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Category: Travel

POEM: in any given set

Published 10 July 2010 by Jason Crane

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in any given set

we walked around it all day
that little Japanese tea cup
sitting on what had been the dining room floor

it said Sanriku on the side
in bold yellow kanji
evoking memories of contented nights at the restaurant

when I arrived in Japan
my host mother could only say
“Are you Jay?” — still three more words than I

could say to her
ignorant as I was
of foreign tongues and other people’s customs

nineteen years gone
and I know more words
but I still wonder whether I understand

most of what you say
or what I am supposed to do
in any given set of circumstances

the little tea cup
occupies its fixed place
on the floor, forces us, unknowing, to give it room

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POEM: Housatonic Reverie

Published 7 June 2010 by Jason Crane

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I wrote this poem today while sitting on a rock along the Housatonic River in Connecticut. The photo below, linked from this site, is of the exact spot where this poem was written. That seems like a remarkable stroke of luck, but actually this spot is one of few along this part of the Housatonic with easy access from Route 7. You can click the photo to see a larger version.

Housatonic Reverie

This is my river, the Housatonic.
This water flows through my land.
I learned to walk near its banks,
Played on a street that bore its name.

I had to turn around and come back to find it –
give up the illusion of forward motion –
to sit on this rock and hear the water’s voice
singing a long-lost lullaby.

Tadpoles swim in a pool sheltered by stones.
They, too, will learn to walk
along the banks of the Housatonic.
Those, that is, who survive

the difficult road to maturity,
a road whose casualties
line the shoulder
like so many car-struck deer.

I put out my right foot to steady myself,
place it on a rock that wobbles;
a handy metaphor to remind me of the
uncertainty of even the most solid objects.

Down the river a ways, a hawk makes silent circles.
The occasional car covers up the water’s voice,
but its song always returns, summoning me
home to my river, my land, my life.

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Two days of poetry (part 3): Monroe Community College

Published 10 May 2010 by Jason Crane

(Read part 1 and part 2.)

Sure, reading poetry to a room full of people is fun, and I’ll do it whenever the opportunity presents itself. But on Thursday, May 6, I had a chance to experience poetry in a totally different way – by talking about it in two classes at Monroe Community College (MCC) in Rochester.

My friend Julie White (to whom “It Isn’t Merely The Fashioning” is dedicated) works in the Student Life office at MCC’s Damon Campus, located in downtown Rochester. When I booked the Rochester Poets reading, I asked Julie whether there were any opportunities for me to talk with students at MCC about poetry. Julie reached out to several faculty members, and I ended up scheduling two classes with Julie Damerell, an MCC professor who is herself a poet.

I showed up in Julie’s first class at 9:30 a.m. on Thursday. She warned me that attendance wasn’t always stellar, and that the previous class had seen one student attend. The class was a transitional class, for students who needed some extra guidance in English as they began their college careers. On this day, four students came, and it turned into one of the most incredible experiences I’ve ever had with poetry.

I have to be honest – I had absolutely no plan whatsoever when the class began. I’d given some thought to what I might say, and Julie Damerell had also suggested some topics. But when the four students were seated around the table and it was my turn to talk, I hadn’t decided on anything other than, “Hi. My name is Jason Crane.” Once that was said, I was winging it all the way.

The first thing I did was read them a poem from Unexpected Sunlight called “The Soft Friction Of Sliding Glass.” After I read the poem, I explained that it’s about my first serious girlfriend. This was all Lawrence, one of the students, needed to hear to begin a conversation. We talked about including a poem about an old girlfriend in a book dedicated to my wife. Lawrence thought that was a crazy thing to do, and he was sure that it would cause some kind of problem. I told him that my wife and I have been together 15 years, and that I want my memories to be close to the surface because I believe that makes me a better husband. Samantha, another of the students, chimed in to say that people don’t have to forget what happened to them just because they aren’t with that person anymore. The discussion carried on for several minutes, and I knew we were going to have no problem filling up the class time.

Next I asked the students to read “Gene Ludwig” and then tell me about the man described in the poem. I asked them to describe him physically and tell me what he did for a living and what he was like. They made their guesses, some closer than others, and then I told them about Gene and his career as a jazz organist. Julie looked up Gene online and showed the students his picture, and Lawrence talked about how Gene “is true to himself when he plays music. He can show people who he really is.”

Laura, another student, had been reading my poem “For Henry Grimes” during the latter part of this discussion, and she said she wanted to know about Henry next. I asked her to read the poem, and then asked the class to describe Henry. Lawrence said Henry reminded him of the old men who sit on the stoop on his street and watch the neighborhood. I described Henry’s incredible story of success, disappearance and rediscovery and asked Laura to read the poem again with this new knowledge.

We read more poems and talked about them, with the conversation veering into general discussions about life and art and creativity. Laura told us about her grandfather and her siblings and Samantha talked about the poems she’d written. They read more of my work aloud, and I decided partway through the class to give them each a copy of Unexpected Sunlight.

These four students opened my eyes to a new way to hear my own work, and their intelligent, often surprising observations were a joy to hear. I’m truly grateful for the experience. After the class, I wrote a poem called “Attention” in tribute to them.

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Two days of poetry (part 2): St. John Fisher College

Published 8 May 2010 by Jason Crane

Following a fun afternoon of poetry in Avon, NY (see part 1), I headed to St. John Fisher college in Rochester, NY, for the May edition of the Rochester Poets reading series. I was one of two featured poets, the other being my friend Matt Smythe.

Matt and I both went to high school in Canandaigua, NY, a picturesque town about 40 minutes from Rochester. The town sits on one end of Canandaigua Lake, with Naples at the other. Matt graduated in 1990 and I escaped the following year. We never hung around in high school, although we each knew the other existed, and we had some friends in common. We both left town after graduating and didn’t see each other again for more than 15 years.

In 2008, our mutual friend Travis Nixon died after a long battle with cancer. He was 36 years old. Travis owned the gift and game shop Coyote’s Den in Canandaigua and served on the city council. He was beloved by the community, and people of all ages were at his funeral. Matt and I were among them, and we talked for a few minutes after the funeral. Matt had spent nearly a decade in the Army, then ended up getting an advanced degree in literature with a focus on poetry. Not long after, I sent Matt an early version of the manuscript for Unexpected Sunlight.

Sending out a manuscript to other poets is a tricky business. For the most part, in my experience, you’ll get no comments at all. Occasionally you’ll get a short note. If you’re very lucky, you’ll get what I received from Matt – detailed, poem by poem, line by line analysis of the manuscript with suggestions and comments. Matt’s careful eye made the manuscript much better than it would have been, a fact for which I’ll be forever grateful.

Fast-forward to 2010. By some freak of publishing fate, the lovely folks at FootHills Publishing decided to risk the complete collapse of their 25-year-old press by putting out Unexpected Sunlight. That meant it was time for me to start organizing readings wherever I could. And although I’d lived in Rochester from 2000-2007, I’d been completely inactive in the poetry scene. The two names I knew were Frank Judge and Writers & Books. I contacted both about doing a feature reading, and Frank responded to say he had a slot in two weeks and could I make it? I accepted and requested that it be a co-feature for Matt and me.

And so on Wednesday, May 5, a group of about 30 people gathered in the Hughes Rotunda of the Wilson Education Building at St. John Fisher College. Several of the attendees had never been to a poetry reading. A friend was there whom I’d last seen her in 1991. Two of my sister’s friends were there (huzzah!) as were many other friends from my years in Rochester. Thanks to everyone who attended. It was wonderful to have you all there.

The reading itself was a lot of fun. Matt and I asked Frank to call us both up to the front of the room so we could flip a coin to see who would go first. My side of the coin came up and I led off. I read a mix of poems from Unexpected Sunlight and some newer poems, too. I also read two poems of Matt’s (“Stoplight Red” and “The Air On Bourbon”), because we’d decided in advance to each read the other’s work. I love Matt’s writing and enjoy reading it aloud even more.

Matt followed me with a strong set, some of which came from his master’s thesis, a book-length collection called All Water. Matt is passionate about music and fishing and human relationships, all of which comes through in his work. As I mentioned, he also spent eight years in the military, and his experiences certainly inform his writing. Matt read two of my poems, too – “Come with me, Shelby” and “Lottery.”

All in all, a rewarding evening of poetry, surrounded by friends and fellow poets. And I don’t think it will be the last time Matt and I work together. Stay tuned!

Coming up in part 3: I was the guest speaker in two classes at Monroe Community College on May 6. It was a transformative experience. Read part 3.

Thanks to Rome Celli for the photos used in this story.

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Two days of poetry (part 1): Avon, NY

Published 7 May 2010 by Jason Crane

What could be better than a day full of poetry? How about two days full of poetry?

I traveled to the Rochester, NY, area this week for a series of poetry events. On Wednesday, May 5, I made my first stop in Avon, NY, about 30 minutes from Rochester. I joined Alan Casline, John Roche, Paulette Swartzfager, Stephen Lewandowski, Dwain Wilder and Ken Warren for an afternoon of poetry beside the cannons in the park. The park is in the middle of a traffic circle in downtown Avon, so our reading was accompanied by the slow circling of cars and trucks and the occasional, slightly confused pedestrian.

Alan Casline [pictured at left] brought ambrosia with mead to share with the group. It was a gorgeous afternoon, so we sprawled out on the grass to listen and to soak up the sun. Alan read several poems, including one about a hike he and Steve Lewandowski went on that included a line about Steve sliding down a snow-covered bank “like a third grader on a lunch tray.”

Ken Warren [pictured at top] was visiting from Ohio. [Correction, via John Roche: “Ken Warren spent decades in Ohio, but recently moved to a town near Lake Ontario northeast of Buffalo.”] He read a few poems and then a longer prose piece remembering the killings at Kent State, the 40th anniversary of which had passed the day before. It was a very powerful essay, well researched and full of moving quotes from people who had been on the campus that day.

John Roche [pictured at left] paid homage to the location of the reading will several poems about Avon, the town where he makes his home. One of his pieces was a protest poem about the closing of a local watering hole. I enjoyed John’s intensely specific words of protest — it’s important to be reminded that protest poems can be very, very local.

I went next, reading a new poem, “The Last Piece Of Ice Under The Sky” along with “I Am Not An Indian.”

Stephen Lewandowski, [pictured at left] a longtime chronicler of — and advocate for — the Finger Lakes region, ended his set of poems with one that took me completely by surprise. It was a poem about the increase of the signal strength of Jazz90.1 (WGMC) and Steve’s resulting ability to hear Oscar Peterson and other jazz greats at his Finger Lakes home. What made this poem so surprising for me is that boosting the station’s power was a project I oversaw as station manager of Jazz90.1 from 2002-2004. What was even more surprising was that it was a complete coincidence that Steve read the piece — he didn’t realize my connection to the station. I was very moved to hear someone who so appreciated the results of all those thousands of hours of fundraising and advocacy.

Unfortunately, I had to leave right before Dwain Wilder [pictured at left] and — I assume — Paulette Swartzfager read (sorry!), so that I could make it to my own reading that night at St. John Fisher. But I thoroughly enjoyed spending an afternoon in the company of such insightful people. I hope the “poetry at the cannons” reading will be just the first in a long series of such events in Avon.

Coming up in part 2: My “book tour” continues at St. John Fisher with fellow poet Matt Smythe. Read part 2.

Thanks to Paulette for the photos in this story.

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POEM: Middleburgh Sketches

Published 22 April 2010 by Jason Crane

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Observations from a recent drive from Albany, NY, to Middleburgh, NY, and back.


Photographer’s Web site

Middleburgh Sketches
April 19, 2010

tiger-striped hills
cloud-down hovering
one goose in the April sun

* * *

Cachao’s bass at the root
I on the mountaintop
summer salsero amid spring hills

* * *

thick-grown budding trees
guards posted beside the road
the city is a surprise

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POEM: North Greenbush To Albany

Published 8 April 2010 by Jason Crane

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North Greenbush To Albany

Start: the Sharp house, aging Greek revival
in what was once Bloominville.
They used to bottle spring water here
until the well dried up. Then it’s three miles,
nearly all downhill, because the Hudson
draws all riders to its level.
There are two bridges – the first
across the railbed, trains carrying what few goods
we still produce and the many others
we pull in like driftwood from the sea.
These caravans of metal containers are
bound for Manhattan, lodestone of heartbeats
and rushing blood. The same lines
carry women and men to concrete hope,
to the race, to the scurry. Some will return,
lowering their sights and settling in for the long haul.
Others will half-return, riding more prestigious lines
to their magazine homes. Or so I imagine,
in the ten seconds it takes my legs
to propel the bicycle over the tracks.
The second bridge is at the base of the hill,
the bottom of the gravity well. The concrete wave
crests atop the Hudson, that once mighty barrier-highway
that is now the scenic accompaniment to stroller moms
and weekend excursionists. The river is brown on this April afternoon,
laced with the white rush of recent rains. Soon
they’ll haul the old battleship back to the dock,
so children can giggle on the blood-washed decks
where their grandfathers stood taught, gripping the rails
with terror-strengthened fingers.
The river bridge descends into the city.
The Hudson is reluctant to give up the living,
and matches every descent with a grinding climb,
testing my resolve to leave its banks. A slow, steady rhythm
carries me past Albany Lodge No. 49 and the Beirut remains
of a once majestic hotel. This is the King’s Highway.
George Washington once climbed this same hill, walked
through this city when concrete was wood, pavement
was cobblestone or dirt, before Rockefeller’s bulldozers
created this modernity, drained its character for the queen.
The general is remembered with a street and a park and a blue iron sign.
The bells are tolling the three-quarter hour as I pass the chambers
where the laws are made, and the halls of education and bureaucracy.
Then it’s home, where a distant city’s baseball team is on the radio,
and I cook my imported convenience-store noodles and sit down to write.

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POEM: Tea Ceremony Hurts Yours Legs

Published 3 March 2010 by Jason Crane

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Tea Ceremony Hurts Yours Legs

at 17, I studied the ancient art of tea ceremony
with my final host-mother
and a teacher who seemed middle-aged
but may have been just slightly older than I am now
I’m not sure about the sensei,
but one thing I do know is
tea ceremony hurts your legs
the insidious thing is that you
don’t even notice it at first
you’re too focused on
placing the bowl just so
the ladle along the crook
between your thumb and index finger
the sugary snacks on a piece
of pristine rice paper
floating above the tatami floor
after a while, it feels like
you yourself are suspended
above the floor, just slightly
is this enlightenment?
did I, at 17, achieve satori?
wait till my parents hear about this!
and it’s then, as you leap up
to spread the word
that you realize your mistake
and pitch face-down onto the mat
spilling your carefully whipped green foam
and crushing the delicate wooden ladle

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POEM: Aomori

Published 1 March 2010 by Jason Crane

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Aomori

standing on the cliffs of Aomori
is like standing at the end of the world
one more step and you can take
a refreshing swim in the bay
if you survive the drop, that is
squint your eyes and it feels like flying
pine trees level with the top of your head
and the waves continuing their
thousand-year attack on the rocks below
I kept better notes than this
but they were lost in a flood
nothing so grand as the sea
winning that final victory
it was just that our washing machine
overflowed and submerged the basement
who would have thought
after a thousand years
it would be a load of laundry
that would finally conquer
the cliffs of Aomori?

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POEM: Tsurumigawa

Published 27 February 2010 by Jason Crane

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Tsurumigawa photo by Ivan Kurniawan
Tsurumigawa photo by Ivan Kurniawan

Tsurumigawa

ironically, we lived along the See Crane River
it sliced through the rice fields
that were just steps from the busy road

Tokyo and Yokohama and Kawasaki
are joined like an urban Cerberus
between them, hidden bits of unexpected farmland

bent old women in worn rubber boots
knotted bandanas around their heads
slop through the wet paddies

reaching crumpled fingers into waving rice
and plucking out the o-kome
the flesh of their people

in Ichigao, our town,
the women could have walked
a mile along the river

and treated themselves
to McDonald’s french fries
or the Colonel’s secret recipe

of herbs and spices
a bloodless invasion
leaving no cloud in its wake

I don’t think we ever actually
saw a crane on the river
that bore the bird’s name

like Oak Glen or Forest Heights
the name is simply a reminder
of what’s been taken away

gold flecks in green tea
gold plastic across the street
from the train station

and the Colonel standing there
arms outstretched, smiling
beckoning the cranes to fly to him

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POEM: Miso Soup

Published 24 February 2010 by Jason Crane

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Miso Soup
(for Jennifer)

the only thing better than the taste of the sushi
is the lingering aftertaste
mixed with miso shiru and warm ocha
a sensation so rich
it’s almost another meal in itself
I always order one extra piece of unagi
and remember walking into Meiji Jingu
holding your hand
you gave me a book on Zen —
I was into that then —
and I gave you an atlas of our world
so we could choose the next destination
we sat in the kaitenzushi-ya in Shibuya
and watched the endless parade
of plates, daring us
in Nikko, we took a photo in an unexpected
tram car that was right there on the sidewalk
then climbed up all those stairs
to see the sanzaru
there were many little tremors and
the one big one
that had us scurrying for the doorjamb
just as the shaking stopped
and yes, there were cherry blossoms —
there always are —
right outside our bedroom window
and the cleaning man came by each week
and always seemed surprised to see us
we gave him our maple tree
(and you gave me its cousin years later)
I savor these moments and roll them around
on my tongue, heavy with the dusky taste
of shoyu and the tang of vinegar in the rice

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POEM: Maple Leaf

Published 8 February 2010 by Jason Crane

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I wrote this over the weekend on the train from Albany, NY, to Rochester, NY.

Photo (c) 2008, Brian Cameron
Photo (c) 2008, Brian Cameron

Maple Leaf

ice flows on the canal
and I flow the opposite way,
bound west on two steel lines
toward my old not-home

now the water is a river
filled with half-wild islands
and on each piece of snowy ground,
a flock of waiting birds

Amsterdam, Utica, Syracuse —
ancient and exotic names
they have turned their backs
on the water and rails

further on now through fields
where sparse grasses and weeds
poke up through the snow
like drowning men’s fingertips

blowing snow, fog-like
makes of the rail line a dream sequence
empty nests wedged in tree limbs
empty factories with no hope of spring

for an instant, beside the tracks,
two men with rifles search the trees for prey
while nearby an empty backyard
where an empty swing set sways

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A visit to Robert Frost’s Stone House

Published 19 October 2008 by Jason Crane

I drove to Shaftsbury, VT, today to visit one of the houses in which poet Robert Frost lived. It was in this house — known as the Stone House — that he wrote “Stopping By Woods on a Snowy Evening.” Just as most of the classic Xmas albums were recorded in the summer, this quintessential winter poem was written in July.

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