This was the first Elvis Costello record I ever heard, and I came to it in a weird way. During my ten minutes in college, my second roommate had a CD of a Cornell glee club singing an a cappella version of “Veronica.” From that I checked out this record, which remains one of my favorites in EC’s discography. From “Veronica” (with Sir Paul McC on bass) to the perfect anger of “Tramp The Dirt Down” and the beauty of “Satellite” (with Chrissie Hynde on the chorus), this album is a solid winner. Plus, it features the Dirty Dozen Brass Band and guitarist Marc Ribot, among many others.
One CommentCategory: Record Of The Day
I’m going to say it: This is a perfect record. It’s like stepping into the world of Schoolhouse Rock and getting to live there, with all that sunshiny 70s soul. Why Phoebe Snow isn’t a household name can only be because she so strenuously resisted categorization.
Leave a CommentMy first introduction to Nick Cave came in 2005 when I went four nights in a row to the Little Theatre in Rochester, NY, to watch the concert film and documentary Leonard Cohen: I’m Your Man, in which Cave is featured singing the title track and talking about Cohen. I enjoyed him in the film, but didn’t really dig in.
Then in 2010, Nick Cave’s song “O Children” was featured in my favorite moment in Harry Potter And The Deathly Hallows Part 1:
I decided it was time to dig in.
Push The Sky Away came out two years ago. We just got a vinyl copy at the store this week and it’s great. Moody and rich and just what you want to hear when it’s down to the last few people on a Wednesday night in the winter.
Leave a CommentWhat a killer record. Released in 1980, this album finds Bowie on very solid ground, cranking out left-of-center pop-rock hit after hit. You’ll find “Fashion” and “Ashes To Ashes” here, but every song could be a radio staple.
Leave a CommentI don’t know how this happened, but somehow I made it 41 years without ever listening to Graham Parker. I had a friend in Tucson who was into Parker, but I didn’t know this friend very long and moved before I listened to any of his records. Today I was flipping through the “P” bin at the store and came across this live solo album. I’m a sucker for records like this: electric guitar + voice + nothing else — think Billy Bragg and Warren Zevon. So this looked right up my alley. I’m writing as side one is finishing, and I really dig it.
Leave a CommentI like many different calypsonians, but to my ear, the Mighty Sparrow IS calypso.
Leave a CommentThis is my favorite Dire Straits record, followed closely by the live album Alchemy. I was introduced to this record in high school, sometime around 1988 or ’89, by Jeff Smith, who played guitar in a band with a bunch of my friends. Love Over Gold is, for me, the apex of Knopfler’s period of writing extended, complex songs for the band. This album is by turns haunting and lovely and thrilling, with plenty of guitar heroics throughout.
Leave a CommentOne of the essential psychedelic rock masterpieces. You must hear this record.
Leave a CommentSure, I’ve heard the hits, and I was married for years to a big Hall & Oates fan. I also like Hall’s work on Robert Fripp’s album Exposure. But this album was a revelation. Cleverly crafted pop songs with gorgeous production values. You’ll know at least one song — the hit “She’s Gone.” This record is the perfect music for a summer afternoon in 1973, the year both it and I were released. And it sounds pretty darned good now, too.
Leave a CommentI first received this album from my friends Jill and Matt (aka Hot Breakfast!)in Delaware. It’s a wonderful pop album that’s got a bit of a concept and a lot of smart writing. It’s still the only record by The Flaming Lips I’ve ever heard, and it’s an album I go back to regularly.
Leave a CommentI can’t pretend to an extensive knowledge of classical music in general or Brahms in particular. All I can say is that this is wonderfully soft and lush and gorgeous and rich. I’ve played it two days in a row at the store and people keep coming over to ask about it.
Leave a CommentTake one of the great musical groups of, well, ever. Add arrangements by Allen Toussaint, one of the best arrangers ever to put pen to paper. Throw in a live concert environment. Stir. You’ve got a fabulous live album. This is The Band doing what they did best: playing deep, soulful rock music.
Leave a CommentStone. Classic.
I mean COME ON, this record has “Chain Of Fools,” “Since You’ve Been Gone,” and the absolutely deadly “Ain’t No Way,” which my friend bassist John Kennedy describes as “baby-makin’ music.” The band alone is worth the price of admission — Spooner Oldham, Jimmy Johnson, Bobby Womack, Joe Newman, King Curtis, Frank Wess, and many more.
Did I already say “stone classic”?
Leave a CommentOne of the very first real rock shows I ever went to was a double bill of Fishbone and Primus in about 1991, on the tour for Primus’s Sailing The Seas Of Cheese. I’d never heard of Fishbone and never seen anything even remotely like them. That show never left me, and then years later I was reawakened to the joy of Fishbone by W. Kamau Bell and Vernon Reid on their podcast The Field Negro Guide To Arts & Culture. There’s also a great Fishbone documentary. Here’s the trailer:
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