Cartier-Bresson’s Alberto Giacometti Going Out For Breakfast, Paris.
He looks like a carved wooden gnome or a mushroom that might kill you. The street is so wet from the rain that he seems to be walking on water, a hunched savior in search of a warm baguette and strong coffee. Even the trees look cold: thin, exasperated, over it all. The artist is mid-step, toes of one foot raised as if he’s debating whether to go on or turn back. The gray and the rain are strong. The stomach is stronger. It’s this, just this, then back to the tiny studio crammed wall to wall with imagination realized; electricity in the brain transferred to the hands, to the clay, to each of us admirers. But first, coffee.
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22 July 2025 Charlottesville VA
In the latest Staple Day newsletter from Field Notes, they included a link to a photo and an essay about Alberto Giacometti. It inspired this poem, which I of course wrote in my Field Notes notebook (below). The world is so full of inspiration and I love having a notebook in which to capture it.
They make us hate each other to distract us from hating them. There are about 3,000 billionaires and more than 8 billion regular folks. Math isn’t my strong suit but I think we can take ’em.
Overalls on, one strap down, triangle pendant swinging, shining in the club lights. I moved across the floor to Andy Bell’s angelic voice, drawn toward the sound of the closet door opening.
For one year, I made a new me, one with fewer boundaries, with more possibilities, with a rainbow aura wreathing my head. I drew the eyes of men. I felt the hands of women. I did not have the words. I knew them anyway.
At dinner with my cousin on the way out west, I handed her a box containing my new heart. She held onto it for thirty years, until I found the key and unlocked it again. “Always” by Erasure poured out. Again, I danced.
I can’t remember what your voice sounds like, but that’s OK: I forget what my voice sounds like, too. I used to have a tape of my first radio job. My grandpa made it on the boom box he kept beside his easy chair. I always joke that I sounded like one of the Chipmunks. What I really sounded like was a kid. Twenty-one, no clue what was coming, only a dim understanding of what had already passed. Anyway, I’m writing all this because I found a recording of you. I didn’t recognize your voice at all.
The desire to open the notebook, to mark the pages with graphite. To mark. To leave a mark. Tangible evidence of the poet. Poetry as proof of life. In the hostage photo: today’s paper. At the bottom of the poem: today’s date. Poem as ransom note — no amount specified. Pay and pay until God or fate or blind dumb luck sets free the captive. The sweet release of … death?? life? Graphite alone can’t say.
There’s a photo of the filing cabinet on the front of the filing cabinet. We listened, on the way to the cemetery, to a big band play the songs of other big bands. Everything is sincerely flattering. This is where I’m from but I can’t prove it. I’m not in any of the pictures. Now though, Shawnee at The Bookstore knows my name, knows my face. At this point, it’s just her and the undertaker. That feels like it means something.
/ / /
10 June 2025 Charlottesville VA (but set in Lenox, MA)
Every expense was spared at the Stevens Motel. No art in the room. Overhead florescent light. One malfunctioning lamp by the bed. One interrogation lamp on the desk. When my former sorta-in-laws stayed here I thought it was quaint. Doing it alone is … grim. Kelly asked if this would be my last trip to State College. That hadn’t even occurred to me, but maybe? What a gift that would be. It’s taken me years to survive this town. To reclaim some of what it stole. As I watch my son get ready to leave, I hope his mom will follow, so none of us need ever come back.
On the same day I learned my aunt would likely die
On the same day I learned my aunt would likely die, I sent a photo of my cat and me to my mom – the first text in years. I couldn’t tell you why, other than I’m not as angry as I was and my cousin is about to lose her second parent in a month. Maybe rage and love must balance for my universe to exist, some mathematical equation I feel without understanding. I’ve never been good at math but I’ve always been good at feeling. I’m like a reverse Matt Damon in that movie whose title, of course, I know. I’m being poetic. Anyway my mom responded with a photo of their cats. Then my cousin said it’s close. Alex Bregman hit a home run. I breath in, try to feel the math.
It’s been raining for 24 hours, so long the water has won its battle over caulk and now my cat is mesmerized by the drops and streams running down the bedroom wall. I hurry to save photos I’ve stuck up with Blu-Tack: the only photo of my father; my grandmother, young and coiffed; me as a baby against a portrait studio backdrop. As the water drips and pools, my body remembers a night in the van when hours of rain exposed a slow leak in the ceiling, right above my cot. There was nowhere else to lie in those 32 square feet. On this night I wad up a towel at the base of the wall, send a text to the landlord, try to ignore the dripping. It takes a long time for sleep to come.
Perhaps even the abuse was the best they could do. We are none of us prepared to shepherd a helpless life, to watch it grow beyond us while still needing – or worse, not needing – our guidance. I tended the fires of rage until my heart ran out of fuel, until in the ashes that remained I found a stone that was warm to the touch, and silent.
The new pope is an old white dude. I mean they’re usually old white dudes. He once said social media causes the gay. I’m paraphrasing. The new pope was born in Chicago. Might have grown up a Cubs or a White Sox fan. Eating deep dish, listening to the blues. Probably not the blues thing, though. The new pope looked kinda stunned on TV. Maybe he was thinking: “We’re still doing this shit?” He looked as good in the hat as anyone. His Italian sounded OK to me but then again I don’t speak Italian. The new pope is infallible now, I guess. That’ll make Vatican trivia night easier.
flipping through Patrick Heron’s paintings on my phone I think: perhaps these aren’t for me before I slap myself across the face of my mind and remember: I haven’t seen them yet