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Category: Auburn

POEM: karahindiba

karahindiba

sold by seedsmen for a spring wonder
from root to blossom
karahindiba is a flower
for cultivation
rich in micronutrients
used for many conditions
karahindiba is the shape of the leaf
is a valuable herb
is an indefatigable windbag
karahindiba is called the rustic oracle
its flowers always open
karahindiba is believed
is healthful
is perennial
grows best in full sun
karahindiba is a common meadow herb
the new kale
an aggravating lawn weed
karahindiba is good for you

18 March 2013
Auburn, AL

/ / /

I was stuck for something to write about (or more accurately, I was trying to avoid writing about a particular thing), so I turned again to Charles Bernstein’s Experiments. I asked my friend Sarah to pick a number between 1 and 91 (she chose 77). That experiment called for a Googlism search on a word. She picked “dandelion.” I then took the results and arranged the words into this poem.

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POST: his master’s tombstone

his master’s tombstone

“Amos Wynn, born in slavery
at his own expense he had a marker placed
on the grave of his former master
erected by a white friend 1947″

— on a marker in Baptist Hill cemetery, Auburn, AL

near the cemetery gate is a marker
to commemorate Amos Wynn
who saved up his money
to buy a headstone for the man
who had enslaved him since birth
the marker reads erected by a white friend
oh the happy slave
who was treated well
who loved his master
who grieved when his master passed
by all accounts they were friends
Amos and the man whose last name he shared
not through birth but through possession
when his master died violently
at the hands of another
Amos worked and saved
borrowed and begged
until he could afford to place the stone
that his friend’s widow never placed
it’s hard to know what to make of all this
the natural tendency is to be angry
to feel — on Amos’s behalf — that it’s all a lie
a horrible misrepresentation of history
a false telling of Amos’s inner life
but perhaps harder still to imagine, to accept
is that he might really have loved his master
for if that is true, what else might be true?

17 March 2013
Auburn, AL

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POEM: something about the sunlight

sunlight

something about the sunlight

it’s something about the sunlight
the way it hits your skin
here where the ghost keeps his lonely watch
over actors and students

or maybe it’s the way the universe expands
even faster in your presence
like the stars and the planets
are eager to please you

I know how they feel
as I drop what I’m doing, fling open the door
rush into another gorgeous afternoon
in search of adventure

it’s not the destination
it’s not even the journey
the real key to a joyous life
is whom you take with you

16 March 2013
Auburn AL

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POEM: known unknowns

known unknowns

how to calculate the circumference of a circle
which towns are north of me and which are south
how to make you change your mind
which person is “you” in the previous line
where the treasure is by the fence in the cemetery
whether I should go there or ask them to come here
what’s going to happen in the morning, or any time
exactly what happens to the air when I breathe it in
how many feet of intestines I have
or why they get all bunched up when you come around
which person is “you” in the previous line
the distance from the Earth to the Sun but maybe I do
the distance from the Earth to Mars
and how many little robot explorers we have there now
what will become of my sons
all seven of the deadly sins or who came up with them
what you look like when you’re completely at ease
which person is “you” in the previous line

15 March 2013
Auburn AL

/ / /

I got home tonight from a night out with friends and realized (a) I hadn’t written today’s poem and (b) I had no idea what to write about. As I often do in those situations, I turned to Charles Bernstein’s Experiments and chose #92.

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POEM: surefire recipe for a good lunch

surefire recipe for a good lunch

1. beans and lettuce and quinoa
2. a little lemon and olive oil
3. a sunny table on the lawn
4. exactly the right person

In a pinch, all you really need is #4.

12 March 2013
Auburn, AL

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POEM: Jupiter

Jupiter

Jupiter

there are days when even the bright sunshine isn’t enough and I need to come home to hide myself away for a while / I am up in my tower where I’ve pulled up the rope ladder so no one can reach me / meanwhile down below in my backyard there’s a Kiwi painting Andy Warhol images on an old piano / look I could try to explain but if you don’t understand then I probably can’t make you / but let me try to put it simply / it’s a weight / a heavy weight that is constantly there / like / being on the surface of Jupiter / where it’s possible to move / maybe even move / convincingly / but not without a lot of effort / does that sound too melodramatic? / I don’t mean it to / I mean for you to imagine carrying around this extra weight all the time / just as a function of living / not because you’ve done anything wrong or because anyone / has done something to hurt you / after enough years it gets exhausting / some days are much better than others / some days you make bagels and play the ukulele and laugh and tell stories / and almost forget / almost / but even on the best days / even on the days when you feel you might slip the surly bonds of Earth / (to paraphrase the poet) / it’s there / tied to your ankle or belted around your waist or yoked on your shoulders / there must be a key for the lock / somewhere / right?

/ / /

I don’t usually write about depression, even though it’s one of the single most influential elements in my life. It wasn’t until I was 34 or 35 that I finally got diagnosed and started treating it with therapy and drugs. Recently it’s been getting bad again, but I’m grateful that I least have the tools to realize that and deal with it skillfully. I’m not quite doing that yet, but I will soon. In addition to the stigma that often accompanies mental health issues, part of the problem is just describing them. It’s like describing red to someone who can’t see colors. The analogy in this poem is one I often use.

Photo source: http://solarsystem.nasa.gov/

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POEM: tracks

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tracks

we sat on a low wall
telling ghost stories
waiting for a train
that never came

walked home
behind the sleeping houses
with their backs
to the silent tracks

at the apartment
there was fresh berry pie
with dotted butter
still warm from the oven

we listened to Yeasayer
stared like new parents
at a lava-lamp cat
on the patio

the cat wasn’t worried
about the future
or the past
smart cat

/ / /

(Photo source: http://www.flickr.com/photos/bblankwater/)

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POEM: I mean come on

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I mean come on

no
seriously
how many more of these
could there possibly be
did I anger some pantheon of gods
of whom I was not previously aware
the first one was fine
understandable
there’s always going to be one
even just looking at it
from the point of view of numbers
stats, I mean
but then there was another
and that was a little more frustrating
and then a third
which is when I started to think
perhaps I was wrong about this whole
non-theist thing
though this feels more like the work of Loki
than some Old Testament Jehovah
actually, that’s not true
he was a trickster, too
it’s getting so predictable
I was barely even surprised
when the fourth one hove into view
a few weeks back
at this point I’ve just about given up
any day without one
is just a day of reprieve
not a sign that the cycle is broken
maybe I’ll take up golf

4 March 2013
Auburn, AL

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POEM: the armchair bird lover in the raptor house

The Birds 1

the armchair bird lover in the raptor house

when a bald eagle flies two feet above your brain
you realize
if it wanted to end your day early, it could

I’ve seen Hitchcock’s The Birds several times
it never felt terrifying to me — or if it did, it was the loss of control
not the birds themselves

but today, learning that the Peregrine Falcon
can drop from the sky at nearly 300 miles per hour
and has a beak designed to break cervical vertebrae

well, let’s just say I get why Tippi Hedren was screaming

I’ve always loved birds — the first nickname I ever had was “Jaybird”
bestowed on me by the Franciscan friar who also gave me
my first idea of what I might like to do for a living

I’m the kind of suburban bird lover, though
who’ll put several feeders in the backyard
without ever learning the names of the birds who show up

oh, I buy bird books and I own a pair of high-quality binoculars
but I can’t see colors well enough to use the books
and I mostly use the binoculars to look at the stars

recently I adopted two small parakeets whose Aboriginal name means
“good for eating”
once I had flying pets in my house I realized
I loved having them swoop and swirl around me
though not everyone does

my friend asked “why don’t raptors attack people?”
I don’t know the answer
all I can say is we’re lucky they’ve decided to share the planet
rather their enforce their much-older claim

3 March 2013
Auburn, AL

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POEM: Ode To William Stafford

william-e-stafford (1)

Ode To William Stafford

I can see him spread out on the couch
pad of paper in one hand, pencil in the other
a far cry from the camp where he’d spent time
as a conscientious objector during the war
in high school, two of my friends
counseled male students about selective service
and how they could register as objectors
there was no war on — or at least no draft
but my friends were eager to tell their fellow students
that resistance was possible, even necessary
really, though, we had very little at stake
we were middle class white kids
none of us would be wearing a uniform
unless we chose to
not so in Stafford’s day, when the arm of the state
could pluck you from your kitchen table
drop you in a European field
before you’d had time to put down your cereal spoon
when to say no was a criminal act
because everyone else was saying yes
planting their Victory Gardens
buying their War Bonds
never asking how they’d gotten there in the first place
“Wouldn’t you have fought Hitler?” is too easy a question
a better one is: “What could we have done earlier
so Germany had no need for a Hitler in the first place?”
this is what I think of when I think of him
there on the couch, pencil and paper in hand
trying through his writing to fix our broken world

2 March 2013
Auburn, AL

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POEM: charismatic megafauna

bear

charismatic megafauna
(for L)

she spends her time with a very charming grizzly bear
he listens to what she has to say
asks about her day — and really means it
he goes to the shows she wants to see
even if he doesn’t always share her passion for modern art
what a pair they make:
she in her t-shirt and jeans and Chuck Taylors
he in nothing but his glistening fur
when he stands on his hind legs to open a door
he towers above her
but there’s gentleness in his muscled frame
like a linebacker who’s taken ballet lessons
they walk everywhere
he can’t fit in a cab or a subway car
but she doesn’t mind
she’s always liked the outdoors
gets outside whenever she can
night or day, rain or shine, hot or cold
so more often than not if you’re out and about
you’ll see them
a dark-haired woman and her bear
hand in paw
making the most of life

March 1, 2013
Auburn, AL

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POEM: the koala bear and the joshua tree

250px-Koala_climbing_tree

the koala bear and the joshua tree

the moon is so bright
that every crater and every sea is clearly visible
to the naked eye
even from Alabama
where we are listening to U2
and dancing in the driveway
on behalf of all right-thinking people
everywhere
and if you don’t believe it’s true
we encourage you to put on a funny hat
look up into the sky
and move your feet to the rhythm
till a smile takes over your face

28 February 2013
Auburn, AL

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POEM: stained

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stained

there’s a red stain on the cracked driveway
it’s no longer wet to the touch
yet it still drips onto the yellowing paper promises
we keep under lock and key and glass
in the places we call sacred
what kind of man does it take to hide in the honeysuckle
to shoot another man in the back
for the simple act of wanting to be human
Utah Philips said the government doesn’t give you your rights
so it can’t take them away
that’s too simple, though
for that to be true, we all have to decide it’s true
we’re a long, long way from that day
for now, those whom a few of us elect
and those they choose in turn
get to decide which of us gets a key
to the small red gate set into the high wall
they’ve built around the last expanse of open space
standing on this cracked driveway
feeling the red stain through the soles of my shoes
I’m not hopeful that all that many keys have been made

27 February 2013
Auburn, AL

/ / /

This poem was partly inspired by this column by Charlie Pierce.

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POEM: walking with Basho

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walking with Basho

morning and evening
someone waits at Matsushima!
one-sided love

I know how she feels
though there are no pine trees
outside my lonely window

viewing the moon
no one at the party
has such a beautiful face

they are all lovely
in a way I find hard to describe
the scent of tea from the kitchen

in the world outside
is it harvesting time?
the grass of my hut

indoors all day
birdsong as I read the paper
sun warming the room

speaking out
my lips are cold
in autumn wind

I want to kiss you
though I know I can’t
so I picked two yellow flowers

I didn’t die!
the end of a journey
is autumn nightfall

if I am not stronger
at least my feet are toughened
by the stones on this path

from this very day
erase the inscription with dew
on the bamboo hat

starting out again
through the tall grass
where no one has blazed a trail

25 February 2013
Auburn, AL

/ / /

I first read the work of Japanese poet and travel writer Matsuo Basho in 1991, when I was living in northern Japan, in a town he’d once passed through. I’ve been inspired by his style and his daring ever since. The italicized sections of this poem are haiku poems written by Basho. The non-italicized sections are mine. If you’ve never read any of Basho’s travel journals, I recommend Back Roads to Far Towns: Basho’s Oku-No-Hosomichi (Ecco Travels).

I’ve written about Basho before

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