I heard this record for the first time last night and it’s a killer. I’m partial to Gerry Mulligan anyway, and I’ve always enjoyed his Concert Jazz Band recordings. This album was recorded in New York City in 1961. The 13-piece band is outstanding. It includes Bob Brookmeyer on valve trombone; bassist and jazz humor anthologist Bill Crow; Mel Lewis on drums; Gene Quill on clarinet and alto saxophone; and Doc Severinsen on trumpet. The arrangers are equally impressive: Mulligan, Brookmeyer, George Russell, Johnny Carisi and Gary McFarland. (This is McFarland’s first recording. I was interested to learn that he’d studied at the Lenox School Of Jazz in my hometown of Lenox, Mass.) The band cooks at times, and at other moments lopes along with that easy swing associated with the best Basie material. Recommended.
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I backed into an appreciation of Doug Sahm, and I can tell you exactly how I got there. In 1996, I got married, and my then wife was a huge fan of Los Lobos. I became a huge fan, too, and we started buying other albums by members of Los Lobos, including the 1998 album by the supergroup Los Super Seven. That band featured David Hidalgo and Cesar Rosas of Los Lobos, along with Tex-Mex and tejano giants such as Freddie Fender, Joe Ely and Doug Sahm. Sahm’s voice hit me immediately, sounding like last call in all the juke joints in the world. That said, I didn’t start listening to too much of his own music until I started working at Webster’s. I kept seeing “Sir Douglas Quintet” records and passing them by, not realizing that “Sir Douglas” was Doug Sahm. Once I listened, though, I was hooked.
Leave a CommentWhat more can I say about this album that hasn’t been said already? One of the greatest albums EVER, by ANYONE. Spinning this at the store in honor of the end of Stevie’s Songs In The Key Of Life tour, and sending this out to Josh and Hilary, who got to see him perform this album.
Leave a CommentThe Final Cut was my favorite Pink Floyd album in high school. This, though, was THE Pink Floyd album of my high school years. Released my freshman year, and followed by a massive tour that led to a live album and concert video, the songs on A Momentary Lapse Of Reason were omnipresent when I was a teenager. This album came into the store over the weekend and I’m hearing it for the first time in more than 20 years this morning. It kicks ass.
Leave a CommentHoly god this is a good record. Earnest 80s power-pop by a band that at one time was as big as they come.
Leave a CommentRichard Thompson feels like the forefather of all the rock music that followed him. I know the story is more complex than that, but when you listen to a record like Amnesia, it sure does sound like, “Oh, this is where it all came from!” This record is overflowing with great session players like Mitchell Froom and Tony Levin and Jim Keltner. The songwriting is weird and wonderful and takes more left turns than you’d think possible.
Leave a CommentI’d never heard of Sparks until a couple years ago when I started listening to Mark Kermode & Simon Mayo’s Film Reviews on the BBC. Both Mark and Simon mentioned the band several times, and then I think they played “Never Turn Your Back On Mother Earth” on one show. I knew and liked that song (without realizing it was by Sparks) and decided to check out the band responsible. I was instantly smitten, and I’ve been listening to Sparks ever since.
Leave a CommentThis album was released into the world one day after I was. I listened to it for the first time today and it’s fabulous. I’d heard several of the songs before: popular live closer “Rosalita” as well as “Kitty’s Back” and “4th of July, Asbury Park (Sandy).” I enjoyed everything about this record, from the songwriting and the performances to the production and the mood.
One CommentDire Straits has made it onto Record Of The Day once before, and let’s be honest, they’ll probably be here again. I adore this band. Part of the reason I love them so much is because of Douglas Adams, who used Dire Straits in So Long And Thanks For All The Fish, during one of the most romantic moments between Arthur and Fenchurch. I also remember an exchange student who stayed with my family back in the 80s named Christian. He brought some Dire Straits records with him because his English teacher in Denmark had used Mark Knopfler’s lyrics as a teaching tool.
Leave a Comment“From Jen-ghis Can to the Fuller Brush man, they’re just a bunch of losers like me.” That’s the last line of the first song on this world-weary and wonderful record, as least as well as I can render it phonetically. And today, I’m really feeling the title of the album.
Leave a CommentFirst things first. “Ooh Child” by Stair Steps is one of the best feel-good songs ever recorded. And the rest of this collection, released by Pickwick Records in cooperation with Buddha Records, is top-notch, from “This Is My Country” by Curtis Mayfield & The Impressions to “Testify Parts 1 & 2” by the Isley Brothers.
Leave a CommentJoan Armatrading + David Letterman’s band + The E Street Band = FUN.
Leave a CommentThe Band is one of my favorite bands. Even so, I’d never heard this album all the way through until tonight. I’d heard live versions of some of its songs — “Ophelia” and “It Makes No Difference” are on the The Last Waltz — but never the original record. On first listen, the production is a little keyboard-heavy in some spots, but overall it’s a solid record with lots of great singing.
Leave a CommentI never used to like Bruce Springsteen. When I was a kid, he represented the kind of mindless jock rock that my friends and I hated. This was, of course, wrong, but it took me years to figure that out. I married a Springsteen superfan, but even then I didn’t come around. It wasn’t till 9/11 and his album The Rising that I reconsidered. I thought that album was perfect and necessary, and so I started to give some time to his other albums. This collection is huge — 10 LPs of live music. The guy who owns the record store here says he always finds them in great condition because most people bought this collection and didn’t play it. My advice? If you own one, play it. And if you don’t…
Leave a CommentI first learned about Fishbone when I saw them in concert in 1991, opening for Primus. Nothing can really prepare you for your first Fishbone experience. I didn’t know what to make of them. Years later I started to spend time with the music, and this album quickly rose to the top. My favorite of its songs (and my favorite Fishbone song) is “Ma And Pa,” but the whole album is fantastic.
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