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Category: Audio Poems

POEM: Entrances & Exits

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Entrances & Exits

Jason Lee Borders entered the world
on a late-summer afternoon in 1973,
sharing his father’s middle and last names
and containing a small flaw in his DNA
that he also shared with his father,
who, unlike Jason Lee Borders,
wasn’t strong enough to resist the genetic revolver.
Instead, he held it to his temple and pulled the trigger,
and a wash of alcohol broke through the levy
and swept the borders away.
Before the little boy drowned,
his mother crept through the window
and ran with him into the night,
gene still intact, waiting.

Jason Lee Gustavson entered the world
in a courtroom in 1979
after the requisite paperwork had been filed;
a new identity, a new life,
another in a long string
of relocations and reorientations.
By this time, even at his tender age,
he’d made one of the few choices
to which he’d remain true,
deciding early on
to leave his father’s revolver tucked in its padded box
in an unlocked drawer of the old oak dresser.
As it turned out, though,
his father wasn’t the only parent with a gift,
and generations of overflowing bathtubs
in the brains of his maternal ancestors
were slowly leaking through his own skull,
surrounding his spongy gray being
with a dark fluid that obscured light and memory.

Jason David Crane entered the world
at a kitchen table with his grandparents
in 1994 after a late-night session of salsa music.
They’d gone through all the family names
when his grandfather suggested the family
for whom an aunt had washed the laundry.
As a gesture to the father
whose name he was leaving behind,
Lee became David
and he became a man.

Jason-Lee-David-Borders-Gustavson-Crane
entered the world and left the world and
entered the world and left the world and
entered the world. His bathtub overflowed
and he sank beneath the water,
one hand clutching the smooth porcelain side.

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POEM: on Tuesday, all as one

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This was an idea I had for a short story, but I decided to try it as a poem.

on Tuesday, all as one

on Tuesday, all as one,
every creature on earth
experienced a moment
of pure happiness

not the exhilaration
of acquisition
nor the momentary joy
of orgasm,

but a feeling that all
was in its place
and the way ahead
was clear

no babies cried,
no dogs howled,
and the sleepers sighed
and unclenched their fists

a smile stole
across the face of a boy
sitting beside
a baobab tree,

and two lovers
turned toward one another,
their quarrel
forgotten

babies born
at that instant
entered the world
quietly,

their mothers and fathers
exhumed
from beneath mortgage payments
and piles of bills

as the clinical beeps turned
to a tone
and she released
his thin hand,

a daughter saw
her father’s brow
un-knit and watched the pain
pass away

shafts of sunlight
fell
across the needed places
of the world

and on the other side
a starry night greeted
watchmen, nurses
and late-shift taxi drivers

voices lowered,
index fingers relaxed,
jaw muscles loosened
shoulders dropped

in the coffee shop
on the corner
near the library,
everyone was laughing

and the child hiding
in the boys bathroom
stepped out
into the school hallway

true, the moment passed,
but forever after,
strangers passing in the street
caught one another’s eye

and some would grin
and some would smile
and some would simply look,
knowing

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POEM: Biography

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Biography

I could do anything.

I want to do everything.

And so I do nothing.

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POEM: Creeley’s Balloon

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Written on a lazy afternoon while overdosing on the poetry of Robert Creeley.

Creeley’s Balloon

Why can’t we feel the Earth going around the sun?
Why can’t we feel the world spinning?
I tiptoe on squeaky floors so as not to wake my son,
while the cat sleeps on his back under two sheets of paper.
Now I’m in bed, listening to a love song by an old Nazi
and reading Creeley, most of which I don’t understand.
On the cover of the book he’s grinning,
spent cigarette in his lips, hat on the back of his head.
I think he’s in a hot-air balloon, somewhere
over the western desert.
What is lighter than air?
What is heavier than sorrow?
Faded in the background, a mesa,
above it, a cloud,
captured by the lens for just that one moment.
Who snapped the photograph?
Who is the other passenger?
“It was at those times that I carried you.”
I used to find that so comforting
until I realized that “those times”
call for us to plant our own feet in the sand,
on this shifting ground that is spinning, whirling
around a sun in a galaxy
that is itself spinning
in a universe
that is growing into something we cannot explain.

And yet

there is Creeley, now long gone,
in his hot-air balloon, smiling at me,
and I tiptoe to the bathroom, and my son stirs.

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POEM: The Soft Friction Of Sliding Glass

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A love poem.

The Soft Friction of Sliding Glass

On the living room carpet, after the prom,
she raises her pale arms in the light
coming in through the sliding glass door.

Understanding, amazed, he reaches down,
takes hold of the bottom of her sweatshirt,
and slides it up over her head.

For the first time, there is nothing between them
but air, skin and propriety.
He can’t believe that this diminutive, angelic gift is his.

He leans over to kiss her,
but even more to feel her skin
and the rise and fall of her breath.

They slide to the floor, arms around each other,
mouths and hands and thighs and stomachs
searching for every inch of long-sought completion.

For all that there have been many moments of exploration,
long afternoons desperately quiet in her upstairs bedroom,
it is these few moments that he will remember most.

Sitting quietly on the couch many years later,
accompanied by the gentle rush of a fan in the next room,
he will close his eyes and once more

feel her under him,
his palms remembering the soft friction of her,
his body still responding, even now.

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POEM: Maple Leaf

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I wrote this over the weekend on the train from Albany, NY, to Rochester, NY.

Photo (c) 2008, Brian Cameron
Photo (c) 2008, Brian Cameron

Maple Leaf

ice flows on the canal
and I flow the opposite way,
bound west on two steel lines
toward my old not-home

now the water is a river
filled with half-wild islands
and on each piece of snowy ground,
a flock of waiting birds

Amsterdam, Utica, Syracuse —
ancient and exotic names
they have turned their backs
on the water and rails

further on now through fields
where sparse grasses and weeds
poke up through the snow
like drowning men’s fingertips

blowing snow, fog-like
makes of the rail line a dream sequence
empty nests wedged in tree limbs
empty factories with no hope of spring

for an instant, beside the tracks,
two men with rifles search the trees for prey
while nearby an empty backyard
where an empty swing set sways

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POEM: bus stop effigy

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Image (c) John Brodkin
Image (c) John Brodkin

bus stop effigy

bus stop effigy
low-wage lynching
victim waits
to move from one
rat hole to the next
stop on the line
with only ends
no destinations
no cessation
puffy down coat
conceals smoldering
fire in the gut
winter air hides
shamefaced blush

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