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Category: Auburn

POEM: The Nurse

The Nurse

Sitting at the bar with a twenty-something
who gave up firefighting to become a nurse.
He wants to save people in a different way.
He vice-grips my hand rather than shaking it,
the way some young men are taught to do
so everyone knows: No Funny Business Here.
Today he put a catheter into a man
whose midsection was swollen with urine.
He said the man’s face changed in an instant,
and he asked my new friend for his name
so he could thank him properly.
How powerful to take away a stranger’s pain.

4 December 2012
Auburn, AL

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POEM: Popcorn Shrimp At The Crossroads

Listen to this poem using the player above.

Popcorn Shrimp At The Crossroads

A young man with an acoustic guitar
wearing a black suit and a fedora
is trying to resuscitate Robert Johnson
in a concrete shrimp shack painted like
the inside of Jim Morrison’s head.
It’s a long way from the crossroads
where Johnson made his bargain.

Either the music’s too loud or
I’m too old. I’m worried it’s the latter.
The groove is good, though, making
me wish I had my saxophone, which
is back in Brooklyn with so many other
things I wish I had.

Once again I’m using napkins
to capture a poem.
For never having had a drink,
I’ve written many of my poems on
napkins taken off bars with pens
borrowed from bartenders.

It’s hard to learn something isn’t
your scene anymore. Now I’m
happy with a book and a cup of tea
or a good record and someone to
listen to it with me. But I came
because someone asked and
if you don’t understand this
sentence then this must be
the first of my poems
you’ve heard.

2 December 2012
Auburn, AL

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POEM: Safe Distance

Safe Distance

Three feet away, she reads River-Horse
in a winter hat, even though Alabama
is warm in November, warm like
spring in the Northeast, with which
I’m more familiar, having gotten my start
in the Berkshire hills and stayed just south
of Canada for most of my life. She is
twisting the back of her hair, the pendant
around her throat dangling over the pages.
She says she’s thinking of giving up
nursing school to drive to Colorado;
she says she needs to travel, to explore,
to get away from the walled-in-ness
that comes with an academic life.
And look, we all understand there’s a lot
I’m not writing here. I’m a little surprised
I’m able to type at all, being as I’m just
three feet away, which is nowhere near
a safe distance.

30 November 2012
Auburn, AL

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POEM: Pushed, Pulled & Prayed

Pushed, Pulled & Prayed
for Tina and Kelley

I drove the reluctant old truck
to the outskirts of town,
where my friends’ house is hidden

down a long gravel driveway.
Maybe that’s the only sane place
to put a house these days.

We passed a small dog around
so she could take turns sleeping
in each of our laps

while we told stories and ate
pumpkin pie with Cool Whip
and drank perfect sweet tea.

“It’s a fucked-up old world
and no denying it.” I think
Gandhi said that.

But then you find yourself
at the end of a gravel driveway
on the near edge of Alabama,

warmly embraced by people
who were strangers just a few
months back, and you think

maybe there’s still a chance
that this story will come out
all right in the end.

That’s why I’m not worried
that the truck wouldn’t start
after dinner, no matter how much

we pushed and pulled and prayed.
I’m sure it’ll start tomorrow.
And anyway, I like walking.

22 November 2012
Auburn, AL

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POEM: They Took Hank Williams To The Moon

They Took Hank Williams To The Moon

They took Hank Williams to the moon.

It’s too bad they never had a chance to land,

because I think he would have liked it there

on that dusty little, lonely little rock.

The kind of place where a man might find

some peace and a short respite from sadness.

The sort of sad that flows like warm blood

through all those old country songs.

The ones sung by men with high voices

that crackled through the radio like

beacons from another world, saying

“Come here. We understand you.”

If I drank whiskey I’d do it in Alabama,

maybe in a little shack at the end of a road.

One where they don’t ask for your license

because anybody who makes it that far

deserves to be let in out of the night air.

I’d take my glass and step out back,

look up into the sky at that crescent moon,

wonder how Hank’s voice would sound

on that lonesome gray rock. Then I’d recall

that it wouldn’t sound like anything without

oxygen, and I’d think maybe I’m lucky

that I ended up down here after all.

17 November 2012

Auburn, Alabama

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Auburn Diary: One Night, Four Bands

(16 November 2012) AUBURN, AL — You can either go where the scene is, or stay where you are and make your own scene.

That came up again and again during my “Jazz Or Bust” Tour this summer. I traveled from town to town finding people who’d decided to stay and create a vibrant scene right where they were. I was reminded of that again tonight as I traveled around Auburn from arts center to restaurant to bar to hear many of Auburn’s finest.

I work at The Gnu’s Room, a nonprofit bookstore and arts center. Tonight we hosted two bands — Low June and Less Than Heroes.

Low June is Scott and Ashley Waters. They’re from Savannah, but we’re lucky to have them here in Auburn, where Ashley is finishing her degree and Scott is helping to run the college radio station, WEGL. Tonight they played a set of originals and covers, including a beautiful banjo-driven version of Leonard Cohen’s “Dance Me To The End Of Love.” I already liked Scott and Ashley, but they certainly didn’t do themselves any harm with me by busting out some Leonard Cohen. There was something about hearing Cohen played on a banjo in Alabama that just felt right. It’s fitting, too, because Cohen was a huge fan of one of Alabama’s favorite sons, Hank Williams.

The headliners tonight, Less Than Heroes, are a really fun nerd-rock band. And they have a big following here in Auburn. The place was packed, with people standing all the way back to the coffee bar in the rear of the store. The show was billed as a “storytellers” concert, so lead singer Quinton Charles Smith gave some background to each song. There were stories of near-death experiences on the highway, a break-up song or two, and a warning about drinking and driving. But my favorite thing Quinton said was this gem: “Everyone wants you to be something — good or bad, beautiful or ugly.”

OK, let me pause for a minute to admit something. It’s hard for me to say this, but it’s the truth and you need to know. Ready? Here it is:

I’m addicted to Katie Martin.

I mean, every time she plays here, I go. I went to a martini bar to hear her play. I wrote a poem about her. I’m one ride on the tour bus away from full groupie status. And tonight I heard her at Maestro, a fancy joint where by all rights I probably shouldn’t be allowed in. Katie was joined by vocalist/keyboardist Marie Robertson and guitarist Zack Milster.

I saw most of a set, during which Katie and Marie divided the spotlight and the songwriting credits. Zach also took some nice country-blues solos on several tunes. Maestro probably isn’t the ideal venue for Katie’s music, though, which is too raw and powerful to fit well in a bar/lounge environment. But I’d go hear her play anywhere. Oh, and I introduced myself to Grammy-winning producer and guitarist Larry Mitchell tonight when he sat next to me at the bar. He couldn’t have been nicer.

The only reason I left is that I was intent on seeing all the bands who were playing in town tonight who’d also played at the Gnu Fall Festival. The last one of the evening: Teacup and the Monster.

Teacup and the Monster is a powerhouse, four-on-the-floor, let’s-all-sing-along kind of band. The kind you want to hear playing when you walk into a packed bar late at night. The Hound was full of people, some of whom were even dancing, which was great to see. I like lead singer Jake Carnley’s voice and songwriting a lot, and I was happy to finally get to hear lead guitarist Tommy Kratzert strut his stuff with a full band behind him. There were a few issues with the mix (which is never easy in a brick box anyway), but I really enjoyed the show and can’t wait to hear them again.

I also want to compliment WEGL 91.1, the Auburn University radio station. I had WEGL on in the car as I was driving from place to place and the music was outstanding. Particularly the Phantasmagoria show, which featured 50s rock and rockabilly all night and just killed it with every track. You know a radio station is doing well when they make you belt out Bobby Vinton’s “Blue Velvet” at the top of your lungs.

You go where the scene is or you stay and make a scene where you are. We’re lucky there are so many talented people in Auburn who’ve decided to make a scene right here.

(NOTE: If you’d like to see all the photos I took tonight, you’ll find them here.)

(ANOTHER NOTE: I wrote this post while listening to The Complete Hank Williams boxed set. I feel an obsession coming on.)

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POEM: There’s a Brooklyn-shaped hole in my chest

There’s a Brooklyn-shaped hole in my chest

At night I listen for the sounds of traffic on the BQE.
When my feet hit the floor in the morning
they point, on their own, toward Terrace Bagels,
a quick thousand-mile walk from here.

Buying freshly made tofu from the nice Korean lady;
using one of our woks to make fried rice in my little kitchen;
watching Billy Bragg and Steve Earle on Coney Island Beach;
coming up from the subway next to the church.

These phantom limbs are attached like my arms and legs.
I can feel the sidewalks of Windsor Terrace and
the cobblestoned streets of DUMBO, smell the miso ramen
at Naruto, hear the church bells on our corner.

In the wake of Hurricane Sandy the news channels
are filled with photos of the flooded city.
All I can think about when I see them is how much
I miss those streets, those tunnels, those bridges.

12 November 2012
Auburn, AL

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POEM: Subtext

Subtext

Hi,

you said

into the long silence.

Suddenly I was a scientist
in my mountaintop listening post,
receiving the long-awaited greeting
from outer space.

I tapped out my reply,

hit SEND:

nothing.

Nothing.

Nothing.

10 November 2012
Auburn, AL

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POEM: Strip Mall In Paradise

Strip Mall In Paradise

This martini bar looks like a Kubrick set.
“I’m sorry Dave, I can’t make you a Tequila Sunrise.”

The water’s out in in the men’s room.
To be honest, it’s out in the whole goddamn place.

The stage angel shouts our names into her microphone,
one by one, as we cross the threshold.

I’m waiting for a masked Tom Cruise to walk slowly
across the room, making too much eye contact.

If this is heaven, I’m glad I never took up drinking.
On the TV behind her head, a drag race.

This is the kind of place where they don’t shut off
the TVs during the show, in case Big Brother

needs to make an announcement. Oceania
has always been at war with Eastasia. Buy

a pocket catheter or a hearing aid named after
the Six Million Dollar Man.

Now she’s throat-singing French into the microphone
as the frat boys down their martinis, baseball caps

on backwards like it’s 20 years ago.
If it makes you feel any better, I scrawled this poem

on four small napkins with the bartender’s pen
because I left my notebook in the minivan.

And if that’s not the sexiest thing you’ve ever heard,
this is going to be a short night.

8 November 2012
Auburn, AL

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Auburn Diary: Settling In

(27 October 2012) AUBURN, AL – It’s been about two weeks since I last updated this blog with something other than a poem. So maybe that’s a place to start.

I find that times of transition are often fertile writing periods for me. As I meet new people and navigate new circumstances and deal with the things I’ve left behind, I tend to get into a place where poems come easily. This isn’t a comment on their quality, of course, I’ll leave that to the readers to judge. But I’m at least inspired to write, whether the subject material is positive or not.

It’s no surprise, if you’ve known me for more than about five minutes, that many of my recent poems have been about relationships. Given how much I’ve been traveling, and how much the significant relationships in my life have changed over the past several months, it’s a constant subject in my brain. And in my meditation practice, too. When I’m on the cushion, watching my breath, the important people in my life always find a way into my thoughts.

So before I go on to the rest of what’s been happening, here’s a quick survey of my recent poems:

  • “barefoot” — A poem inspired by singer/songwriter Katie Martin, whose work I’ve just totally fallen in love with. And once she gets all her stuff up on Bandcamp (hint, hint), I’ll be sending you links so you can hear it, too.
  • “drifting” — One of the hardest things I’ve had to deal with recently is leaving behind someone I really cared about. That’s never easy, and it felt even harder this time because the circumstances were beyond the control of either of us.
  • “mixed blessing” — A poem about someone I met in Knoxville, Tennessee.
  • “if the world is so damn small” — The first night of my current stay in Auburn, I hung out with my friend Patrick and with three other people with whom I’ve continued to spend time. Two of them are from the same part of the world as I am, and one in particular even has some of the same friends and acquaintances. To come to Alabama and immediately meet people who know other people you know just reminds me, yet again, that the world can be a very small and beautiful place.
  • “a park bench on Gay Street” — I walk to work, and my route takes me past Auburn’s Town Creek Park, across from which is a strangely placed bench. This is an observational poem written on the way home earlier this week.
  • “circle yes or no” — A possibly immature poem about dating. Hey, nobody’s perfect.
  • “October” — A little vignette with a bit of tension thrown in.

So what else have I been up to? Well, I’ve been working every day at The Gnu’s Room. Right now, that involves researching grant opportunities, meeting with board members, networking with folks in the arts community, and also simpler things like running the register. I enjoy being there. The Gnu’s Room attracts folks from all walks of life, and they’re all interesting to talk to.

One cool thing about small towns is how quickly you get to know people. It helps that I’ve already made four or five appearances in the various local papers, but even without that Auburn is small enough that it’s easy to develop a community quickly. More than anything, the people are why I want to be here. I’m making friends and meeting very talented artists and spending time with people who make me happy. That seems like a perfect definition of a good place to live.

Three cities ago, I lived in Rochester, NY. After seven years there, most of that time spent in fairly public jobs (on the radio and as a union and community organizer) and running for office, it was nearly impossible for me to go anywhere without seeing people I knew. I’ve been in Auburn three weeks, and that’s nearly true here. I didn’t realize how much I missed that feeling of being part of the fabric of a community until I started to find it again here.

I’ve seen some really good music recently, too.

From Trio Mosaic at JCSM – 18 Oct 2012

Back on the 18th I heard a student trio from Columbus State at my friend Patrick’s A Little Lunch Music series. They played three solo pieces (cello, piano, flute) before joining forces for a lovely trio piece by Weber.

That same night I went to the Sundilla concert series here in Auburn and heard singer/songwriter Susan Gibson, who was a very creative lyricist.

This week Ellington Way performed at The Gnu’s Room — their voices are gorgeous and I also just love watching them play, particularly the way they look at one another when they sing. It’s very sweet.

And there was another Rochester connection, too, in the person of Dan Kwiatkowski, who performs under the name Deeper Than The Ocean. The day before his performance, I took Dan (who is from Churchville) to lunch and we swapped road stories. He’s on an extended tour, just like I was, and it was fun to talk to someone who really understood what that’s like. Many people ask, “How was your trip?” but the reality is that most of the time they just want to hear “good” and be done with it. And I can’t say I blame them. So it’s fun when two people with similar road experiences get a chance to trade tales.

The Gnu’s Room has had a few book events since I’ve been there. The one that moved me most was a reading by the author Carroll Dale Short, who read from his collection of short stories called Turbo’s Very Life. The title story is about how he figured out fatherhood during his divorce, and it really hit me.

There are still some major things to work out here — I need a paying job, soon, and a place of my own, kinda soon (although I really enjoy staying with my friend Rachel). And there’s the distance from my sons, which is difficult, but which we’re trying to mitigate with technology. I hope they’ll be able to come down here soon and spend some time. Auburn will remind them a lot of the football-crazed college town where they live.

All in all, though, things are going well. I’m hopeful and happy, which is a nice change.

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POEM: October

October

the leaves like an early snowfall
blow past the store windows

the trick is to reveal just enough
to expose the heart for a moment only

any more and the truth will thunder
through the room like Poe’s clockwork

catching the attention of the conspirators
who plot at the corner table

25 October 2012
Auburn AL

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POEM: a park bench on Gay Street

a park bench on Gay Street

the sun is hot on my cheek
at this time of the afternoon
but this late in the year
I can escape from it just
by walking down the road a ways

there are two hawks circling overhead
climbing higher into the sky
on a series of thermals

I don’t know whether they can see me
or what they think of me if they do
I wear a lot of black these days
because I’m overweight
but it’s daytime
and I must stand out against the
beige backdrop of the sidewalk
that runs along Gay Street

I should be jogging or doing sit-ups
not sitting on my ass writing a poem
I wrote one yesterday on this same bench
and if history repeats itself
you may find me here again tomorrow

it’s alright

a school buses passes by
full of teenagers who yell
at the joggers, at me, at life

>23 October 2012
Auburn, AL

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POEM: if the world is so damn small

if the world is so damn small

there’s a half-moon over the hill
the evening sun is setting
in the trees across the road
someone left a wire coat hanger
under this wooden bench
my understanding of these things
is incomplete

I’ve never learned the names of trees
so I can’t take the easy way out
can’t fill the page with magical incantations
like the old doctor in Pine Hollow
I don’t know an ash from a hole in the ground
so I call everything with leaves an oak
a safe bet in Alabama

I once sat down across a table in Tokyo
from a woman who was born
in the very same hospital as I was
just a few weeks afterward
amazing

now it seems natural to eat lunch
with someone who turns out to have
all the same friends and to know
all the same restaurants
a thousand miles from the town
we have in common

if the world is so damn small
how did I wear out two pairs of sandals
just going down the East Coast?
and where was I three weeks ago?

22 October 2012
Auburn, Alabama

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