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Jason Crane Posts

POEM: Red Truck Elegy

Listen to this poem using the player above.

My assistant helps me repair the truck.

Red Truck Elegy

Dozer, the beefy black lab, wants into the car
he sniffs the air, scenting my son’s watermelon lollipop

just a few feet away sits our red truck, silent, flashers on
a gift from my dad, it’s different from the red truck

my wife and her baseball team would cram into the bed of
back in Oregon, after the game, going to get ice cream

this red truck is smaller, though it’s hauled its share of wood
the bottom is rusted, looking like something you should

discover with a submarine while searching the ocean floor
I performed my only successful automotive surgery on this truck

using the last wire coat hanger in the world to wire up
the muffler and tailpipe, which were grinding against the axle

my dad couldn’t have done much better, because he
doesn’t know anything about cars or trucks either, despite

being much better versed in practical things than I am
and more comfortable with getting his hands dirty

John flits around the garage, moving from mechanic to Dozer
to the two lazy German shepherds who lie at the feet

of an elderly couple on the garage’s only two chairs
eating submarine sandwiches and adding to the local flavor

if the truck is dead, we’ve decided not to resuscitate it
we’ll just cut the cord that anchors it to us and let it sink into memory

captured in the occasional photograph, just like its bigger brother
with my father-in-law’s head poking into the flower-packed bed

I’ve heard enough stories about that truck that it looms in my created past
almost as large as he does, gone just after I met him, gone too soon

this truck, though, was here just long enough to carry us to the top of the hill
and now we’ll walk down the other side on our own

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A few recent Web appearances

I’ve popped up in a couple places recently on the Web. Here they are:

  • Dan Wilcox reviewed the Poets Speak Loud reading at which I was the featured poet
  • Dan also wrote about the most recent Albany Poets Presents! reading at Valentine’s
  • Otto Bruno wrote a post about my reading at St. John Fisher College
  • Julie White mentioned my recent appearance at Monroe Community College in the school’s online newsletter
  • Thanks to these folks and everyone else who is helping me spread the word about my slow destruction of the world of poetry.

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    Otto weighs in on poetry

    Otto Bruno is a very talented broadcaster, writer and historian. And he’s not, shall we say, a big fan of poetry. Thus is was with some fear and trepidation that I read his review of my recent reading in Rochester. See for yourself:

    Poetry?? Really, poetry?!?!

    Otto also inspired one of the poems in my new book, Unexpected Sunlight. That poem isn’t online, so you’ll have to buy the book to read it.

    And his despite his low opinion of the (non-)rhyming arts, some of Otto’s own verses have appeared on this very blog. Enjoy!

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    POEM: “On Jason’s Bag” by Tess Lecuyer

    Photographer and musician Keith Spencer started taking photos of my leather satchel at poetry readings. My wife bought the satchel for me when we lived in Japan. My bag has a fan page on Facebook and nearly two dozen fans. And now, it has a poem. Thanks, Tess!

    On Jason’s Bag
    by Tess Lecuyer

    Infinite possibilities has too many fucking syllables
    so this is not a haiku, it’s a goddam sonnet.
    Sonnets are like a leather bag, a rectangle filled
    and folded and pocketed with various straps-on-it.
    I did that on purpose. I’ve been reading Ogdan Nash;
    the silliness just seeps in so about Jason’s bag…
    We met at the Wordfest, late, at the very ash
    end of the night, when adjectives wore hats and spit jagged
    modified nouns, addled verbs. Antipestic sang, badly,
    and iambs skipped along pretending to be sober.
    Infinite possibilities lurked in Jason’s bag,
    so mutely lying, so folded casually closed.
    Posing for the camera in an understated, artistic heap,
    while whispering Lily, sweet Lillian, to sleep.

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    POEM: Ingredients

    Listen to this poem using the player above.

    Ingredients

    making this cake is neither good nor bad
    all things are equal in the back-and-forth
    I mix in the eggs, whisk them foamy
    so many broken, so many cracked
    it’s easy, she says, you just read
    you just follow the directions
    that’s always been my problem, though
    I’m a bad follower, I can’t be folded in
    I’m the shell fragment that you find later with your teeth
    the little mistake that crunches and unsettles

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    Two days of poetry (part 3): Monroe Community College

    (Read part 1 and part 2.)

    Sure, reading poetry to a room full of people is fun, and I’ll do it whenever the opportunity presents itself. But on Thursday, May 6, I had a chance to experience poetry in a totally different way – by talking about it in two classes at Monroe Community College (MCC) in Rochester.

    My friend Julie White (to whom “It Isn’t Merely The Fashioning” is dedicated) works in the Student Life office at MCC’s Damon Campus, located in downtown Rochester. When I booked the Rochester Poets reading, I asked Julie whether there were any opportunities for me to talk with students at MCC about poetry. Julie reached out to several faculty members, and I ended up scheduling two classes with Julie Damerell, an MCC professor who is herself a poet.

    I showed up in Julie’s first class at 9:30 a.m. on Thursday. She warned me that attendance wasn’t always stellar, and that the previous class had seen one student attend. The class was a transitional class, for students who needed some extra guidance in English as they began their college careers. On this day, four students came, and it turned into one of the most incredible experiences I’ve ever had with poetry.

    I have to be honest – I had absolutely no plan whatsoever when the class began. I’d given some thought to what I might say, and Julie Damerell had also suggested some topics. But when the four students were seated around the table and it was my turn to talk, I hadn’t decided on anything other than, “Hi. My name is Jason Crane.” Once that was said, I was winging it all the way.

    The first thing I did was read them a poem from Unexpected Sunlight called “The Soft Friction Of Sliding Glass.” After I read the poem, I explained that it’s about my first serious girlfriend. This was all Lawrence, one of the students, needed to hear to begin a conversation. We talked about including a poem about an old girlfriend in a book dedicated to my wife. Lawrence thought that was a crazy thing to do, and he was sure that it would cause some kind of problem. I told him that my wife and I have been together 15 years, and that I want my memories to be close to the surface because I believe that makes me a better husband. Samantha, another of the students, chimed in to say that people don’t have to forget what happened to them just because they aren’t with that person anymore. The discussion carried on for several minutes, and I knew we were going to have no problem filling up the class time.

    Next I asked the students to read “Gene Ludwig” and then tell me about the man described in the poem. I asked them to describe him physically and tell me what he did for a living and what he was like. They made their guesses, some closer than others, and then I told them about Gene and his career as a jazz organist. Julie looked up Gene online and showed the students his picture, and Lawrence talked about how Gene “is true to himself when he plays music. He can show people who he really is.”

    Laura, another student, had been reading my poem “For Henry Grimes” during the latter part of this discussion, and she said she wanted to know about Henry next. I asked her to read the poem, and then asked the class to describe Henry. Lawrence said Henry reminded him of the old men who sit on the stoop on his street and watch the neighborhood. I described Henry’s incredible story of success, disappearance and rediscovery and asked Laura to read the poem again with this new knowledge.

    We read more poems and talked about them, with the conversation veering into general discussions about life and art and creativity. Laura told us about her grandfather and her siblings and Samantha talked about the poems she’d written. They read more of my work aloud, and I decided partway through the class to give them each a copy of Unexpected Sunlight.

    These four students opened my eyes to a new way to hear my own work, and their intelligent, often surprising observations were a joy to hear. I’m truly grateful for the experience. After the class, I wrote a poem called “Attention” in tribute to them.

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    POEM: Attention

    Listen to this poem using the player above.

    A tribute to four college students who helped me appreciate poetry in a new way.

    Attention

    Laura calls her teacher “Miss”
    when they meet after class
    she’s grown up in a family
    that understands the weight of respect

    Lawrence laughs flashing gold
    his experience etched on the surface of his skin
    he navigates with no need of a compass
    gives nicknames to the old street-guardians

    Samantha hooks her long brown hair
    over her right ear, the better to hear you with
    she’s already a swimmer
    wet from the ocean of words

    Jeff is the quiet one, taking it in
    but he reaches for the book
    leafs through the pages
    asks what needs to be asked

    Laura’s grandfather calls his daughter
    by the wrong name, always hard to understand
    but he’s had to learn two languages
    breathing this air with his heart in other soil

    Samantha writes poems, too
    she knows what it means to love
    can discern the crucial differences
    can hold on to what’s real

    Lawrence’s car has a fancy muffler
    misnamed, in fact, because muffling
    is not its purpose, it is a trumpet
    heralding his presence

    these four cast wide nets
    infuse old words with new meaning
    give a precious gift with no expectation of return
    these four make the words worth the writing

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    Two days of poetry (part 2): St. John Fisher College

    Following a fun afternoon of poetry in Avon, NY (see part 1), I headed to St. John Fisher college in Rochester, NY, for the May edition of the Rochester Poets reading series. I was one of two featured poets, the other being my friend Matt Smythe.

    Matt and I both went to high school in Canandaigua, NY, a picturesque town about 40 minutes from Rochester. The town sits on one end of Canandaigua Lake, with Naples at the other. Matt graduated in 1990 and I escaped the following year. We never hung around in high school, although we each knew the other existed, and we had some friends in common. We both left town after graduating and didn’t see each other again for more than 15 years.

    In 2008, our mutual friend Travis Nixon died after a long battle with cancer. He was 36 years old. Travis owned the gift and game shop Coyote’s Den in Canandaigua and served on the city council. He was beloved by the community, and people of all ages were at his funeral. Matt and I were among them, and we talked for a few minutes after the funeral. Matt had spent nearly a decade in the Army, then ended up getting an advanced degree in literature with a focus on poetry. Not long after, I sent Matt an early version of the manuscript for Unexpected Sunlight.

    Sending out a manuscript to other poets is a tricky business. For the most part, in my experience, you’ll get no comments at all. Occasionally you’ll get a short note. If you’re very lucky, you’ll get what I received from Matt – detailed, poem by poem, line by line analysis of the manuscript with suggestions and comments. Matt’s careful eye made the manuscript much better than it would have been, a fact for which I’ll be forever grateful.

    Fast-forward to 2010. By some freak of publishing fate, the lovely folks at FootHills Publishing decided to risk the complete collapse of their 25-year-old press by putting out Unexpected Sunlight. That meant it was time for me to start organizing readings wherever I could. And although I’d lived in Rochester from 2000-2007, I’d been completely inactive in the poetry scene. The two names I knew were Frank Judge and Writers & Books. I contacted both about doing a feature reading, and Frank responded to say he had a slot in two weeks and could I make it? I accepted and requested that it be a co-feature for Matt and me.

    And so on Wednesday, May 5, a group of about 30 people gathered in the Hughes Rotunda of the Wilson Education Building at St. John Fisher College. Several of the attendees had never been to a poetry reading. A friend was there whom I’d last seen her in 1991. Two of my sister’s friends were there (huzzah!) as were many other friends from my years in Rochester. Thanks to everyone who attended. It was wonderful to have you all there.

    The reading itself was a lot of fun. Matt and I asked Frank to call us both up to the front of the room so we could flip a coin to see who would go first. My side of the coin came up and I led off. I read a mix of poems from Unexpected Sunlight and some newer poems, too. I also read two poems of Matt’s (“Stoplight Red” and “The Air On Bourbon”), because we’d decided in advance to each read the other’s work. I love Matt’s writing and enjoy reading it aloud even more.

    Matt followed me with a strong set, some of which came from his master’s thesis, a book-length collection called All Water. Matt is passionate about music and fishing and human relationships, all of which comes through in his work. As I mentioned, he also spent eight years in the military, and his experiences certainly inform his writing. Matt read two of my poems, too – “Come with me, Shelby” and “Lottery.”

    All in all, a rewarding evening of poetry, surrounded by friends and fellow poets. And I don’t think it will be the last time Matt and I work together. Stay tuned!

    Coming up in part 3: I was the guest speaker in two classes at Monroe Community College on May 6. It was a transformative experience. Read part 3.

    Thanks to Rome Celli for the photos used in this story.

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    Two days of poetry (part 1): Avon, NY

    What could be better than a day full of poetry? How about two days full of poetry?

    I traveled to the Rochester, NY, area this week for a series of poetry events. On Wednesday, May 5, I made my first stop in Avon, NY, about 30 minutes from Rochester. I joined Alan Casline, John Roche, Paulette Swartzfager, Stephen Lewandowski, Dwain Wilder and Ken Warren for an afternoon of poetry beside the cannons in the park. The park is in the middle of a traffic circle in downtown Avon, so our reading was accompanied by the slow circling of cars and trucks and the occasional, slightly confused pedestrian.

    Alan Casline [pictured at left] brought ambrosia with mead to share with the group. It was a gorgeous afternoon, so we sprawled out on the grass to listen and to soak up the sun. Alan read several poems, including one about a hike he and Steve Lewandowski went on that included a line about Steve sliding down a snow-covered bank “like a third grader on a lunch tray.”

    Ken Warren [pictured at top] was visiting from Ohio. [Correction, via John Roche: “Ken Warren spent decades in Ohio, but recently moved to a town near Lake Ontario northeast of Buffalo.”] He read a few poems and then a longer prose piece remembering the killings at Kent State, the 40th anniversary of which had passed the day before. It was a very powerful essay, well researched and full of moving quotes from people who had been on the campus that day.

    John Roche [pictured at left] paid homage to the location of the reading will several poems about Avon, the town where he makes his home. One of his pieces was a protest poem about the closing of a local watering hole. I enjoyed John’s intensely specific words of protest — it’s important to be reminded that protest poems can be very, very local.

    I went next, reading a new poem, “The Last Piece Of Ice Under The Sky” along with “I Am Not An Indian.”

    Stephen Lewandowski, [pictured at left] a longtime chronicler of — and advocate for — the Finger Lakes region, ended his set of poems with one that took me completely by surprise. It was a poem about the increase of the signal strength of Jazz90.1 (WGMC) and Steve’s resulting ability to hear Oscar Peterson and other jazz greats at his Finger Lakes home. What made this poem so surprising for me is that boosting the station’s power was a project I oversaw as station manager of Jazz90.1 from 2002-2004. What was even more surprising was that it was a complete coincidence that Steve read the piece — he didn’t realize my connection to the station. I was very moved to hear someone who so appreciated the results of all those thousands of hours of fundraising and advocacy.

    Unfortunately, I had to leave right before Dwain Wilder [pictured at left] and — I assume — Paulette Swartzfager read (sorry!), so that I could make it to my own reading that night at St. John Fisher. But I thoroughly enjoyed spending an afternoon in the company of such insightful people. I hope the “poetry at the cannons” reading will be just the first in a long series of such events in Avon.

    Coming up in part 2: My “book tour” continues at St. John Fisher with fellow poet Matt Smythe. Read part 2.

    Thanks to Paulette for the photos in this story.

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    POEM: The Last Piece Of Ice Under The Sky

    The Last Piece Of Ice Under The Sky

    There would be no point in climbing this mountain,
    not even to speak to the wise man at its summit.
    He has no answers, no solutions. He is merely old,
    and that’s no achievement when you live on a mountaintop.

    There are two men trapped at the bottom of a deep well.
    Were they to assist one another, it is possible they could escape.
    Instead they choose to urinate on one another, destroying
    their supply of drinkable water and ensuring they remain trapped.

    The wise man can see the mouth of the well from where he sits,
    because years ago a climber with no money gave him, as payment,
    a powerful set of Zeiss Classic 20×60 binoculars, strong enough
    to turn a busy colony of ants into a whirling dervish of people.

    By the time the climber had reached the base of the mountain,
    he’d realized that the binoculars were more valuable than
    anything the old man had said, but the thought of re-scaling the peak
    turned his stomach to ash and filled his mouth with regret.

    Turning northward, the old man can see the last piece of ice under the sky.
    Upon it sit two polar bears, and between them on the ice is
    the last fish from the water, their final sustenance. Inevitably,
    they tear one another in two, rather than the fish, their blood staining the ice.

    None of that really happened, did it? asks the filmmaker on the summit.
    He’s come to make a documentary about the old man, to record his wisdom
    for a decadent, unenlightened age. But the filmmaker is an unbeliever,
    refusing to accept what he can see through the camera’s unblinking eye.

    The old man smiles and extends the binoculars, offering
    the filmmaker a closer look at the world-as-it-is, as it, in fact, must be.
    The filmmaker shakes his head sadly, packs his camera back into its case,
    and begins the slow climb back to the foot of the mountain.

    He reaches the bottom and passes the well where the two men are still trapped,
    their lack of drinking water also meaning a lack of urine for their battle.
    The filmmaker thinks he hears moaning from the bottom of the well and almost
    goes to look. But refusing to believe his ears, he turns and walks away.

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    May 5: The book tour continues in Rochester, NY


    Click on the image to see a larger version of the poster.

    May 5, 7:30 PM
    Rochester Poets May Reading at St. John Fisher College
    I’ll be performing a 20-minute set, as will my friend and fellow poet Matt Smythe.
    Born and raised in Canandaigua, NY, Matt Smythe is a Creative Supervisor/Producer at Jay Advertising in Rochester. After serving 8 years in the U.S. Army he returned home to complete his A.S. in Biology at Finger Lakes Community College and his B.A. in English from SUNY Brockport. He received his M.A. in Literature from George Mason University, in Fairfax, VA. An avid outdoorsman, Matt writes poetry and non-fiction for his blog, fishingpoet.com, and has had work published in Redactions, Long Shot, The Ganargua Review, The Yale Angler’s Journal, Blueline, Frantic Egg, Noochbomb (online), Persona, Jigsaw, and The Kerf. He was also a 2000-2001 recipient of the Lannan/Folger Shakespeare Fellowship in Washington D.C.

    DETAILS: Wednesday, May 5, 7:30 p.m. Hughes Rotunda, Wilson Education Bldg., St. John Fisher College. 3690 East Ave, Rochester NY. For more information, contact Rochester Poets President Frank Judge at rochesterpoets@gmail.com or 585-260-9005.

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    POEM: Insane Clown Posse

    Big Tent Poetry

    I don’t usually post two poems on the same day, but here goes. This is in response to the first-ever prompt from the new Big Tent Poetry. Click on the image below to enlarge. In many browsers. you can click on the bigger image, too, to make it EVEN BIGGER. Crazy!

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    POEM: all the world

    all the world

    in the hazy moments before sleep
    I turn toward the window, think of you
    my cheek resting on the cool pillow
    I wonder where you are, what you’re doing
    is your head cradled by soft down?
    are you looking at the same moonless sky?
    do you hold my face in your eyes,
    imagine my warmth beside you?
    once we walked along village streets
    making plans for the future
    now I sleep alone, think often of the past
    memory is a vast theater of empty seats
    the curtain removed years ago, the ushers released
    I sit on the edge of the stage, swinging my feet
    the echo of my heels hitting the wood
    accentuates the exquisite loneliness of this room
    a jolt as my body falls and I am awake again
    face turned toward the window
    cheek resting on the warm pillow
    thinking, as always, of you

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    POEM: the chase

    the chase

    300,000 madcap monks
    line up in rows

    myopics who cannot follow
    the treeing of the raccoon
    by a pack of wiseacre hounds

    the raccoon’s claws draw
    molasses from the trunk

    a dark glob balancing on its
    nose like a circus trick

    the monks follow the smell
    to the base of the tree

    where sits a Spanish violinist
    who plays a jaunty reel

    the monks begin dancing
    the raccoon begins dancing
    the tree begins dancing

    the hounds circle round
    find soft spots in the sticky grass
    and settle down to sleep

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    POEM: Red is…

    Mark Rothko, No. 301 (Red and Blue over Red), 1959 – Moca Permanent Collection

    Red is…

    the color of the rush
    the sound of the audience
    the flame behind your eyes
    the tingle in the fingertips
    the vibration inside
    the salt on the tongue
    the cast of the rain
    the taste of need
    the washing over of the past
    the end of the tunnel
    the soft touch of skin
    the hard echo of calling
    the turn of the key
    the clatter of footsteps
    the remains of ashes
    the promise unspoken
    the thought unvoiced
    the blush of truth
    the cry of a hawk
    the whisper in the hallway

    Red is the ringing phone
    that is never answered.

    Red is the back that turns
    to the pounding on the door.

    Red is the question that
    no answer ever rises to meet.

    Red is the waning
    of the moon.

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