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Category: My poems

POEM: Hindsight is 20/20, and so is foresight (November Poem-A-Day 30)

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This is it. The 30th and final poem for the November Poem-A-Day challenge. I’m glad I participated. I think I’ve got a few poems out of it that will stick around for a while. Today’s prompt was to write a “lessons learned” poem.

Hindsight is 20/20, and so is foresight

They should have sealed it with a kiss
and left together. Never looked back.
They should have known there might not be
another chance.
Except, and here’s the lesson:
There’s always another chance.

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POEM: Romeo & Juliet

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Romeo & Juliet

my therapist thinks we’re tragic
so tragic, in fact,
that when I told him our story, he laughed
not standard therapist behavior, perhaps
but it’s hard to fault the man
when you lay out the facts, line them up neatly
anyone would be incredulous, would doubt our veracity
wonder how the hell something like this could happen
I told him I don’t believe in God
but this whole situation makes me think
there may be a Devil
my mom thinks things happen for a reason
what’s the reason for this?
Shakespeare already wrote Romeo and Juliet
who are we to try to one-up the Bard?

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POEM: a lost man… (November Poem-A-Day 29)

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This is poem #29 for the November Poem-A-Day challenge. Today’s prompt was to write a “next steps” poem.


“Lost Man” by Michel Rajkovic

a lost man wonders what to do next,
decides to gamble it all on one throw of the dice

Hell with it, he thinks
putting down the last of his money
on the airline ticket counter

nothing ventured, nothing gained
no guts, no glory
know Jesus, know peace

that last one doesn’t fit
so many things don’t fit
the timing isn’t quite right

in fact, it’s wrong in a tragic
Hollywood or Shakespeare
sense, the kind of wrong

that is worse because it’s so
close to right
it’s almost there, it’s Maxwell Smart

missing it by “that much”
fingers held close together
the width of a telephone line

the ticket agent looks up
asks him where he’s going
a fine question, that

go west, young man
pack up your troubles
in your old kit bag

search the desert for treasure
scale the mountains
plumb the valleys

find the other half of your heart-
shaped locket, the one made
from an actual human heart

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POEM: Villawood (November Poem-A-Day 28)

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This is poem #28 for the November Poem-A-Day challenge. Today’s prompt was to write a “what really happened” poem. This poem is about the Villawood Immigration Detention Centre near Sidney, Australia. What happens there is horrifying. I learned about it through the work of Dan Burke (twitter.com/proudreader) via his appearances on the indispensable Citizen Radio.

Villawood

We told them to come and it would be safe.
They were running away. Escaping.
We were a return trip, back across the Styx
toward the stairway that leads to the living.
By the thousands they came. Pleading.
It’s just over this way, we said, through this gate.
And we shut it behind them, locked them in.
Of all people to imprison refugees, doing it here
has a special irony. Here in a land born in prison.
On ground we stole from an ancient people.
Our blood baptism brought forth a new religion.
And now we sacrifice their children — refugee
children — on the altar of our merciless god.
In truth, we’re grateful when they sew
their mouths shut, because their screams
pierce the night and steal from us our dreams
of beer and song and beautiful women.
And when they hang themselves or jump
they spare us the expense of the slow death
we were always planning to give them.
There is a boat across the Styx, and a staircase.
And at the top of the stairs, a gate.
Abandon hope, all ye who enter here.
And welcome to Villawood.

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POEM: blame the brown people (November Poem-A-Day 27)

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This is poem #27 for the November Poem-A-Day challenge. It’s almost over. Today’s prompt was to write a “blame the (blank)” poem. It’s quite possible this poem was impacted by how I spent most of my afternoon.

blame the brown people

for standing under all those bombs we dropped
getting themselves killed
didn’t they know enough to get out of the way?

sure, the cluster munitions and the food packets
were the same basic color and shape
but Jesus-H-Christ-on-a-crutch
how goddamned stupid are those Afghan and Iraqi kids?

I think they mostly hate us ’cause we’re right about everything
that would annoy anyone
don’t you remember the brainiac in high school
who you just wanted to punch until he went down
and stayed down?

Anyway, I think the next thing we ought to drop over there
is a picture of a bomb that says DON’T STAND UNDER THIS

Fuckin’ A right. Praise Jesus. Amen.

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POEM: After a poem by C.P. Cavafy

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I wrote this today in my favorite coffee shop while reading Cavafy’s Collected Poems. The italicized lines in the poem are from Cavafy’s poem “Before Time Altered Them.”

After a poem by C.P. Cavafy

They were full of sadness at their parting.

A fleeting kiss, meant to play the role
of so much unexplored country.

Tin-voiced airline announcements listing
destinations — a word meaning, originally,
“to stand.”

So he did, looking out the terminal window,
watching her walk away.

That wasn’t what they themselves wanted.
It was circumstances.

So easy to place the blame on fate.
Throw the stick in the stream,
watch it float toward the sea.

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POEM: the salmon come back every year (November Poem-A-Day 26)

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This is poem #26 for the November Poem-A-Day challenge. Today’s prompt was to write an “on the run” poem.

the salmon come back every year

looking for love — or at least life —
in the same place they found it last year

I always thought I was a human
and I’m not all that strong a swimmer

but apparently these are scales
and I am traveling upriver

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POEM: Today I played chess with a turkey (November Poem-A-Day 25)

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This is poem #25 for the November Poem-A-Day challenge. Today’s prompt was to write an animal poem. Given that this is also my first Thanksgiving as a vegan, I decided to write a poem about doing something with a turkey other than eating it.

Today I played chess with a turkey

Rather than eating him, I mean.
His name was Ronald.
I was embarrassed, because I thought
all turkeys were named Tom.
“That’s OK,” he said, “everybody thinks that.”
We played in the park on one of those tables
old men use when the afternoons get too long.
Ronald told me he’d always wanted to play
the saxophone, but his limbs weren’t set up right.
I suggested the koto, a Japanese instrument played
by plucking, something I figured he could easily do
with his beak. “It’s just not the same,” he said.
“You can’t play the blues on a koto.”
Ronald mentioned that he once played a one-string,
jug-band bass with Muddy Waters, during Muddy’s
last gig in Chicago. “But Muddy died in 1983
and turkeys only live for 10 years,” I said.
Ronald said that was another myth.
“I’m 47, and my dad lived to be … well …
I know it was more than 80, at least.”
Ronald said many turkeys only live 10 years
because most of them never develop hobbies.
We played three games of chess and Ronald won
all three. He was very gracious about it.
“It keeps me young,” he said.
After the games, we walked back downtown
to my apartment. The whole way there, Ronald
hummed “Mannish Boy.”

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POEM: Atop the midnight mountain

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A bit of prose poetry, written in the wee hours.

Atop the midnight mountain

Is there a point at which you can’t lose someone? When they are as lost as they can be? I just wrote a poem — you remember, don’t you? — about the second time I lost you. And here we are, already at the third time. Maybe I imagined all this. Perhaps we never even met that night. I can’t really remember it. I just know the story. Like I know so many stories. We could sit around a campfire, telling tall tales about the ways we met and parted and met and parted again. Accompanied by an acoustic guitar — you could play it — and the soft sigh of the desert wind. Of course, the wind doesn’t really sigh or wail or moan — we do, and the wind carries the news across the flatland to our waiting tribesmen. When the sigh reaches them, one young warrior will stand, look toward the horizon, and step into the night, lost beyond the light of the fire. If he keeps walking, beyond thirst and hunger and doubt, he may arrive at the base of the midnight mountain. And if he can will his legs to take him to the summit, he may find me there. And if he sees me, silhouetted against the rocky ground by a full harvest moon, he may ask me one question. And I will tell him I am waiting for you.

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POEM: It’s not me, it’s you (November Poem-A-Day 24)

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This is poem #24 for the November Poem-A-Day challenge. Today’s prompt was to write a “spaces” poem.

It’s not me, it’s you

You stay there.
I wish you were here, you said,
but it’s best for all concerned
if you stay where you are
and come no closer.

I have since turned off my phone
because the ringing
sounds like distance.

I bought a special scale
from an old man in Chinatown.
He said it measured regret.
At first I didn’t believe him.
Then he reached into my chest
and pulled out my heart.
Placed it on one side of the scale.
Told me exactly,
to the day,
how long it had been.

My new toy is here, in the kitchen.
I am sitting at the table right now
looking at it.
Next to it, in a small velvet-
covered box,
is my heart. As it turned out,
the man was better at removing
and weighing
than he was at restoration.

It’s OK, I tell myself.
I wasn’t using it anyway.
It’s not me, it’s you, you said.

Before I turned off my phone.

So I am sitting here at the
kitchen table, deciding what to put
in the space where my heart
used to be.

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POEM: Can this be how life unfolds? (November Poem-A-Day 23)

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First and foremost (and totally unrelated to this poem) — Happy Birthday to my wonderful sister, Gretchen!

This is poem #23 for the November Poem-A-Day challenge. Today’s prompt was to write a poem using a specific poetic form. I’ve done that, and I’ll leave it to you to figure out the form I used. Good luck!

Can this be how life unfolds?

Am I to travel down this
road alone, suitcase in hand?
Or is there some other way? Will
love soften my path,
even as I hang my head and
expect the worst?

Daughters of Odysseus crowd
around me, pulling at my clothes.
Whence come their songs in this
night of all nights?

Seven times seven stars hang above my
head, a crown fit for a king,
even one with no subjects.
Rarely do I consider the alternative,
wish upon one of those distant jewels.
Only you can understand my song,
only you can make sense of the story I have set
down on this tattered, tear-stained parchment.

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POEM: Protest (November Poem-A-Day 22)

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This is poem #22 for the November Poem-A-Day challenge. Today’s prompt was to write a poem that takes a stand. As is often the case, this poem takes a stand … and a left turn into weird territory.

Protest

I am holding a sign, it says:
DON’T KISS HIM!
in block letters.
I wrote it last night, overcome
by righteous indignation.
I stand before you,
brothers and sisters,
as a man without a country.
A wanderer in the pale lands.
I have an expired passport —
the picture is an x-ray of my chest
with an arrow pointing to the middle
and the words “You Are Here”
in friendly red letters.
I will chain myself
to the gate of her house
while the bulldozers approach,
bent on my removal.
Brothers and sisters,
I will not waver in this struggle,
though history and time and
a thousand sharp words
cut me to the quick.
I have a dream that is becoming a nightmare.
This sign and these words are my gift to all of you.
Remember me.

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POEM: Always

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I’m losing my voice today, which has the positive side effect of lowering it by about an octave. This is how I wish my voice always sounded. So I took advantage of this illness to record an audio version of this poem. The music is “The Lady of Khartoum” from the album The Lady of Khartoum (Creative Nation Music, 2008). Thanks to Eric Hofbauer and Garrison Fewell for allowing me to use the music. Buy their album, OK? It’s brilliant.

Always

Who is anyone to say always?
Always is a lie. Perhaps
a white lie, told to stave off
loneliness, to salve the bite
of the onrushing winter
and its gray mornings.
Always is a road with a sharp bend
around which can be seen … nothing.
Nothing at all. And the future rushes
toward us around the corner and we,
for all our best intentions,
are forever unprepared.

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POEM: permission slip (November Poem-A-Day 21)

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This is poem #21 for the November Poem-A-Day challenge. My poetry tractor has apparently driven into a ditch and I am therefore confined to writing on one topic and one topic only. Ah, well.

permission slip

here is your hall pass
my room is at the end of the hall

you’ll recognize the painting
you were there when I got it

please don’t linger in the hall
just come straight to my room

I’ll be sitting in bed, reading
but as is my habit these days

I’ll be reading only so my mind
has some words to swim in

while I think about you
my delicious affliction

I’ll put the book down
when I hear your footsteps

and if the light is just right
you’ll see me smile as you enter

and if the light is just right
you may notice my cheeks are wet

and if the light is just right
that won’t matter

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POEM: The movie Tombstone is first and foremost a love story

I love, love, love this movie. I’ve watched it many times (most recently tonight) and I’ve always liked the love story the best.

The movie Tombstone is first and foremost a love story

Sure, Wyatt Earp chased down
the dreaded Cowboys.
But when that was done,
he found Josephine
in a theater dressing room
and they danced in the snow
for the rest of their lives.

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