeon on a gray sedan
gray sedan under a dead pigeon
dead gray pigeon sedan
gray dead sedan pigeon

heads turn, shake, pass
passing heads, shaking, turn
shaken heads pass, turning
shaken heads, turning, pass

soft feet slap pavement
soft pavement feet slap
slapping pavement, soft feet
slapping, soft, feet, pavement

head bleeding slow trickle
bleeding head trickle slow
slow bleeding head trickle
trickle bleeding head slow

gray dead sedan pigeon
dead gray pigeon sedan
gray sedan under a dead pigeon
dead pigeon on a gray sedan

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