Skip to content →

Category: Radio

POEM: Airwaves

Airwaves

When the Ford Festiva’s tape deck broke
it was all radio, all the time.
The Afghan Whigs & Goo Goo Dolls
& Blues Traveler & Tracy Chapman
& Alannis Morissette & Jewel
& Dishwalla & Deep Blue Something
& Coolio & Hootie & The Blowfish
& Oasis & No Doubt & The Bodeans
& Natalie Merchant & Melissa Etheridge.
Driving the meanish streets of Tucson
with a styrofoam container of burritos
on the passenger seat, coming home
from a gig at 2 a.m. to an empty apartment,
and later to a less empty one.

/ / /

8 September 2023
Charlottesville VA

This is poem 49 in a series called 50 Days Till 50 Years. I’m writing a poem a day for the 50 days leading up to my 50th birthday. I’m going to try to focus on memories of my past, and the people who inhabited it.

Leave a Comment

POEM: A Journey Of 1,000 Miles

A Journey Of 1,000 Miles

My first guest was a nun.
I hadn’t talked to one
since the second grade.
It was for a 5-minute feature
on people doing good work
in Rochester, New York.
I was in a studio, she
was on the phone.
As soon it was over,
I pressed a button
and erased the whole thing.
I broke out in a sweat.
Took a few deep breaths.
Then I called her back
and asked if she’d do it again.
Sure, she said, I think
I can do it better anyway.

/ / /

23 August 2023
Charlottesville NY

This is poem 33 in a series called 50 Days Till 50 Years. I’m writing a poem a day between now and my 50th birthday. I’m going to try to focus on memories of my past, and the people who inhabited it.

Leave a Comment

POEM: The Waldo & Lobby Show

The Waldo & Lobby Show

We pulled random CDs and records off the shelves,
knowing some of the bands but not all.
“Dorina” by Dada.
“Enid” by Barenaked Ladies.
“Everyday I Write The Book” by Elvis Costello.
Lenny Bruce’s “Captain Whackencracker” sketch,
found on an old LP in the back room,
and played during National Smoke Out Day
because it was pro-smoking and we were edgy teens
with control over the airwaves.
There was a payphone down in the courtyard.
The number was written on the studio wall,
so we’d call it during our show and ask random questions
to whichever passing student picked it up.
Sometimes we’d give out prizes. Some of them were even real.
We made an ad for our show that was nothing but explosions
with the name of the show at the end.
I said “airwaves” earlier but actually the station was cable-only.
You could listen to it in your dorm if you hooked up your receiver
to the college’s cable system, but our motto was:
“You can’t get us in your car.”
The station was called The Bear.
We were Waldo & Lobby.
And from the summer of 1992 until the spring of 1993,
we were invincible.

/ / /

14 August 2023
Charlottesville VA

This is poem 24 in a series called 50 Days Till 50 Years. I’m writing a poem a day between now and my 50th birthday. I’m going to try to focus on memories of my past, and the people who inhabited it.

Leave a Comment

haiku: 10 November 2022

up before the sun
talking into the ether
the window is a black rectangle

/ / /

10 November 2022
State College PA

Leave a Comment

haiku: 13 October 2022

a hyperactive squirrel
gets the nuts in under the wire
another sad country song

/ / /

13 October 2022
State College PA

Leave a Comment

44 years ago today…

the first episode of The Hitchhikers Guide To The Galaxy was broadcast on the radio. I think my life would have turned out quite differently without it.

Leave a Comment

Remembering Gary O

I learned today of the death from cancer of Gary Omphroy, a longtime volunteer DJ at Jazz90.1 (WGMC), the community jazz station in Rochester, NY. I served as station manager and afternoon DJ there from 2001-2004 and had a chance to work with Gary during that time.

Gary O, as he was known on the air, was one of those guys who seem like they can’t be real. Unfailingly nice, always ready with a smile and a kind word, always happy to be there. I looked forward to the one night each week when Gary would come in to relieve me on the air. He made people happy just by showing up.

He had great taste in music, too. As I remember, Gary was a big fan of Pat Metheny. I had a chance to give him some Metheny merchandise that came into the station once and I was very happy to give it to the one person at the station I knew would get the biggest kick out of it. I still associate Metheny’s music with Gary’s enthusiasm.

I can’t claim to have known Gary all that well or to have insight into his struggles with cancer. I’ve been away from Rochester for a long time and it’s been nearly a decade since I last saw him. But I treasure the time I got to spend with him and the part he played in making Jazz90.1 the station it was and is.

Thank you, Gary. You’ll be missed. I’m going to spin Bright Size Life tonight and think of you.

Leave a Comment

An open letter to This American Life

19 March 2012

Dear Ira Glass and the staff of This American Life,

Four of us gathered around a laptop in Brooklyn last night to listen to the live broadcast of the retraction episode of This American Life. We started with a real feeling of respect for the idea that TAL would spend an entire episode fact-checking its own broadcast, coupled with worry that the problems with Mike Daisey himself would lead to a lessening of concern about Apple’s labor practices. We came to the show with varying levels of familiarity with TAL. All but one of us had listened to the original Daisey episode, and two of us are regular TAL listeners.

In the initial segment, in which Rob Schmitz tracked down the translator, we all found ourselves asking several basic questions:

  1. Why was the translator any more credible than Daisey? What about this was different from any “he said/she said” argument?
  2. What, if any, influence did Apple, Foxconn or the Chinese government bring to bear on the translator or on This American Life?
  3. Is it just a coincidence that the retraction episode aired just as Apple launched a new iPad?

During the interview with Schmitz, Glass and Daisey, we were struck by Daisey’s unfortunate inability to better frame his performance. Rather than simply saying “some of these characters were composites of people I met and stories I heard from workers who had first-hand knowledge,” he stumbled around and sounded very insincere. It’s important to say that we all felt, upon hearing this segment, that the original story shouldn’t have been broadcast as aired on TAL. That might also be true even if TAL had included a disclaimer about the composite nature of some of the characters, although that’s harder to judge.

The most disappointing part of the show was the final segment in which Glass spoke with New York Times reporter Charles Duhigg. This entire segment came off as an ill-informed or willfully ignorant dismissal of the role of first-world consumption in harming the lives of the people who make what we consume.

For example:

Duhigg: We know from Apple’s own audits and the reports that have published that at least 50 percent of all audited factories, every year since 2007, have violated at least that provision. More than half of the workers whose records are examined are working more than 60 hours per week.

Glass: Now, is that necessarily so bad? I mean, aren’t a lot of these workers moving to the city to work as many hours as possible? They’re away from their families; they’re young; and they’re there to make money and they don’t care.

This exchange is built on the idea that there’s no possible way to run the world other than the way it’s currently being run. Are you seriously suggesting that anyone wants to work 60 or more hours per week and wouldn’t gladly trade that for 40 hours at a decent wage? Have we really become so inured to human suffering that we actually believe people want to work at slave wages for giant multinational corporations? Is this the most we can imagine for our fellow human beings?

This segment of the show also suffered from a very first-world-centered opinion about how other cultures work. For example:

Duhigg: That being said, I think that China is a little bit different and that the expectations, particularly as a developing nation of workers, are a little bit different. I don’t think holding them to American standards is precisely the right way to look at the situation.

There’s a lot wrong with that statement. To begin, it’s maddening to hear two well-off white American men talking about what the Chinese want from their working lives. How do you know? And what would make you assume that what they want is different from what you want?

Additionally, it’s hilarious to hear about “American standards.” Our guess is that there are quite a few people within walking distance of the New York Times building or the WBEZ offices who could tell you a thing or two about what it’s like to be a worker in America. Particularly a non-union worker, as almost all private-sector workers are. Of course, it would be a challenge to ask an American about what it’s like to manufacture electronics, given that we have people in developing nations do that for us now.

The final nail in this coffin was Glass’s remark toward the end of his talk with Duhigg:

Glass: But to get to the normative question that’s kind of underlying all the reporting and all the discussion of this, the thing that we all want to know when we hear this is like, “Wait, should I feel bad about this?” As somebody who owns these products, should I feel bad? And I don’t know that I feel so bad when, when I hear this.

To Duhigg’s credit, he seems fairly surprised by this statement and offers several reasons why Glass should feel bad, although he says it’s not his job to tell Glass how to feel. But Glass’s statement struck us as the fundamental problem underlying this episode, which was that people of privilege with little sympathy for workers were much more concerned with protecting their own reputations than exposing injustice.

When the show ended, one of the regular TAL listeners in our group said, “I feel like I want to take a shower.” We all felt that way. It was extremely disappointing and a perfect example of why more people don’t know or care about the plight of workers here and abroad.

Sincerely,

Jake Aron
Jason Crane
Emma Goldsmith-Rooney
Kate Moser

Brooklyn, NY

4 Comments

NewsTalk 950 in Rochester strengthens its lineup

NewsTalk 950 WROC, former home of the original The Jason Crane Show, is Rochester’s progressive talk station. With the departure of Al Franken from Air America yesterday, WROC took the opportunity to revamp its lineup. The new version is much, much stronger. Here it is:

  • 12 a.m. — Politically Direct (hosted by David Bender, sponsored by People for the American Way)
  • 1 a.m. — Joey Reynolds (old-school variety talk show from WOR in NYC)
  • 6 a.m. — The Bill Press Show
  • 9 a.m. — Stephanie Miller
  • 12 p.m. — Ed Schultz (live instead of taped, as it had been until now)
  • 3 p.m. — Randi Rhodes (also live now instead of taped)
  • 6 p.m. — News 8 (audio of local TV newscast)
  • 6:30 p.m. — Rachel Maddow (for my money, the brightest light to come out of the whole Air America adventure)
  • 8 p.m. — Democracy Now! (finally, a local station dares to air this daily progressive news program from Pacifica)
  • 9 p.m. — Lionel (in my opinion, this show is the low point of the schedule, but you can’t have it all…)
  • 11 p.m. — News 8 (audio of local TV newscast)
  • 11:30 p.m. — Lionel (again)

I’ve got to say that I’m really impressed with this new lineup. Sounds like the program director has a vision for what to do with this station. Kudos!

The full schedule and links to the shows are at the NewsTalk 950 Web site.

Comments closed

Julius LaRosa and Why I Love Live Radio

Julius LaRosa

I’m sitting here listening to the Sunday Music Festa on Jazz90.1. My good friend Otto Bruno is interviewing singer Julius LaRosa right now, and reminding me why I love good, live radio. Otto and Julius are telling old show biz stories, playing great classic music, and just generally doing what radio was intended to do — bringing culture, humor, entertainment and information into our homes. For free.

You can find out more about Julius LaRosa at his official Web site.

Comments closed

Otto’s back

My good friend Otto Bruno is back in two media: He’s (finally!) got a new entry on his blog, From Where I Sit, and he’s also on the radio tomorrow (New Year’s Eve) with his wonderful show the Sunday Music Festa. Tomorrow’s show features an interview with vocal legend Julius La Rosa. Don’t miss it. Tune in to Jazz90.1 in the Rochester area, or visit jazz901.org to listen live via the Internet.

Comments closed