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Jason Crane Posts

Gene Ludwig, 1937-2010

Organist Gene Ludwig passed away yesterday, July 14, 2010. I didn’t know him well, but he was a guest on The Jazz Session in August, 2009, and we spoke several times in person and by phone and email. Gene and his wife Pattye were extremely kind to me and to everyone with whom I saw them interact, particularly during Gene’s performance last year in Schenectady, NY. My thoughts are with Pattye and with their families at this time.

Gene’s Schenectady gig inspired a poem that appears in my book, Unexpected Sunlight. You can read the poem here at jasoncrane.org.

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POEM: Umbrella

Listen to this poem using the player above.

Umbrella

I’m bringing my umbrella in case it rains
I’m writing this poem in case it doesn’t

Last night you were out when I called
You’re often out these days, somewhere

I’d never noticed how empty a room could sound
Never wondered where these pans go

Sometimes I stand in the kitchen waiting for your voice
To tell me what to do next, who to be

Then the phone rings, full of hope, but it’s a bill collector
Looking for me to pay what’s owed

Everyone is looking for their due
But my cupboards are bare, my reserves are empty

And most of the time it’s raining
And I’ve forgotten my umbrella

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The key is…

I thought it was a good sign that the key to my new apartment contains a partial line of Shakespeare:


Click to enlarge

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Reading (and playing the saxophone) in Albany this week

This Thursday, one night only: the Poets Jazz Trio at the Social Justice Center, 33 Central Ave in Albany. Poets Jason Crane (poems, sax, percussion), Dan Wilcox (sax, percussion) and Tom Corrado (bass) will perform a 20-minute set of jazz and Jason’s poetry. There will also be an open mic hosted by Dan Wilcox. The shindig starts at 7:30 p.m. Be there!

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POEM: this two-wheeled life

Listen to this poem using the player above.

this two-wheeled life

all I could think about
as I sucked in diesel fumes
on 80 East was how much
I’d rather be riding my bike

how it was time to sever
the steel shackles
of my automotive life
to take to two wheels

as my creed, my gospel
my response to every
yelled curse and flung
container of french fries

I would yell “you first!”
when told to get off the road
would carry a lance
to joust with those

who referred to me by its name
and like Quixote before me
I would tilt – not at windmills,
but at the ceaseless turning

of the four-wheeled apocalypse
because there are more kinds of freedom
than choosing the radio station
and more kinds of individuality

than spinning rims and fuzzy dice
I would recapture
that nearly forgotten thrill
of being my own master

not a slave to the poisoners
of the Gulf, the savage
inequality of fossil fuels
they are better returned

to their undersea beds
to lie and sleep
to be forgotten as we zoom
and glide through this two-wheeled life

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POEM: in any given set

Listen to this poem using the player above.

in any given set

we walked around it all day
that little Japanese tea cup
sitting on what had been the dining room floor

it said Sanriku on the side
in bold yellow kanji
evoking memories of contented nights at the restaurant

when I arrived in Japan
my host mother could only say
“Are you Jay?” — still three more words than I

could say to her
ignorant as I was
of foreign tongues and other people’s customs

nineteen years gone
and I know more words
but I still wonder whether I understand

most of what you say
or what I am supposed to do
in any given set of circumstances

the little tea cup
occupies its fixed place
on the floor, forces us, unknowing, to give it room

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Another poem published!

I contacted the poetry journal Meat For Tea about a submission I’d sent and hadn’t heard back on. They responded to tell me it was published in their last issue, but they’d forgotten to notify me.

You can read “North Greenbush To Albany” in Meat For Tea Vol. 4 Issue 2 by ordering a physical copy or a $5 PDF version here.

UPDATE: Upon closer inspection, it turns out that my poem “Origins” is also in the issue.

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POEM: Seeing Eye

Listen to this poem using the player above.

This poem was inspired by Normanskill poet Alan Casline’s poem “My Navajo Butterfly Song.”

Seeing Eye
(for Alan Casline)

The Navajo sign said “no photos” —
I prefer to think of it as advice, not warning,

encouraging us to capture images with the lenses of our eyes,
to store them on our natural hard drives.

“Doesn’t anybody ever just remember anything anymore?”
George Carlin asked. He was right.

We’ve become victims of instant nostalgia,
our minds grown lazy, our brains soft.

It’s so bad that I’ve forgotten the first line of this very poem,
and the way my sons looked when they were born.

My therapist said chronic depression impairs
the memory centers of the brain, causes

gaps

in the remembered narrative. That was a relief to hear.
I always wondered why my life was a highlight reel,

the entire three-plus decades condensed into three-plus minutes,
like always seeing the bus but never being hit by it.

The Navajo sign said “no photos.”
Pretty smart, those Navajo.

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POEM: The Oak Tree

Listen to this poem using the player above.

Another poem for my wife.

The Oak Tree
(for Jennifer)

I had already asked you three times
you’d wisely declined
I was too young, too unproven
played the saxophone in a latin jazz band
you repaired houses for the poor
we each made barely enough to pay the rent

the fourth time was under an oak tree
at your mother’s house
you finally agreed, throwing caution
to the Pennsylvania wind
we were back East on a rare trip
to see our families, to display one another

that tree had been there for years and years
since the fields next to the dairy farm
were turned into a housing development
for upwardly mobile college professors
whose daughters spoke two languages
and traveled the world on the way to good lives

no one thought we’d last
they all said I was too young, too unproven
played the saxophone in a latin jazz band
couldn’t provide for you
all those beautiful 1950s sentiments
born of monochrome evenings with the Cleavers

but under that oak tree —
a sign of stability, of permanence —
you agreed to place a bet on the long shot
I held your hands as a stray leaf fell,
like your resistance, to rest
in the lush green grass behind the houses

after you said yes
we traveled north to my parents’ house
my mother gave me a wedding ring
that had been her grandmother’s
granting us her blessing
even though she doubted our future

the oak tree is gone now,
cut down by your mother
all these years I’d thought she hated what it represented
only found out this week that it was damaged
in an ice storm and had to be cut before it fell
so many things misunderstood

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Review: The Cocktail Party by T.S. Eliot

I picked up T.S. Eliot’s The Cocktail Party on the side of a city street, one of a stack of books being thrown out by someone with a taste for poetry and Eastern religions, to judge by the other books. I gave it a quick scan and discovered it was a play, so I didn’t shelve it with my other poetry books. It made its way to the basement and I forgot it existed.

Then yesterday, there it was, in the dining room, somehow having made the trip back from the basement and into a place of prominence. I don’t know how this one book was spared in the frenzy of moving and packing and loading and donating, but it was. I read it this evening and was completely captivated by it.

The play is difficult to describe. It’s set in London and begins at a cocktail party. There is almost no physical action in the play. Rather, it’s a series of conversations between a half-dozen or so people, all of whom are having various sorts of existential crises. There is one shift of setting and many surprising connections are made between the various characters.

This can hardly be called a review, can it? Suffice to say the play’s stark rendering of people’s life choices was very moving and appealing to me, particularly at this moment in my life. I think I may try to get some folks together to read this play at some point. And in the meantime, I recommend it to you.

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POEM: Long Day In America


Painting by Michelle Spark

Long Day In America

shimmering cymbal rises off the stage like heat from the pavement
I’m at a table near the band, drowning my sorrows in a glass of water
or at least drowning, anyway

this is one of those days when I wish I drank, something strong and obliterating
that would wash it all away like a sand castle falling to high tide

I come back to reality for a moment while the bass player looks for a chart
a course through the tune so he won’t get lost
I wish it were that easy

these are the times that try men’s souls, then stomp them with boots made of
   money
and unfulfilled potential and disappointment

two tables away a guy is talking loudly, so the band turns up and he talks louder
so the band turns up and he’s shouting, and eventually an old man in a natty suit
leans over from the next table and tells the guy to “please shut the fuck up”

maybe it’s the language, maybe it’s the old man’s audacity, but it works
a hero is born

saves me the trouble of driving my rented U-Haul truck right through the front
   window
smashing the moron to a pulp, smearing the carpet
with his like-new brains

there’s no way to summarize all the things you are on paper
but that doesn’t stop people from trying — my life is a bulleted list
in 12-point Arial or 10-point Times New Roman if I’m feeling professional

I’m bored and terrified, can’t focus
lose the form of the song, even an easy one

my eyes are burning

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Breaking Up The Band, or, We Fought The Economy And The Economy Won

I may regret all this openness later, but for now a little missive here on the blog seems like the easiest way to answer all the questions that are coming up now and will be sure to come up soon. It’s getting more difficult to come up with plausible stories about what’s happening, so let’s try the truth.

Tomorrow, Jen and Bernie and John (my wife and sons) are moving to State College, PA, to live with Jen’s mom. In a couple weeks, I’m moving into a one-bedroom basement apartment in Albany – even more downtown than I live now. We’re not sure how long the new arrangement will last.

Why is this happening? Primarily because we can’t afford to live together anymore. Jen’s been out of work for 18 months and counting, and I don’t make enough to pay the bills. In fact, my most recent job change was probably the straw that sent to camel to the poor house. I’m thrilled to have my current gig and to work in the world of bicycle advocacy, but it pays what non-profits often pay. We gambled that one of Jen’s many high-scoring civil-service tests would pull our fat out of the fire, but New York State has no budget and isn’t doing much hiring these days, so that gamble didn’t pay off. We lived on fumes (and with the help of our families) for a long time, but the tank is now empty.

This is a very dark time for the rebellion, and there’s no way to sugarcoat that. Our hope, though, is that something will turn up and allow us to get Jen and the boys back in time for school in the fall.

So now you know the rest of the story. Wish us luck, and keep us in your thoughts, along with the thousands and thousands of American families who are going through exactly the same thing.

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POEM: dead pigeon

Listen to this poem using the player above.

Based on a recent New York City experience.

dead pigeon

dead pigeon on a gray sedan
gray sedan under a dead pigeon
dead gray pigeon sedan
gray dead sedan pigeon

heads turn, shake, pass
passing heads, shaking, turn
shaken heads pass, turning
shaken heads, turning, pass

soft feet slap pavement
soft pavement feet slap
slapping pavement, soft feet
slapping, soft, feet, pavement

head bleeding slow trickle
bleeding head trickle slow
slow bleeding head trickle
trickle bleeding head slow

gray dead sedan pigeon
dead gray pigeon sedan
gray sedan under a dead pigeon
dead pigeon on a gray sedan

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POEM: First Night of Summer, 2010

Listen to this poem using the player above.

First Night of Summer, 2010

At the Mobil station on the corner of Quail and New Scotland,
an obese man in a tank top delivers a lawnmower from the trunk
of his NASCAR-stickered beater to a young man in the latest

summer fashions. The obese man plops back into the driver’s seat,
reaches an arm through the open window to haul the door shut,
cranks up the radio, loudly injecting a surprising R&B track

into the first night of summer. Did the Indian or Pakistani or Sri Lankan
cashier in the Mobil station ever imagine himself here?
Did he play soccer or cricket as a child back home, dreaming

of the night when he’d sell Cheetos and Double Chocolate Milanos
to another obese man in dirty shorts, while R&B blared
and nervous SUV drivers stopped on the way to the suburbs?

Did any of us dream of this night? We sat on our mothers’ laps,
had our backs rubbed, dreamed of being paleontologists
or marine biologists or superheroes, not of schlepping to the gas station

to buy crap before the Red Sox game. In case you hadn’t guessed,
I’m the Second Man, one before Welles and not that many pounds off,
selling no wine before my time, plodding past the young and beautiful people

at the bars to get to the late-night sanctuary of those with no place else to go.
How the fuck did this happen? Where did the dumpster in my driveway
come from? Who put all those memories in there?

I want my mother, or at least the possibility she represented.
I want to go home, but I’m already there, and there’s a dumpster
in the driveway, and in a few days the men will come and haul it away.

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POEM: Separation

Listen to this poem using the player above.

This poem was inspired by a tweet by trombonist Jeff Albert. His message became the first line of the poem.

Separation

The MacBook Pro’s headphone out does
not have clean stereo separation.

It cannot effectively separate the
left from                  the right.

Nor can it color-code cull the allowed from
the illegal.

Or sit at the base of the wall in the cold
desert night, waiting for what the coyotes bring.

The MacBook Pro’s headphone out sends
a steady stream of sound

straight to the bones inside your ears,
causing tiny vibrations that your

brain magnifies then translates into
language you can understand.

And yet, left                  and right
will not be properly separated. Will mix

inappropriately, causing some in the room
to murmur their disapproval.

Are you murmuring your disapproval? Casting
a sidelong glance, perhaps

catching the eye of another partygoer, who
responds with raised brow or a

cluck

of the tongue?

Tsk. Tsk. Tsk.

Can you separate
left                  from right?

Do you know where you bread is buttered?

Do you want to wash the dishes?

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