Category: Family

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Red Truck Elegy

Dozer, the beefy black lab, wants into the car
he sniffs the air, scenting my son’s watermelon lollipop

just a few feet away sits our red truck, silent, flashers on
a gift from my dad, it’s different from the red truck

my wife and her baseball team would cram into the bed of
back in Oregon, after the game, going to get ice cream

this red truck is smaller, though it’s hauled its share of wood
the bottom is rusted, looking like something you should

discover with a submarine while searching the ocean floor
I performed my only successful automotive surgery on this truck

using the last wire coat hanger in the world to wire up
the muffler and tailpipe, which were grinding against the axle

my dad couldn’t have done much better, because he
doesn’t know anything about cars or trucks either, despite

being much better versed in practical things than I am
and more comfortable with getting his hands dirty

John flits around the garage, moving from mechanic to Dozer
to the two lazy German shepherds who lie at the feet

of an elderly couple on the garage’s only two chairs
eating submarine sandwiches and adding to the local flavor

if the truck is dead, we’ve decided not to resuscitate it
we’ll just cut the cord that anchors it to us and let it sink into memory

captured in the occasional photograph, just like its bigger brother
with my father-in-law’s head poking into the flower-packed bed

I’ve heard enough stories about that truck that it looms in my created past
almost as large as he does, gone just after I met him, gone too soon

this truck, though, was here just long enough to carry us to the top of the hill
and now we’ll walk down the other side on our own

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A poem for my son John and his grandfather, after whom he was named. John Packard died in April 1996.

John, again
(for my younger son and his grandfather)

he’ll never smell his grandpa’s pipe
never hear him laugh or make a corny joke
he’ll never feel the rumble of the BCS
as it plows up the rich earth for planting
he’ll never sit at the oval table
never pass a bowl of fresh-picked veggies
or watch his grandpa butter warm bread
he’ll never be tickled by a mustache
or smell the sweat on an old t-shirt
never be picked up in a wiry embrace
or put his cheek against rough stubble
but he’ll carry with him the joy in the land
and he’ll walk with solid steps on country lanes
he’ll laugh when laughter is needed
and he’ll stop to help a stranger
he’ll see in his mother’s eyes
the eyes whose gaze he’ll never feel
and he’ll know what it is to be loved

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Origins

Tell me where you’re from

from the Berkshire hills
from a yellow-brick building
with a drug store in the bottom
from a mother and a father
who gave me love and madness
from firefighters in a flooded basement
and old men with missing fingers
from the daddy longlegs, north-pointing
and the tobacco-scented southern earth
from industrial towns in upstate New York
and the blue-carpeted van
from this school and this one and this one, too
always new, always being introduced
from the haven of my room and
from dreams of the ocean
from dinosaur bones and long words
and pretty girls with the same first name
from 27 houses and apartments
in too many towns and cities
from first cars and first kisses
and second chances and third strikes
from the Irish and the German
from the 17th-century seafarers
from the town cowherd and
a documentation analyst
from a radio host and a typesetter
and the receptionist at England Brothers
from drunks and crazy women
who shouted at busts of Wagner
from the laundress and the waitress
and the jailed superintendent
from fire-red Mustang convertibles
and tickling under the dining room table
from submarines and Thailand
and the Housatonic River
from scalding sauce and icy water
and bandages and tears
from desert sands and bald tires
and cheese crackers and Wendy’s
from Chapel Hill to Lexington
Amarillo to Tucson
from the foothills to the mountains
to a backyard filled with stones
from a Big Wheel to a bicycle
to too many unknown homes
from the saxophone to the microphone
to the studio to the stage
from Citalopram and therapy
depression, bliss and rage
from messy rooms and folded laundry
from turn that down and crank it up
from countless hours of talking
and countless talking of ours
from Furukawa to Yokohama
from Catholicism to Methodism to
atheism to Buddhism to atheism
from selfishness to fatherhood
from one side to the other
from husband, father, lover, cousin,
uncle, friend and brother
from Main and Church, from Plunkett,
Chad Circle and Knapp Road
from Dodge and Tanque Verde
from Aoba-ku and Glendale
from Raymond Street and Kellie Court
from Lenox, Pittsfield, Lanesborough,
Syracuse, Oklahoma City, Rochester,
Potsdam, Hilton Head, Concord,
and more and more and more
from Kurt Vonnegut and Hunter Thompson
and Douglas Adams and Hayden Carruth
and George Lucas and John Williams
and John William Coltrane and Steve Lacy
and Charles Mingus and Paul Desmond
and Nova and Batman and Walt Whitman
and Donald Hall and Albert Goldbarth
and Allen Ginsberg and Jack Kerouac
from doubt and fear
from courage and confession
from harmony and discord
from humor and illness
from long-dormant and active
from diagnosis and treatment
and from all the same places you’re from

so…

Tell me where you’re from

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A memory of taking my older son to the bus when he was in first grade.

darkness, whispering

he seems too small
to withstand
the yellow
metal embrace

it gathers him in
and he disappears
lost behind the vinyl
seats tall as walls

I try to wave
but he doesn’t see me
so I walk back home
in the pre-dawn
darkness, whispering
softly, to no one,
that’s my little boy

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Entrances & Exits

Jason Lee Borders entered the world
on a late-summer afternoon in 1973,
sharing his father’s middle and last names
and containing a small flaw in his DNA
that he also shared with his father,
who, unlike Jason Lee Borders,
wasn’t strong enough to resist the genetic revolver.
Instead, he held it to his temple and pulled the trigger,
and a wash of alcohol broke through the levy
and swept the borders away.
Before the little boy drowned,
his mother crept through the window
and ran with him into the night,
gene still intact, waiting.

Jason Lee Gustavson entered the world
in a courtroom in 1979
after the requisite paperwork had been filed;
a new identity, a new life,
another in a long string
of relocations and reorientations.
By this time, even at his tender age,
he’d made one of the few choices
to which he’d remain true,
deciding early on
to leave his father’s revolver tucked in its padded box
in an unlocked drawer of the old oak dresser.
As it turned out, though,
his father wasn’t the only parent with a gift,
and generations of overflowing bathtubs
in the brains of his maternal ancestors
were slowly leaking through his own skull,
surrounding his spongy gray being
with a dark fluid that obscured light and memory.

Jason David Crane entered the world
at a kitchen table with his grandparents
in 1994 after a late-night session of salsa music.
They’d gone through all the family names
when his grandfather suggested the family
for whom an aunt had washed the laundry.
As a gesture to the father
whose name he was leaving behind,
Lee became David
and he became a man.

Jason-Lee-David-Borders-Gustavson-Crane
entered the world and left the world and
entered the world and left the world and
entered the world. His bathtub overflowed
and he sank beneath the water,
one hand clutching the smooth porcelain side.