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Category: Rochester

Amtrak – still around, still worth it

I’m writing this post from my cousin Lynne’s house in Albany, NY. Jen and the boys and I came here yesterday on the Maple Leaf — an Amtrak train that runs from Toronto to NYC. Round-trip tickets for all four of us (John was free), cost about $130. And let me tell you, it was worth every penny.

Jason and Bernie on a train

The trip from Rochester to Albany took about 4 1/2 hours, just a bit longer than it takes in a car if you don’t stop. The big difference, though, was in the whole vibe of the trip. It was really family friendly — a roomy train with lots of space that allowed all of us to move around, cuddle, and talk to one another. If you’re traveling with a baby, you can’t beat it. John fell asleep at about 1 p.m. (an hour before we got on the train), and didn’t wake up until my cousin picked us up at the Albany station. Not bad at all.

Bernie was so excited he could hardly stand it. He loves his cousins Jack and Grace, so the whole concept of the trip was thrilling. Add the train on top of that, and you’ve got one very happy boy!

Train travel in the U.S. is certainly way behind train travel in Japan, unless you live in the NYC-Boston corridor. But it’s out there, and worth a little investigation if you’re thinking of taking a trip. Leave the driving to someone else, and stretch out with a book as you glide down the tracks. It’s a heck of a way to travel.

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Whitman link

You can visit this link for more information on the Walt Whitman event I’m producing with Connie Bodner. PLEASE NOTE: You must reserve your tickets for the dinner/show portion of the event by Monday, May 1!

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Two great singers, one great location

If you’re a fan of good music, you should be planning on two trips to the Lodge at Woodcliff in the very near future.

Tierney Sutton
Photo by Bruce C. Moore

The wonderful jazz singer Tierney Sutton is playing at Woodcliff on April 25 and 26. The shows start at 7:30 p.m. and run until 10:30 p.m., with a break in the middle. There’s no cover charge, although there’s a bar and an excellent restaurant in the performance space.

If you’ve never seen Tierney Sutton, you need to be at this show. She’s a wonderful interpreter of songs, and her band is top-notch and swingin’.

Claudia Acuna 1

Then, on May 10 and 11, head back to Woodcliff for one of my favorite singers and favorite people, the magical Claudia Acuna. Claudia’s shows will leave you feeling better about life, and she’s are a must-see for latin music fans, too. Again, the shows run from 7:30-10:30 p.m.

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Celebrating Whitman: America’s Poet

On Sunday, May 21, 2006, I’m producing (along with my good friend Connie Bodner) an event called CELEBRATING WHITMAN: AMERICA’S POET. This special event starts at 2 p.m. at Genesee Country Village with a reading of the 1855 version of Song of Myself, Walt Whitman’s famous poem about America from his seminal book, Leaves of Grass. The 52 sections of the poem will be read by 52 people from all walks of life — workers, students, teachers, clergy, politicians, parents, scholars. The reading will take about three hours (with breaks), and it will take place in the Brooks Grove Church at Genesee Country Village in Mumford. This beautiful church was built in 1854, the year before Leaves of Grass was published. The reading is FREE with museum admission, and you’re welcome to come for the whole thing or for a part of it.

Following the reading at 5 p.m. will be a 19th-century dinner and a performance at 6 p.m. by actor Will Stutts of his one-man Whitman play. Will has worked in one-man shows as much as any actor alive. He’s performed more than 1,000 times for more than one million people. Tickets for the dinner and show are $30 each, or $55 for two. You can purchase tickets by calling Melanie Baldeck at Genesee Country Village at (585) 538-6822 x218. You can also send an e-mail to Melanie.

In the weeks ahead of the reading, I’ll be taking some local poets into area classrooms to talk about Whitman and to read his work and the guest poets’ work. If you’re an educator and you’d like to know more about this free in-class presentation, call me at (585) 469-8434, or simply respond to this message.

Finally, we have a few slots left for readers on May 21. If you’d like to take part in the live reading of Song of Myself, please respond to this message as soon as possible.

I’d like to think that this is the kind of once-in-a-lifetime event that makes Rochester a special place to live, and I hope you’ll come out to support it. If you’d like to order tickets, please call soon to help us budget for the dinner.

Thanks for your continued support of my projects. See you on Sunday, May 21!

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The Rochester International Jazz Festival — year 5!

The lineup for the 5th Annual Rochester International Jazz Festival was announced this morning at Max of Eastman Place. The list of artists gets better each year, and this year’s festival looks like it will be a fantastic party.

One of the coolest parts of the festival experience in recent years has been watching as more and more people hop on to the festival train. I’ve written before about the need for the city of Rochester to embrace the festival — not for altruistic reasons, but for its own economic benefit. (The cultural benefits are wonderful, too, but they’re usually not enough of an enticement to move a government to action. Maybe some day that will change.) As you can see in the picture below, Mayor Duffy is stepping up the city’s involvement with the festival, and he seems genuinely excited to do it.

Duffy at RIJF

Another sign of the increasing support for the RIJF is the expanding media coverage. Today’s press conference was covered by all the networks, and broadcast live (for the 5th year running) by Jazz90.1. Here’s a shot of the media in action:

RIJF media

Now for the lineup. It’s phenomenal. Rather than list the entire thing, which you can find for yourself at RochesterJazz.com, I’ll give you my picks for the must-see shows of the festival. Remember, all musical opinions are subjective, so check the music out for yourself ahead of time and make your own decisions. I’m going to go night by night and plan out an itinerary. In other words, you could actually see all the shows I’m going to list, as long as you walk fast, and maybe leave before the last song.

Friday, June 9

This first night features two groups in the 10 p.m. slot. Jazz-rock fans should probably check out the Mahavishnu Project, while soul-jazzheads should see the Henderson-Schonig trio.

  • Charlie Hunter Trio: Charlie is one of this age’s guitar virtuosos, and he’s funky as the day is long. If you like your jazz with hip hop and funk mixed in, see this show. And for you purists, don’t worry — there’s enough brainpower behind the music to make it worth repeated listening. (Kilbourn Hall, 6 p.m., Club Pass)
  • Djabe: If you’re a fusion fan or a world music fan, Hungary’s Djabe is not to be missed. They came to the festival two years ago, and blew the roof off the place. (Big Tent, 8:30 p.m., Club Pass)
  • Mahavishnu Project: Guitarist John McLaughlin set the world on fire with his playing in the Miles Davis band, and then added fuel to the blaze when he left Miles and formed the Mahavishnu Orchestra. Now drummer Gregg Bendian leads the Mahavishnu Project, which performs McLaughlin’s music. It’s the next best thing to having a flashback to that gig you saw in 1971. (Milestones, 10 p.m., Club Pass) OR
  • Henderson-Schonig Trio featuring Dr. Lonnie Smith: If you like your jazz soulful, you can’t miss with this trio. Guitarist Mel Henderson is a Rochester original, and the co-founder of Paradigm Shift. Eastman grad Jared Schonig has played with Paradigm Shift and many others, and he’s one of the better drummers to come out of our scene. And what can you say about organ guru Dr. Lonnie Smith that hasn’t been said already? A guaranteed good time for the groove crowd. (Montage, 10 p.m., Club Pass)
  • Jam Session with the Bob Sneider Trio: Every night of the festival, the Iron Man of Jazz, guitarist Bob Sneider, leads a trio in the bar at the Crowne Plaza. Many of the musicians who play in the festival will drop by, and you never know what kind of off-the-hook jam session is going to happen. Yes, it’s late, so make sure you have the week off from work. Hangin’ with Bob and the boys every night is your civic duty. (State St. Bar & Grill at the Crowne Plaza, 10:30 p.m. – 2:30 a.m., Club Pass)

Saturday, June 10

  • Cedar Walton: One of the giants of jazz, pianist Cedar Walton has been on the front lines of improvised music for decades. He’s been here before, but he’s worth seeing every time. (Kilbourn Hall, 6 p.m., Club Pass)
  • James Brown: This one’s a judgment call. If you’ve never seen James, and want to rectify that, then here’s your chance. Otherwise, this might be a nice chance to grab dinner at the Montage so you have a good seat for…
  • Eddie Henderson Quartet: Eddie plays fiery, gutsy trumpet that is guaranteed to have the Montage Grille jumpin’ all night. (Montage, 10 p.m., Club Pass)
  • Jam Session at the Crowne: That’s right, kids. Night #2. Rest up. (State St. Bar & Grill at the Crowne Plaza, 10:30 p.m. – 2:30 a.m., Club Pass)

Sunday, June 11

  • Karrin Allyson: First, a little tip — it’s pronounced KAR-in, not CARE-in. Now you can hip your friends to what an insider you are. Anyway, she’s been one of my favorite singers for years, and I’ve never seen her give a bad performance. (Kilbourn Hall, 6 p.m., Club Pass)
  • Badi Assad: OK, not to do this twice, but it’s BA-ji a-SAHJ, more or less. She’s a big deal in Brazil, and you’ll be doing yourself a favor by figuring out what the Brazilians already know. (Big Tent, 8:30 p.m., Club Pass)
  • Claudia Quintet: The instrumentation alone lets you know you’re in for a good time — drums, bass, accordion, vibes, sax/clarinet. Eastman grad John Hollenbeck leads this critically acclaimed band. (Little Theatre, 10 p.m., Club Pass)
  • Jam Session at the Crowne: Night #3. Just hitting your stride. (State St. Bar & Grill at the Crowne Plaza, 10:30 p.m. – 2:30 a.m., Club Pass)

Monday, June 12

  • Mose Allison: Any guy responsible for lyrics like … “A bad enough situation / Is sure enough getting worse / Everybody’s crying justice / Just as soon as there’s business first” and “Well you know the people running round in circles / Don’t know what they’re headed for / Everybody’s crying peace on earth / Just as soon as we win this war” … is worth your time. (Kilbourn Hall, 6 p.m., Club Pass)
  • Respect Sextet: Begun in Rochester, now based in NYC, this group is one of the reasons to be proud of our city. Expect the unexpected. (Jazz Street Stage on Gibbs St., 7:15 p.m., FREE)
  • Sonya Kitchell: OK, so this is a recommendation I’m making without having heard too much from this artist. But I’ve heard enough to know it’s worth hearing more. And my friend Richard says go see her, so go see her. She may just be The Next Big Thing. (Big Tent, 8:30 p.m., Club Pass)
  • Billy Bang Quintet: One of the best shows I’ve ever seen was a duet gig by Billy Bang and Kahil El’Zabar at the Bop Shop. Every time Billy comes anywhere near here, you need to check him out. (Montage, 10 p.m., Club Pass)
  • Jam Session at the Crowne: Night #4. No yawning! (State St. Bar & Grill at the Crowne Plaza, 10:30 p.m. – 2:30 a.m., Club Pass)

Tuesday, June 13

  • Robert Glasper Trio: Pianist Glasper is Blue Note’s new man on the scene. If you want to say “I knew him when,” you should see him now. (Max of Eastman Place, 6:15 p.m., Club Pass)
  • Bird Lives! with Phil Woods: “I’ve got Bird’s axe” is one of those old hipster jokes. Well, Phil has Bird’s charts — the charts to the album Bird With Strings, to be exact, given to him by Charlie “Bird” Parker’s wife, Chan Parker. Now you can hear a great alto man revive these charts with the Rochester Chamber Orchestra. A special evening of music, to be sure. (Eastman Theatre, 8 p.m., Ticketed)
  • Gray Mayfield & Delfaeyo Marsalis: Gray is married to a Garth Fagan dancer, and he’s spent quite a bit of time in Rochester. Now’s he’s making waves on the national scene. If you were ever at one of Gray’s sets at the inaugural RIJF, you know that he makes the magic. Throw in a Marsalis brother, and musical mayhem is likely to ensue. (Big Tent, 10 p.m., Club Pass)
  • Jam Session at the Crowne: Night #5. Grrrrrrr! (State St. Bar & Grill at the Crowne Plaza, 10:30 p.m. – 2:30 a.m., Club Pass)

Wednesday, June 14

This is a tough, tough night. The first three acts listed are all playing at 6 p.m. and 10 p.m., and they’re all on my must-see list. So that means you’ll have to miss one and see the other two. Oy!

  • Jane Bunnett Quartet: Canadian saxophonist Jane Bunnett is as impressive a human being as she is a musician. She’s been mining the Cuban motherlode for years now, and every Bunnett show is a good time for the feet and the mind. (Kilbourn Hall, 6 p.m. or 10 p.m., Club Pass) OR
  • Ben Allison Quartet: As the leader of the Jazz Composers Collective, bassist Ben Allison has been responsible for much of the good music to come out of NYC in the past decade. From funk to freak-outs to kora jams to burnin’ post-bop, Ben does it all. (Milestones, 6:30 p.m. and 10 p.m., Club Pass) OR
  • Joe Locke & Geoffrey Keezer Quartet: No RIJF is complete without a leave-it-all-on-the-stage, vision-inducing vibe fest with Rochester’s own Joe Locke. Joe’s been making pulses rise and hair stand on end since the first fest, when he rocked the Pythodd. (Montage, 6 p.m. and 10 p.m., Club Pass)
  • McCoy Tyner Trio: Face it, you probably never got to see Coltrane. Me either. But if you want to connect to the essence of that era, you need to make the pilgrimage to McCoy. This show also features harmonica legend Toots Thielemans, who I believe will be opening for McCoy. (Eastman Theatre, 8 p.m., Ticketed)
  • Jam Session at the Crowne: Night #6. Energy drink, anyone? (State St. Bar & Grill at the Crowne Plaza, 10:30 p.m. – 2:30 a.m., Club Pass)

Thursday, June 15

  • Osage County: Groove music led by drummer Scott Neumann and featuring pianist David Berkman and saxophonist Sam Newsome? Sign me up! (Milestones, 6 p.m., Club Pass)
  • Wayne Shorter: SEE THIS SHOW. Period. (Eastman Theatre, 8 p.m., Ticketed)
  • Sliding Hammers: Two Swedish sisters who play trombone. They were the talk of the festival a couple years back, and now it’s your chance to find out why. (Big Tent, 10 p.m., Club Pass)
  • Jam Session at the Crowne: Night #7. Home stretch! (State St. Bar & Grill at the Crowne Plaza, 10:30 p.m. – 2:30 a.m., Club Pass)

Friday, June 16

  • e.s.t.: A night of groove and funk and mayhem begins with Europe’s best-selling jazz act — this dynamic piano trio. And don’t worry if the words “piano trio” don’t set your heart racing. These guys will pin your ears back and knock your socks off. But that’s OK — it’s warm in Rochester in June, so going barefoot feels nice. (Kilbourn Hall, 6 p.m., Club Pass)
  • Soulive: The ubiquitous funksters are everywhere these days, both as headliners and as the opening act for folks like the Dave Matthews Band. Join the big party on the closed-down East Avenue. (East Ave. Stage, 9 p.m., FREE)
  • Asylum Street Spankers: The name alone should tell you that these guys are worth seeing. This is jazz in a train going over a cliff into a lake of fire. What does that mean? I don’t know, but the Spankers will help us all figure it out. (Milestones, 10 p.m., Club Pass)
  • Jam Session at the Crowne: Night #8. Here’s where we cull the weak from the pack. (State St. Bar & Grill at the Crowne Plaza, 10:30 p.m. – 2:30 a.m., Club Pass)

Saturday, June 17

The final night! This night is filled with international artists about whom I know nothing, so consider it a grab bag of goodies and experiment for yourself. The only thing I know for sure is that you should see…

  • Kenny Garrett: He’s often referred to as one Miles Davis’s alumni, but saxophonist Kenny Garrett stands on his own two feet. He’s usually on fire, and always worth hearing. (Kilbourn Hall, 6 p.m. and 10 p.m., Club Pass)
  • Jam Session at the Crowne: Night #9. Close down the festival in style with the final jam session. Thanks, Bob! (State St. Bar & Grill at the Crowne Plaza, 10:30 p.m. – 2:30 a.m., Club Pass)

Remember, this list doesn’t even include most of the great free acts at the Jazz Street Stage on Gibbs St. or the East Avenue Stage. These acts include hundreds of area students, playing on the same stage as headliners. It’s a chance for you to get a glimpse of the future of the music. The student acts will be selected by Alan Tirre and Bill Tiberio, two of Rochester’s finest, so you know they’ll be good. There’s so much to see!

And here’s a very important tip: PLAN AHEAD. You’ll see more music and have a better time if you know where you want to be. You don’t have to have every night planned out, but make sure you leave time to stand in line for the things you really want to see. Tickets for the Eastman shows go on sale at Ticketmaster outlets on Friday, April 7. Club Passes are on sale now, too. Remember, it’s all at RochesterJazz.com.

Enjoy!

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SignWall.com

Michaels Stern
If you’ve got a minute, check out my newest project, SignWall.com. I’ve been noticing all those faded business ads and political signs painted on the walls of city buildings recently, and I decided to create a site to record and preserve those images. Let me know what you think.

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Lake Affect Magazine announces poetry contest

Lake Affect
Hot on the heels of the MoKA announcement (see below), Michelle Cardulla sent this message announcing a poetry contest run by her excellent arts mag, Lake Affect Magazine:

FOR IMMEDIATE RELEASE

FOR MORE INFORMATION CONTACT:

MICHELLE CARDULLA
PUBLISHER, LAKE AFFECT MAGAZINE
585-317-9191

Lake Affect Magazine to Honor Book Publisher with Poetry Contest

Lake Affect Magazine is sponsoring a poetry contest to honor BOA Editions, Ltd. the award-winning Rochester-based publisher of poetry books. The contest will help mark BOA’s 30th anniversary. The winning poem will receive $250. The second place poem will receive $150, and the third place poem, $75. In addition, all three winning poems will be eligible for publication in an upcoming issue of Lake Affect Magazine. And each winner will receive three copies of BOA Editions poetry books. There are no limits on style, length, or content, although overtly religious or political poems are not encouraged. Poems which, because of content, are not suitable for publication in a family-oriented magazine, will still be eligible for the monetary prize, but will not be published in the magazine. The contest is open to all residents of the greater Rochester, Buffalo, and Syracuse areas. Entrants must be citizens or legal residents of the United States, at least 18 years old, and cannot be employees, board members, family or volunteers at either BOA or Lake Affect. Each entry may contain up to two poems and must be accompanied by a check or money order for $5 payable to Lake Affect Magazine. All entries must be postmarked no later than May 1, and should be sent to Poetry Contest, Lake Affect Magazine, P.O. Box 10016, Rochester, NY 14610. Poems will not be returned. Entrants wanting to know the results of the contest should include a self-addressed, stamped envelope. Thom Ward, Editor of BOA, will serve as final judge of the contest.

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Announcing the Museum of Kids Art (MoKA)!

Michelle Cardulla is a great supporter of the arts here in Rochester. She publishes the excellent arts magazine Lake Affect Magazine, and she’s about to launch a new and exciting creative space — The Museum of Kids Art (MoKA). She can really use your help to make this a lasting success. Please visit mokarochester.com and give her some money. Here’s the press release:

Warm Greetings To All!

The Museum of Kids Art (MoKA) will officially open its doors on Tuesday, March 20th, as a registered museum of New York State. We will be open Tuesdays through Saturdays from 1-6 pm. We are offering modern dance as our very first program in April. The program will be conducted by Nicolette Depass, a Garth Fagan dancer. Nicolette joined the company in 1994. She was raised in Queens, New York, and graduated cum laude from SUNY Brockport with a Bachelor of Science degree in dance and communications. So cool!

All programming will be free to kids in the Sector 8 area. We plan to have 16 programs ranging from cooking, dancing, gardening painting, sculpture and film. There will be regularly scheduled exhibits throughout the year to display the children’s work.

Our grand opening will be held this summer after we’ve worked the bugs out of the start-up transition to our new facility.

Please come and visit. And please note this advisory:

Be sure to bring an extra pair of socks with you, because MoKA will knock the other ones off!

Much Love and Peace to all.

Michelle Cardulla, Executive Director
Museum of Kids Art
90 Webster Avenue
Rochester, NY 14609
mokarochester.com
phone: (585) 288.4239

Board of Directors:

  • David Aboyoun
  • John Anderson
  • Michelle Cardulla
  • John Page
  • Christine Wilson
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Cuong Vu

Trumpeter Cuong Vu is playing at the Bop Shop tonight (27 Feb 06) at 8 p.m. Joining him will be bassist Stomu Takeshi and drummer (and Rochester native) Ted Poor. If you caught the trio at last year’s Rochester International Jazz Festival, you saw something really special. If you missed them in ’05, make sure you see them tonight!

Cuong Vu

I just downloaded the trio’s new record, It’s Mostly Residual, from cuongvu.com. This is Cuong’s Artist Share site, which is a cool new way of going behind the scenes with your favorite musicians. You can download a copy of the record, complete with cover art, charts, journal entries on the “making of,” and a whole lot more, for $9.95. For higher memebership levels, you get even more behind-the-scenes info. In any case, head over to the site and support this music by buying the record. And I’ll see you tonight at the Bop Shop, 174 N. Goodman St. in Village Gate.

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Respect the review!

My good friends in the Respect Sextet have had their CD reviewed on popmatters.com. Coincidentally, the reviewer is also a good friend of mine, Jeff Vrabel. You can read more by Jeff at his Web site, and you can learn more about the Respect Sextet by visiting respectsextet.com.

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More talent than I

Zuza 1

My friend Zuzanna Szewczyk gave her Master’s Degree recital today at the Eastman School of Music. She played Calendar Collections by Judith Lang Zaimont; Sonata In C Major, KV 330 by Mozart; Scherzo No.2 in B-flat Minor by Chopin; and nine of Chopin’s Etudes.

Zuza 2

This concert highlighted several important facts, including: (1) This music is hard to play; (2) Zuza has a lot more talent than I do; and (3) I would’ve lasted about 7.3 seconds at the Eastman School of Music.

She did a great job, and will soon be continuing on to get her doctoral degree. Huzzah!

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Norm!

The other day, a friend said this to me: “I’ve always run away from putting down roots, I think partly because I’m so desperate to have some.”

Exactly. I’ve moved more than 20 times so far, and I’ve always felt cut off from any particular “hometown,” except for Lenox, Massachusetts, where I lived until I was five. I still feel like I’m home whenever I’m there, even though most of my life has been lived elsewhere. The first person I dated had lived in the same house her entire life (about 15 years at that point). My sister lived in the same house from the age of 5 until she was 24. My parents have lived in the same house for the past 20 years.

All of that seems very odd to me. Or maybe it’s better to say that I can’t really relate to it. I’ve always prided myself on my ability to adapt to new surroundings. I find that I get the itch to move after I’ve lived somewhere for about a year.

I’ve now lived in Rochester for five and a half years. It’s almost impossible for me to leave the house without running into people I know. Every restaurant, every store, every concert, every bike ride. A few of those folks even like me, and more than 1,500 of them voted for me for city council. That’s just weird.

I started thinking of this today when I was at Palermo’s Meat & Food Market on Culver and Norton. Guy, the owner of the store, knows my family and me by name, as do several of the employees. While Bernie and I were in there today, we ran into my good friend Otto (don’t forget to check out his new site) and his son Frankie. A few minutes later, Otto’s brother came in. Everybody was chatting, laughing, telling jokes, ordering food from the deli counter, and just generally behaving in the way I always imagined adult life would be.

So what does that all mean? Does it need to mean anything? For one thing, it means that I have roots here in Rochester. I never expected that to happen. It also means that it’s still possible — if I make the effort — to live life meaningfully in a circle of people who care about me. That’s a great feeling. When we had our near-baby-event yesterday, we had friends and family close at hand who were willing to drop everything to help out.

I didn’t expect our life here to be like this, and I’m still trying to figure it all out. In the meantime, it’s cool to have friends.

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The birth of a new blog!

My good friend Otto Bruno has just launched his new site, ottobruno.com. The site is the home of Otto’s blog, From Where I Sit, as well as a place to find his magazine articles. Otto is the host of The Sunday Music Festa and The Otto Show on Jazz90.1, and he also writes a monthly show biz column for the national Italian-American newspaper Fra Noi. Check out Otto’s site, and tell him Jason sent ya!

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Back in the day

I went to Tapas with a friend tonight. Tapas is a bar/lounge in downtown Rochester that features salsa music. Tonight, the band Tumbao was playing. Man, did that take me back.

If you’ve only known me since I moved to Rochester, you may find it hard to believe that I used to play salsa and latin jazz for a living. That’s right. The pasty, overweight, reasonably lame guy that y’all have come to know and/or love was, at one time, a pasty, much thinner, slightly hipper cat who played saxophone and percussion in the dance clubs of the Southwest. As a matter of fact, Jen and I met in a latin dance place. Wacky, huh?

Being down in the basement lounge at Tapas with the music blaring and the dance floor filled was like stepping into La Machine De Wayback. If you’ve never had a roomfull of people grooving to your music, you’ve really missed out. And there’s nothing like that moment when the band is completely locked in clave and the whole joint is heaving back and forth in one fluid motion.

I gave up playing when I moved here, and I thought I had come to terms with that. But tonight made me remember what I really loved about the music, and it made me miss it. Maybe I’ll give Tony Padilla a call and see if they can use a just-past-his-prime sax player.

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